Drew Daywalt

Daywalt first achieved fame writing and directing short films with the horror filmmaking YouTube channel Fewdio, co-founded by Daywalt in 2007. In a 2009 interview with Dread Central, Daywalt described the origins of Fewdio, saying, "We were all a little bit burned out on dealing with studio execs around the time the strike hit. I had been a script writer for 17 years, and I'd written for and rewritten everyone in town so I was ready for something different. We had done the Axe Body campaign – 'How Dirty Boys Get Clean' – that pretty much set us up financially so we could get through the strike. That's when we decided to do what we loved as children: make horror films. We really wanted to do something for ourselves. I read everything I could about cameras and saved up a thousand bucks, and we shot our first short, 'Cursed.'"[7] Daywalt made numerous shorts with Fewdio, and his 2009 horror short "Bedfellows" won the Chiller-Eyegore Award for Best Short Film.[8] Drew Grant of Salon described Daywalt's work with the group as "the first really great horror films for the Internet era."[1] The group disbanded in 2010, however, and Daywalt went on to found his own YouTube channel, Daywalt Fear Factory.[1]

In 2012, Daywalt directed his first feature-length film, the made-for-television fantasy horror film Red Clover (released as Leprechaun's Revenge) for SyFy Channel.[9] The film was met with mixed to negative reviews.[10][11]

Drew Daywalt's first children's picture book, The Day the Crayons Quit, with illustrations by Oliver Jeffers, was published by Philomel Books on June 27, 2013.[12] The book was a critical and commercial success, earning positive responses from critics and selling over one-and-a-half million copies worldwide.[2][13][14][15][16] The idea for the book originated with a simple box of crayons on Daywalt's desk, and his affinity for writing dialogue.

"I thought, 'Here I am, a grown-up — it was before I had kids — and I have a box of crayons on my desk.' It was still important enough for me in my life to have a box of crayons around. I didn't exactly know what to write about crayons, but I knew that it was something I wanted to approach.

"In Hollywood I had been a script doctor for years, fixing dialogue on movies. As a writer, one of my strengths is voice, so I thought, 'I'm going to give these crayons voices ...' I decided I'd write them as monologues in the form of letters, in an epistolary style — basically all these crayons would chew this kid out because they didn't like the way they were being used. They were like letters of resignation."[17]

Since the book's original publication in 2013, The Day the Crayons Quit has been almost unrivaled in sales within its genre. In 2015, Entertainment Weekly referred to it as the longest running title to ever appear on The New York Times Best Seller list for children's picture books, the book having held the weekly number-one spot on the list for over a year, and a total of 258 weeks on the list as of January 2019.[18]

Critical response to the book has been largely positive. For instance, the starred review in Publishers Weekly stated, "Making a noteworthy debut, Daywalt composes droll missives that express aggravation and aim to persuade", while referring to the crayon characters as "memorable personalities [that] will leave readers glancing apprehensively at their own crayon boxes."[19]

In 2014, Danielle Herzog of The Washington Post joyfully related the experience of reading the book to her own children. "As I read each letter to my 6 and 3-year-old children", she wrote, "they howled with laughter. They loved the argument between the orange and yellow crayon over who gets to be the color of the sun, and they cracked up when the poor white crayon is only used to make pictures of cats and snow ... But the best part came after the book was closed and put away. They rushed to their own crayon boxes, pulled out the same colors we read about, and started to color an array of pictures now gracing our refrigerator door."[15]

The Day The Crayons Quit has won numerous children's book awards. In the year of its publication, 2013, the book won the Goodreads Choice Award for Best Picture Book, was named Amazon's Best Children's Book, and was named to Time magazine's list of the 100 Best Children's Books of All Time.[20][21][22] Later, the book won the Texas Bluebonnet Award in 2015, having received 29,931 votes from Texas children.[23] Daywalt and Jeffers received the award in person, on April 16, 2015, at the Texas Bluebonnet Award Luncheon. The book also won the 2015 Nevada Young Readers Award, the 2016 California Young Reader Medal, and the 2016 Young Hoosier Book Award (Picture Book).[24]

In late July 2014, the film rights for The Day the Crayons Quit were purchased by Universal Studios, with Matt Lopez set to script and Madhouse Entertainment set to produce.[25][26]

In October 2014, Daywalt announced a sequel to the book titled The Day the Crayons Came Home.[2] It was published by Philomel Books on August 18, 2015, with illustrations once again by Oliver Jeffers.[27] The book garnered critical acclaim and similarly enthusiastic sales, remaining on The New York Times Best Seller list for children's picture books for over 40 weeks.[26][28][29]

In 2017, Daywalt wrote another picture book The Legend of Rock Paper Scissors, illustrated by Adam Rex, which won the 2019-2020 Young Hoosier Book Award.[30][31]