Thom Andersen

Thom Andersen (born 1943 in Chicago) is an American filmmaker, film critic, and teacher best known for his works of experimental film, including his 1975 film Eadweard Muybridge, Zoopraxographer and the 2003 essay film Los Angeles Plays Itself.[1][2][3][4]

Thom Anderson, May 2009

Biography

Andersen attended the University of California, Berkeley in the early 1960s and then returned to his hometown of Los Angeles to attend USC School of Cinematic Arts, where he studied with Arthur Knight and eventually assisted on Knight's project The History of Sex in Cinema. While at USC, Andersen met long-time friend and collaborator Morgan Fisher, who assisted on Andersen's student film Melting, a portrait of a sundae. He regularly attended local screening series including shows by the Trak Film Group and Movies Round Midnight and famously wrote about an unpopular screening of Andy Warhol's Sleep.[5] After USC, Andersen attended UCLA and completed his experimental documentaries Olivia's Place and Eadweard Muybridge, Zoopraxographer. During the 1970s, his films screened at Los Angeles' Theatre Vanguard and Berkeley's Pacific Film Archive. He was the programmer for LA Filmforum in Los Angeles during the late 1990s.

Andersen's film Los Angeles Plays Itself won the National Film Board Award for Best Documentary at the 2003 Vancouver International Film Festival, was voted best documentary of 2004 by the Village Voice critic's poll,[6] and was voted one of the "Top Ten Films of the Decade" by critics at Cinema Scope.[7] In 2010 he completed Get Out of the Car, a portrait of signs and abandoned spaces set to Los Angeles music. In spring 2012, Andersen took part in the three-month Whitney Biennial.[8]

Career

He has taught at the SUNY Buffalo and Ohio State University and had taught film theory and history at the California Institute of the Arts from 1987 until 2021.[9] He lives in a two-bedroom modernist house designed by the architect Rudolf Schindler.[10]

Andersen coined the term film gris, a type of film noir which categorizes a unique series of films that were released between 1947 and 1951.[11]

Preservation

The Academy Film Archive has preserved a number of Thom Andersen's films, including Olivia's Place, Melting, and --- ------- (aka The Rock n Roll Movie).[12]

Filmography

See also

References
  1. Andersen's Faculty profile at CalArts
  2. Interview with Thom Andersen: CalArts faculty profile
  3. The Reality of Film; Thom Anderson on Los Angeles Plays Itself
  4. Anthology Film Archives: Film Screenings
  5. The '60s Without Compromise: Watching Warhol's Films
  6. Urban Renewal:The dreamlife of Angeles: A film professor reclaims his city on Village Voice
  7. Cinema Scope: Decade in Review
  8. Roberta Smith (March 1, 2012). "A Survey of a Different Color 2012 Whitney Biennial". NY Times. Retrieved March 5, 2012.
  9. "CalArts Board of Trustees Confers Emeritus Status Upon Faculty". The Pool, California Institute of the Arts. Retrieved October 12, 2023.
  10. SCOTT FOUNDAS (July 25, 2004). "FILM; L.A. Residential". NY Times. Retrieved March 5, 2015.
  11. "Film Gris": Crime, Critique and Cold War Culture in 1951 on JSTOR
  12. "Preserved Projects". Academy Film Archive.
  13. Essay Film Festival: Eadweard Muybridge, Zoopraxographer|Institute of Contemporary Arts
  14. Red Hollywood (1996)|MUBI
  15. Thom Andersen: 'I became a little monster'|Film|The Guardian
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.