Swarnamalya

Ganesh's doctoral work was The research and reconstruction of lost repertoires of the Nayaka Period in Early Modern South India. She has created a performance-exhibition-lecture series titled From The Attic aimed at journeying through the past performing practices, invoking multicultural memories of Sadir (Bharatanatyam). This series opens with Stories from the Attic, a lecture on the dance histories and contexts of Early Modern Era. Beholding the Attic is a special travelling exhibition curated to showcase rare sculptures, murals, scripts, costumes and photographs of courtesans of the 16th–20th centuries. The performance of From The Attic features repertoires like Mukhacali, Jakkini (Persianite influenced dance), Perani (A five act theatrical repertoire), Gondali (Marathi influenced), oriental padams (Works of Ruth. St. Denis, Ted Shawn, Ester Sherman and others).

Nayaka repertoires reconstructed by her:

• Gondhali
• Sivalila
• Jakkini
• Perani (Perini)
• Bahucari
• Char cari
• Danda Lasyam
• Duru Padam
• Nava Padam
• Kelikai
• Mukhacali[1]

1. Kshetrayya and the legacy of erasing women's voices from erotic poetry, The News Minute, Feb 2020, Chennai https://www.thenewsminute.com/article/kshetrayya-and-legacy-erasing-women-s-voices-erotic-poetry-118165
2. Whose aesthetic is it anyway? Why classical arts must become more inclusive, The News Minute, April 2019, Chennai
3. Nammai Marandarai Naam Marakkamattom. Dr. Swarnamalya Ganesh.; published by South Indian Social History Research Institute (SISHRI); 2014. ISBN 978- 81- 910023-2-4
4. Dance History enshrined and decoded- Bharatanrityam and Bharatanatyam; published by Nartanam Dance Journal, Hyderabad. 2016
5. Through the Sheer of Gossamer" for NCPA OnSTAGE, Mumbai
6. Daughters of Pandanallur- the other story (Dance and history of the 28 Kilometer From Pandanallur to Kumbhakonam), The Kalakshetra Journal Vol IV, 2015
7. Sex and Gender in Performance- Locating Power and Resistance as Discursive arguments, SNC Journal of Intercultural Philosophy, Chennai. Vol 28, Oct 2015; pp. 45–54
8. Disrespecting the Devadasi: What the MS Subhalakshmi debate has exposed, The News Minute, Chennai.
9. "Writings as operations of en(dis)franchisement, investigating manuscripts and choreographer's notes from the 16th-19th centuries. Advantages and problems in reconstructing from the papers" as part of Writing dance and dancing writing conference proceedings of Society of Dance History Scholars, USA
10. Notions of "Classical" in Bharatanatyam; a cultural operation of the classes- arguments of cosmopolitan Margi and indigenous Desi, repertoires of the Nayak period"; Kalakshetra Journal, Issue 2. ISBN 978-81-921627-4-4
11. Mired in Dravidian Politics: Were Tamil Nadu’s Isai Vellalars always socially backward? The News Minute, Chennai
12. "Womanity--- selfhood and tenacity as keynotes of Sangam women" published essay as part of Voyages of the body and soul, selected female icons of India and beyond; Edited by Ketu Katrak & Anita Ratnam, Cambridge University Press, 2014
13. "Past performing practices of the Nayak period as vestibule to today's Bharatanatyam", The Madras Music Academy Journal; Vol 84, 2013, pp 10–118
14. "How the art of the Devadasi is appropriated to create the world of Bharatanatyam", The News Minute, Chennai. Feb 2017
15. "What's In a Name; Sadir and its Arguments", Journal for India International Center, New Delhi, Oct 2015
16. Regular contributor for OJAS-Oriental Journal of Asian Studies, SASTRA University, department of Oriental studies-Peer Reviewed (ISSN 2319-717X)
17. "Stripling rogue at the shrine of the neat herd: A review of the Karana panels at the Sarngapani temple", Kumbhakonam (December 2012), pp. 47–61
18. Presented research paper "Past performing practices of the Nayak period: Research and reconstruction" for the C. P. Arts foundation
19. Womanity- Selfhood and Tenacity as keynotes for Sangam women, OJAS, 2013 (March) ISSN 2319-717X
20. Book - Raghunathabhyudayamu- transliteration and translation, a yakshaganam work in Telugu written by King Vijayaraghava Nayaka in the 17th century (forthcoming)
21. "Ravana Hatta, Ravana hasta and the Modern Violin, CARVA Academy of Violin, 2010 Rasa theory and Sigmund Freud—a psychological interpretation" Journal of the University of Madras, 150th year special issue, 2008
22. Editor of the monthly Newsletter for Association of Bharatanatyam Artistes of India (ABHAI); issues--- 25 issues, 2005, 2006
23. Founder editor of Tha Dhim the journal of the Department of Indian Music, University of Madras, 2007
24. Submits articles and research papers for academic journals and annals on dance history including for the Society of Dance History Scholars (SDHS) U.S.
25. Decolonising Dance History project- "Why we must not write a book on Devadasi (alternative ways of writing subaltern history)", PRAXIS, India; Oct 2020.