Théâtre des Tuileries

The auditorium, designed and decorated by the architects Charles Errard, Louis Le Vau, and François d'Orbay, was housed in a pavilion located at the north end of the palace as originally built by the architect Philibert de l'Orme for Catherine de Médicis.[2] Estimates of its seating capacity range from 6,000 to 8,000.[3] The unusually deep stage was located in a gallery situated between the auditorium and a new, more northern pavilion, later designated as the Pavillon de Marsan.[2]

The hall was inaugurated on 7 February 1662 with the premiere of Cavalli's Ercole amante. The costs of the project, including construction of the theatre, came to 120,000 livres, yet the opera was only performed eight times.[4] The theatre was not used again until January 1671, when Psyché, a scenically spectacular play with music and ballet, was presented. This production cost 130,000 livres and was only performed twice.[5] Psyché was reduced in size and successfully revived at the smaller Théâtre du Palais-Royal in July.[6] The Salle des Machines was not used again for musical theatre during the remainder of Louis XIV's reign. In 1720, during the Regency of Louis XV, the hall was remodeled again, at a cost of nearly 150,000 livres, and it hosted the court ballet Les folies de Cardenio with music by Michel Richard Delalande. The young King Louis XV made his first and last appearance in a dancing role in this production. After Cardenio there were no further productions, except for some marionette shows in the 1730s.[5] In view of the large expenditures on the theatre, it is surprising that it was so little used. Modern histories cite the poor acoustics, but Coeyman suggests that its disuse may have been the result of its large size: "the hall may have simply been too hard to fill."[7]

• 
  Plans of the Salle des Machines from Diderot's Encyclopédie (1772)
• 
  Long section of the Salle des Machines

The theatre later underwent three substantial transformations: the first in 1763, when it was greatly reduced in size for the Paris Opera (to a capacity of 1,504 spectators) by the architects Jacques Soufflot and Jacques Gabriel;[8] the second begun in November 1792 and competed before 10 May 1793, when the National Convention moved from the Salle du Manege to the Salle des Machines;[9] and the third in 1808, when Napoleon had a new theatre built to the designs of the architects Percier and Fontaine.[10]

• 
  Modifications by Soufflot and Gabriel in 1763 (north to the right)
• 
  Hall of the National Convention in 1793 (north to the left)
• 
  Napoleon's theatre of 1808

• Babeau, Albert (1895). Le Théâtre des Tuileries sous Louis XIV, Louis XV, et Louis XVI. Paris: Nogent-le-Rotrou, Daupeley-Gouverneur. Copy at Google Books. OCLC 679305165.
• Coeyman, Barbara (1998). "Opera and Ballet in Seventeenth-Century French Theatres: Case Studies of the Salle des Machines and the Palais Royal Theater" in Radice 1998, pp. 37–71.
• Donnet, Alexis (1821). Architectonographie des théâtres de Paris. Paris: P. Didot l'ainé. Copy at Google Books.
• Gaines, James F., editor (2002). The Molière Encyclopedia. Westport, Connecticut: Greenwood Press. ISBN 9780313312557.
• Lenôtre, Georges (1895). Paris révolutionnaire. Paris: Firmin-Didot. Copy at Google Books. OCLC 857906464.
• Radice, Mark A., editor (1998). Opera in Context: Essays on Historical Staging from the Late Renaissance to the Time of Puccini. Portland, Oregon: Amadeus Press. ISBN 9781574670325.
• Wild, Nicole (1989). Dictionnaire des théâtres parisiens au XIXe siècle: les théâtres et la musique. Paris: Aux Amateurs de livres. ISBN 9780828825863. ISBN 9782905053800 (paperback). View formats and editions at WorldCat.
• Wild, Nicole (2012). Dictionnaire des théâtres parisiens (1807–1914). Lyon: Symétrie. ISBN 9782914373487. OCLC 826926792.

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