Susan Rogers

Susan Rogers (born August 3, 1956) is an American professor, sound engineer, and record producer best known for being Prince's staff engineer during his commercial peak (1983-1987),[1] including on albums like Purple Rain, Around the World in a Day, Parade, Sign o' the Times, and The Black Album."[2] During this time, Rogers laid the foundations for Prince's now-famous vault by beginning the process of collecting and cataloguing all his studio and live recordings.[1] She has also worked as a sound engineer and record producer for other musical artists such as Barenaked Ladies (producing the 1998 album Stunt), David Byrne, Robben Ford, Jeff Black, Rusted Root, Tricky, Michael Penn, Toad the Wet Sprocket, and Tevin Campbell.[3] Rogers is an associate professor in the Music Production and Engineering and Liberal Arts departments at Berklee College of Music.[4]

Life and career

Rogers was born on August 3, 1956, and grew up in Southern California. She developed an early interest in recorded music and, in the 1970s, moved to Hollywood. Her interest in working in a studio led her to work at the University of Sound Arts as a receptionist. After overhearing a conversation about maintenance technician training, she decided to start studying electronics, acoustics, and magnetism.[1] This led her to apply for a job at Audio Industries in 1978, where she trained as an MCI console and tape-machine technician.[5] She went on to become a maintenance tech for Rudy Records, Graham Nash and David Crosby’s studio, in 1981, where she got her first experience as an assistant engineer.[1] Rogers moved to Minneapolis in 1983 to become Prince's technician.[1] Her role quickly evolved into engineer despite only previously being an assistant engineer.[5] As Prince’s new recording studio Paisley Park opened its doors, Rogers left her job as his engineer and went on to have a 22-year career in the music industry.[2]

In 2000, Rogers decided to leave the music business[1] altogether and pursue a career in academics.[2] She earned her doctorate in music cognition and psychoacoustics in 2010 from McGill University.[4][6]

Rogers’ book, This is What It Sounds Like: What the Music You Love Says About You, co-written with Ogi Ogas, was published by W. W. Norton in 2022 ISBN 9780393541250.[7][8]

References
  1. Helmreich, Stefan; McMurray, Peter (2017). "Tape, Prince, and the Studio: Interview with Susan Rogers 23 May 2016, Cambridge, MA". Twentieth-Century Music. 14 (1): 135–147. doi:10.1017/S1478572217000111. ISSN 1478-5722. S2CID 164596991.
  2. Crane, Larry (January 2017), "Susan Rogers: From Prince to Ph.D.", Tape Op, 117: 18–30
  3. C.J. (June 26, 2018). "From Prince to Ph.D., Prof. Susan Rogers knows music". Star Tribute.
  4. "Susan Rogers – Berklee Online Faculty". online.berklee.edu. Retrieved 2019-11-30.
  5. Flans, Robyn (2019). "Let's Go Crazy". Mix. 43 (8): 18–19. ISSN 0164-9957 – via Business Source Premier.
  6. Brownstein, Bill (February 8, 2018). "McGill grad Susan Rogers shares memories of Prince's purple reign". Montreal Gazette.
  7. Luhrssen, David (2022-11-17). "This is What it Sounds Like: What the Music You Love Says About You by Susan Rogers and Ogi Ogas". Shepherd Express. Retrieved 2022-12-03.
  8. Schulz, Isaac (2022-11-22). "Why Do We Love the Music We Love?". Gizmodo. Retrieved 2022-12-03.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.