The Last Sin Eater (film)

The Last Sin Eater was unsuccessful commercially. It was released in 429 theaters and remained in theaters for just two weeks. It fell far short of recovering production costs: according to Box Office Mojo the film grossed only $388,390 in these 14 days. However, the film earned $246,483 in its opening weekend (63.5% of total income).[1]

The Last Sin Eater received mixed reviews. Matt Zoller Seitz of The New York Times said, "Handsomely produced, earnestly performed and 100 percent irony-free, The Last Sin Eater is religious art for mainstream consumption." The review gave credit to the direction and photography, saying, "The movie is a big-screen Sunday school story with sumptuous scenery, graceful crane shots and Rembrandt lighting—designed mainly to impart and then repeat wisdom about guilt, sin and redemption—this can't really be considered a flaw."[2] Laura Kelly of South Florida Sun-Sentinel said, "With its dulling straightforward pitch for Jesus, The Last Sin Eater seems like the worst of films from a non-born-again perspective."[3]

Marjorie Baumgarten of The Austin Chronicle said of the direction of The Last Sin Eater, "The camera always seems to be too far off when you wish to get a better look and too close when you wish that it would point at anything other than what’s in the frame."[4] However, Betty Joe Tucker of Reel Talk was impressed by the cinematography, saying, "This extremely well-photographed film establishes a compelling 'you are there' atmosphere. It also boasts impressive performances by children and adult actors alike. Liana Liberato, who plays Cadi, is a real find. Because of the intensity and vulnerability she projects."[5] Additionally, Variety complimented the look of the film: "Pic was attractively lensed by Robert Seaman in Utah locales that adequately double for Appalachian mountain country."[6]