Stanya Kahn

Stanya Kahn (born 1968) is an American artist. She graduated magna cum laude from San Francisco State University and received an MFA in 2003 from the Milton Avery Graduate School of the Arts at Bard College. Kahn lives and works in Los Angeles, California.[1]

Stanya Kahn
Kahn at the IFFR 2023
Born1968 (age 54–55)
San Francisco, California, U.S.
EducationSan Francisco State University Milton Avery Graduate School of the Arts at Bard College
WebsiteStanyaKahn.com

Artwork

Exhibitions

Select solo exhibitions include shows at Institute for Contemporary Art/Los Angeles, The Wexner Center for the Arts, MoMA/PS1, New Museum/NY, British Film Institute/London Film Festival, Rotterdam International Film Festival, Vielmetter Los Angeles Projects, Marlborough Chelsea/NY, Weiss Berlin, The Pit/LA, Cornerhouse/Manchester, UK.

Select group exhibitions include Wesleyan Art Gallery, the Walker Art Center, CAM/St. Louis, the Gwangju Biennial (’18), Hammer Museum, New Museum, MOCA/SD, Astrup Fearnely /Norway, Transmediale, The California Biennial (’10). Her collaborative work with Harry Dodge has shown at Elizabeth Dee Gallery/NY, the Whitney Biennial (08), Sundance Film Festival, MOCA/LA, MoMA/NY, ZKM/Karlsrüh, among others. Kahn was a 2012 Guggenheim Fellow in Film/Video. She was a contributing writer and actor in the feature film By Hook or By Crook.

Films and videos

Kahn has made two feature films and multiple shorts and animations, including:

  • 2020 No Go Backs (33 min short, 16mm transferred to 2K)
  • 2011-2017 Stand in the Stream (60 min feature, HD video)
  • 2014 Don’t Go Back to Sleep (74 min feature, HD video)
  • 2012 Happy Song for You (5 min short, HD video)
  • 2010 It’s Cool, I’m Good (35 min short, SD video)

Early work

From 1988 to 1999 Kahn made multidisciplinary performance works, both solo and collaborative, in San Francisco, New York, and touring nationally and internationally.[2]

Collaborations with Harry Dodge

In the early 1990s, Kahn met Harry Dodge, a video artist. The two began collaborating in the late 1990's on performance and on the film By Hook or By Crook and continued making short videos until 2008, co-writing, directing and editing. Kahn improvised most of the language in the videos while Dodge often operated the camera.[3]

Their comedic videos satirize the awkwardness of artmaking, video, and gender. Beyond their humor, Kahn and Dodge's videos touch upon the darker seriousness of trauma, privilege, and politics.[4]

Among several other museums and events, Kahn and Dodge's work has been shown in numerous venues nationally and internationally, including:[5]

Achievements
  • 2012 – John Simon Guggenheim Memorial Foundation Fellowship[6]
  • 2012 – Jury Prize: Best Short, Narrative Fiction, Migrating Forms Film Festival[1]
  • 2013 – Artadia Award, Los Angeles[7]
  • 2014 CCI Investing in Artists Grant[8]
  • 2015 – San Francisco Art Institute Artist-in-Residence
  • 2017 Acts of Life Residency, Singapore and Manila, NTU CCA & Goethe Institute
  • 2017 Herb Alpert Award nomination (two categories: visual art and film/video)
  • 2018 Herb Alpert Award nomination (film/video)
  • 2018 MacDowell Residency
  • 2020 Anonymous Was a Woman nomination
  • 2020 Herb Alpert nomination (film/video)

References
  1. "Stanya Kahn | Artists". VIELMETTER LOS ANGELES. Retrieved 2020-12-12.
  2. https://stanyakahn.com/index.php/image/performance-1995-2003/
  3. Calif.), J. Paul Getty museum (Los Angeles; Gonzalez, Rita; Seid, Steve; Yonemoto, Bruce (2008). California Video: Artists and Histories. Getty Publications. ISBN 978-0-89236-922-5.
  4. Volk, Gregory (2008). "Spring in Dystopia". Art in America. 5: 158 – via EBSCO.
  5. "Electronic Arts Intermix : Stanya Kahn : Biography". Eai.org. Retrieved 2013-05-15.
  6. "Stanya Kahn – 2012 – US & Canada Competition Creative Arts – Film - Video". Fellowships to Assist Research and Artistic Creation. John Simon Guggenheim Memorial Foundation. Retrieved May 14, 2013.
  7. "Stanya Kahn". Artadia. Retrieved 2020-12-16.
  8. "2015 Artist-in-Residence: Stanya Kahn2015 Faculty Head, Low-Residency MFA Program: Laura Richard - Announcements - Art & Education". www.artandeducation.net. Retrieved 2020-12-16.

Further reading
  • Beckhurst, Gabriella, Against Inheritance: Stanya Kahn’s No Go Backs , Another Gaze Journal
  • Simmons, William J., Portfolio: Stanya Kahn, Bomb Magazine
  • Bell, Natalie & Burton, Johanna (2017). Trigger: Gender as a Tool and a Weapon. New York, NY: New Museum. ISBN 978-0-915557-16-5.
  • Kahn and Dodge's interview with Michael Smith in Bomb Magazine
  • Phillips, Glenn (2008). California Video: Artists and Histories. Los Angeles, CA: Getty Research Institute. ISBN 978-0-89236-922-5.
  • Kushner, Rachel.  ARTFORUM INTERNATIONAL; ARTFORUM Vol. 46, Iss. 5, (Jan 2008): 240-243.
  • Rosenthal, Tracy Jeanne. Stanya Kahn. Art in America (1939), 2015, Vol.103 (6), p.130
  • Greg, A. E. (2010). Artistic intervention in the Los Angeles urban geography: The art practices of Charles Long, Harry Dodge and Stanya Kahn. ProQuest Dissertation Publishing.
  • Tumlir, J. (2021), "Stanya Kahn's Communication Breakdown", Frieze: Contemporary Art and Culture, vol. 216, p. 125, ISSN 0962-0672
  • Jennings, G. (Ed.). (2015). Abstract Video: The Moving Image in Contemporary Art (1st ed.). University of California Press. http://www.jstor.org/stable/10.1525/j.ctt1963294
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