Thomas Lewis (activist)

In the late 60s, he was involved in "actions" against the war, first as the Baltimore Four, who poured blood on draft files at the Baltimore Customs House in 1967.[4][5] On October 27, 1967, the "Baltimore Four" (Lewis; Christian anarchist Philip Berrigan; poet, teacher and writer David Eberhardt; and United Church of Christ missionary and pastor, the Reverend James L. Mengel) poured blood (blood from several of the four, but additionally blood purchased from the Gay St. Market: poultry blood, according to the FBI, used by the Polish for soup) on Selective Service records in the Baltimore Customs House.[6] Mengel agreed to the action and donated blood, but decided not to actually pour blood; instead he distributed the paperback Good News for Modern Man (a version of the New Testament) to draft board workers, newsmen, and police. As they waited for the police to arrive and arrest them, the group passed out Bibles and calmly explained to draft board employees the reasons for their actions.[7]

While on trial for this protest, Lewis engaged in a more daring one with the Catonsville Nine, who "napalmed" draft files in Catonsville, Maryland.[8] One week later he was sentenced to six years in federal prison for the Baltimore Four protest, and in November 1968 to another three and a half years for the Catonsville Nine. He was ultimately released in 1971, serving out his sentence chiefly at the minimum-security prison farm at Lewisburg Federal Penitentiary.[3]

While in prison Lewis continued to produce art, including over one hundred portraits of his fellow inmates, which he always produced in duplicate to allow his subjects to keep one themselves. The culmination of his work there was a portfolio of etchings, The Trial and Prison, published in fifty copies to raise funds for the movement in 1969, while Lewis was briefly out on appeal. Produced in a prison art studio Lewis had to share with mafia members (for whom it doubled as stash house for smuggled wine and spaghetti), at times using ink of his own concoction from ashes, coffee or cocoa powder, the etchings depict the psychic distress of his fellow inmates and ghostly, near apocalyptic confrontations between police and protestors. The text was written by Lewis, and the cover printed by Corita Kent.[3]

Lewis was a well-known artist throughout the Worcester area, running printmaking workshops at the Worcester Art Museum for almost twenty years.[3] Many of his pieces still survive in galleries and archives throughout the USA. He was an art teacher at Anna Maria College, and he taught printmaking at the Cambridge School of Weston, and Worcester Art Museum. Baltimore artist Earl Hofmann instructed Lewis in art during the 1960s.

Lewis was a memorable figure in the "radical Catholic" movement for his combination of art and activism; for example, Daniel Berrigan described his art as "…a poignant and powerful witness to the survival of the endangered conscience…. He heals the ancient split between ethics and imagination."[9]

The day after the invasion of Iraq on March 21, 2003, Lewis and 17 other activists using the PeaceChain blocked the Natick Chemical Weapons Research Laboratory and were arrested. Lewis spoke eloquently before the Judge during the trial about the consequences of the invasion. He, along with the other members of PeaceChain 18, was convicted for illegal trespass and disturbing the peace. The direct action was organized by the Peace Abbey of Sherborn, Massachusetts.

In July 2012, when Megan Rice, Gregory Boertje-Obed, and Michael Walli entered the Y-12 National Security Complex to perform a Plowshares movement action known as Transform Now Plowshares, they carried Lewis's banked blood in baby bottles, mixed with their own blood and poultry blood.[10][11]