Stash Records

Before founding Stash Records, Bernard Brightman worked with his father's company, Brightman Products Co., Inc., maker Britemode "petites" and other ladies handbags and accessories – headquartered at 385 Fifth Avenue (at 36th Street, southeast corner) (1955) and 393 Fifth Avenue (1961), with showrooms in Chicago, Dallas, Los Angeles, Miami, and Pittsburgh. Bernard's father, Max Brightman (1896–1962), founded and headed Brightman Products. When Max died in 1962, Bernard, his mother (Max's wife), Anna Brightman (née Latter; 1892–1896), and Bernard's two siblings, Abraham (1918–2002) and Sylvia (subsequent surnames – Mazer, then Lubars; 1916–1885), helped sustain the firm for almost a decade. They sold the firm in the early 1970s.

After the family business was sold, Bernard Brightman founded Stash Records in 1975. Initially located in Brooklyn, Stash moved to 611 Broadway, Suite 411, New York City, then to 140 West 22nd Street, 12th floor, New York City. Founded as an independent jazz label – focused on non-commercial vintage jazz and blues. From the strength of profits from its early releases, particularly the album Reefer Songs, Stash evolved into a record producer of jazz artists, including Hank Jones, Bucky and John Pizzarelli, Hilton Ruiz, Louis Bellson, Branford Marsalis, David Murray, Doc Cheatham, Buck Clayton, Helen Forrest, Chris Connor, Mel Torme, Al Grey, Jimmie Rowles, Steve Turre, and Dardanelle Hadley (aka Dardanelle Breckenridge, née Marcia Marie Mullen; 1917–1997) with Vivian Lord (born 1929; mother of Tom and Chris Lord-Alge).

In 1992, Stash launched its mail-order division. Bernard (Bernie) Brightman (1921–2003) was the founder and ran it until it closed.[2] In 1986, Stash announced a discovery of a tape featuring Charlie Parker in a hotel with sidemen from the 1943 Earl Hines band.[3] In 1994, Stash's Daybreak label released a recording of President Bill Clinton playing the saxophone with a six-piece jazz combo on a visit to Prague.

Under the imprint of Jass Records, Stash released, among other things, themed compilations, including collections relating to women in jazz. Several albums in particular, including Forty Years of Women in Jazz (1989; OCLC 23470354), have received wide acclaim from historians, critics, and record collectors.

VJC releases include several radio broadcast transcriptions

Natasha Imports released several recordings from the 1940s and 1950s by artists that included Stan Kenton, Frank Sinatra (when he was young), and Dizzy Gillespie.

Viper's Nest Records released a few collections with comical and/or taboo titles relating to weed or sex, namely When Hemp Was Hip and The Copulatin' Collection.

As stated in an obituary written by Will Friedwald, a jazz critic who had worked for Stash:

Bernard Brightman, who died Sunday at age 82, founded Stash Records, one of the most vibrant jazz labels of the 1970s and 1980s – and in its original conception, the most salacious. Having partaken of both the big bands and the potent marijuana easily (and legally) available in Harlem in the 1930s, Brightman knew how closely they were linked. He was the first to realize, in the 1970s, that sex and drugs could be used to help sell vintage jazz and blues to younger, rock-oriented audiences.

— Will Friedwald, New York Sun, 1962[2]