St Mary's Abbey, York

The abbey occupied an extensive precinct site immediately outside the city walls, between Bootham and the River Ouse.[3][7] The original boundary included a ditch and a narrow strip of ground, but the walled circuit was constructed above this in the 1260s in the Abbacy of Simon de Warwick;[7] the walls were nearly three-quarters of a mile long. In 1318 the abbot received royal permission to raise the height of the wall and crenellate it; a stretch of this wall still runs along Bootham and Marygate to the River Ouse.[2]

The gatehouse in Marygate and its lodge formed part of a range of buildings that linked to the older church of St Olave by a chapel dedicated to Mary. Though work on the chapel and gatehouse was under way 1314 and completed in 1320, the surviving structures are mostly of fifteenth-century origin.[2]

St Mary's Tower is a structure at the corner of Marygate and Bootham.[9]

The abbey church is aligned northeast–southwest, due to restrictions of the site.[2] The original Norman church had an apsidal liturgical east end, and its side aisles ended in apses, though they were square on the exterior. Rebuilding began in 1270, under the direction of Abbot Simon de Warwick,[7] and was swiftly completed during a single twenty-four year building campaign,[4] such was the financial strength of the abbey. The completed abbey church was 350 feet (110 m) in length, consisted of a nave with aisles, north and south transepts with chapels in an eastern aisle, and a presbytery with aisles.[7] To the east of the cloister and on the line of the transepts were a vestibule leading to the chapter house, the scriptorium and library.[7] Beyond the church lay the kitchen, novices' building and infirmary.[7] The Abbey chronicle (which has not been fully translated from Latin) names the project officers as Simon de Warwick, a monk administrator and the master stonemason Master Simon,[4] all of whom were still alive upon the completion of the project in 1294.[4]

The abbot's house

The abbot's house, built of brick in 1483, survives as the King's Manor because it became the seat of the Council of the North in 1539; the abbots of St Mary's and the abbey featured in the medieval and early modern ballads of Robin Hood, with the abbot usually as Robin Hood's nemesis.

In August 1513 the Abbot supplied four chests for the use of Philip Tilney, treasurer of the English army before the Battle of Flodden. The Abbey seems to have become the accounting office for the army in the north, involving Thomas Magnus, Archdeacon of the East Riding, and two monks of the abbey, Richard Wode and Richard Rypon.[10]

A portion of the remaining walls

St Mary's, the largest and richest Benedictine establishment in the north of England and one of the largest landholders in Yorkshire, was worth over £2,000 a year, (equivalent to £1,430,000 in 2021),[11] when it was valued in 1539, during the dissolution of the monasteries under Henry VIII; it was closed and subsequently substantially destroyed. On 26 November 1539 the Abbey surrendered £2,085 and 50 monks to the Crown.[12]

A fifteenth-century index catalogue records that the Abbey's library originally contained over 750 books. Approximately thirty-five texts from the Abbey are currently extant, including only five printed books; these include a 15th-century copy of Richard Rolle's Incendium Amoris.[13]

A Vulgate Bible, sold at auction in England in 2010, has been identified as the possession of Brother John Grayson from St Mary's Abbey. It is an octavo volume and was printed on 8 November 1526 by Thielmann Kerver in Paris. Brother Grayson was first noted at the Abbey in 1528 but was absent from its pension list at the time of the Dissolution in 1539.[13]

The Anonimalle Chronicle is an important chronicle whose scope extends from the legendary Brutus to 1381.[14] It was composed in Anglo-Norman[15] by an anonymous monk of St Mary's Abbey towards the end of the 14th century. It includes the most detailed surviving description of a medieval parliament and a well-informed account of the Peasants' Revolt of 1381; these are likely to have been written by eyewitnesses and later incorporated into the chronicle.[14] The body of the chronicle from Brutus to the year 1307 has been described as a variant of the Brut Chronicle, but there are considerable differences (e.g. the chronicler shows an interest in early ecclesiastical history which the Brut does not). From 1307 to 1333 it follows the main Brut tradition more closely though it demonstrates a marked London interest. After 1333 the chronicle is an individual account probably drawing on sources originating in London.[14] The manuscript was known to the 16th-century antiquaries Francis Thynne and John Stow; its title derives from Thynne's description of it. It afterwards passed through the hands of various owners until it was found in the possession of the Ingilby family of Ripley Castle in 1920. The section from 1333 to 1381 was edited by V. H. Galbraith and published in 1927. In 1982 it was acquired by the Brotherton Collection, at the University of Leeds.[14] Another partial edition appeared in 1991 in the form of an edition and translation of the chronicle from 1307 to 1334 by Wendy Childs and John Taylor.[16]

A 13th-century gilt, Limoges enamel figurine depicting Christ (the St Mary's Abbey Figurine) was discovered in the Abbey in 1826, having avoided the dissolution of the monastery in 1539. It disappeared soon afterwards, and was thought by some to have been destroyed, only to be discovered in a private art collection in Germany in the 1920s. In 2019, the statue was bought by York Museums Trust and put on display in Yorkshire Museum.[22]