The Valdemar Legacy

The Valdemar Legacy (Spanish: La herencia Valdemar) is a 2010 Spanish pastiche horror film directed and written by José Luis Alemán which stars Laia Marull, Daniele Liotti, Paul Naschy, Silvia Abascal, Ana Risueño and Óscar Jaenada, among others. Ending with an unresolved plot,[1] it is followed by The Valdemar Legacy II: The Forbidden Shadow. While drawing from the Cthulhu Mythos, the plot does not closely adapt a particular Lovecraftian story.[2] It was panned by critics.

The Valdemar Legacy
SpanishLa herencia Valdemar
Directed byJosé Luis Alemán
Screenplay byJosé Luis Alemán
Starring
CinematographyDavid Azcano
Edited byFrank Gutiérrez
Music byArnau Bataller
Production
company
La Cruzada Entertainment
Distributed byUniversal Pictures International Spain
Release date
  • 20 January 2010 (2010-01-20)
CountrySpain
LanguageSpanish

Plot

Set in two different timelines, the plot uses an extensive analepsis to the 19th century.[3] The film ends abruptly with a cliffhanger, only focusing on the flashback subplot pertaining the tragedy of the Valdemar couple (Lázaro and Leonor) circa 1880,[3][4] thus leaving the plot not set in the past forgotten as a sort of disconnected preface.

Cast

Production

The film was produced by La Cruzada Entertainment SL.[1] Shooting locations included Comillas, Azpeitia, Valporquero and La Granjilla.[4]

Release

The film was theatrically released in Spain on 22 January 2010.[9]

Reception

Reviews were generally negative, citing the mediocrity of the film.[10] In the wake of the appalling reception, the director wrote a letter apologizing for splitting the film into two parts and pointing out that the overacting of the actors was done on purpose to seek the essence of classic horror films.[11]

Javier Ocaña of El País considered that the narrative structure of The Valdemar Legacy made no sense, also assessing that, in too many sequences, "it looks like a film with professional means commanded by an amateur".[12]

Irene Crespo of Cinemanía rated the film 2½ out of 5 stars, deeming it to be "tremendously risky".[13]

Manuel J. Lombardo of Diario de Sevilla considered the film to be a double disappointment for the viewer, because of the low quality and also because of the obligation of having to go to the theatre again to find out how the thing ends, dragged by failures such as an "absolute inability to narrate", "no sense of rhythm or ellipsis", a "very poor mise-en-scène", a null sense of atmosphere or horror, as well as "lamentable performances" and "second-rate digital effects".[14]

See also

References
  1. "Terror, clásico y español en 'La herencia Valdemar'". eldiario.es. 20 January 2010.
  2. Peregrina Castaños 2017, p. 240.
  3. Peregrina Castaños 2017, p. 244.
  4. "Terror, clásico y español en 'La herencia Valdemar'". Europa Press. 20 January 2010.
  5. Peregrina Castaños 2017, p. 242.
  6. ""La herencia Valdemar", el terrorífico mundo de Howard Phillips Lovecraft". La Información. 20 January 2010.
  7. Boquerini (22 January 2010). "El terror se vuelve clásico y español". Guía del Ocio.
  8. Peregrina Castaños 2017, p. 245.
  9. Hernández Luján, Raquel (20 August 2015). "125 aniversario de Lovecraft: películas imprescindibles basadas en sus obras". HobbyConsolas.
  10. Peregrina Castaños, Mikel (2017). "De Lovecraft a Alemán. Una adaptación cinematográfica de los mitos de Cthlhu". Fotocinema. Málaga: UMA Editorial (14): 233–253. doi:10.24310/Fotocinema.2017.v0i14.3600.
  11. Peregrina Castaños 2017.
  12. Ocaña, Javier (22 January 2010). "Película sin terminar". El País.
  13. Crespo, Irene (22 January 2010). "La herencia Valdemar". Cinemanía – via 20minutos.es.
  14. Lombardo, Manuel J. (27 January 2010). "Lovecraft the rebajas". Diario de Sevilla.
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