Ryan Neil

Ryan Neil is an American bonsai artist.[1]

Early life

Neil grew up in Colorado and went to California Polytechnic State University, San Luis Obispo, majoring in horticulture and studying Japanese.[2][3]

Career

He apprenticed under Japanese bonsai artist Masahiko Kimura for six years.[4][5] Neil is the only westerner to complete Kimura's full apprenticeship.[6]

After returning to the United States, he [7] founded a bonsai business Bonsai Mirai outside of St. Helens, Oregon.[8][9] Bonsai Mirai is a bonsai studio and nursery that hosts classes, trains apprentices, sells to collectors, and boards and maintains clients' bonsai. The location was chosen because of its temperate, wet climate and the availability of yamadori, trees growing in the wild that are suitable for bonsai.[5] It houses over 800 bonsai.[10]

Neil's bonsai were exhibited in "American Bonsai: The Unbridled Art of Ryan Neil" at the Portland Japanese Garden in 2016. Also in 2016, Ryan organized the "The Artisans Cup," a juried competition of American bonsai held at the Portland Art Museum.[6] Neil hosts the podcast Asymmetry.

Personal life

Neil has a son.[11]

References
  1. "The Ever-Evolving Art of Bonsai". nytimes.com (Archived).
  2. "New American Masters – Ryan Neil". bonsaitonight.com.
  3. "Meet the Man Who Grows Mini Million-Dollar Trees". architecturaldigest.com.
  4. "Ryan Neil, the Bonsai Master". pen-online.com.
  5. "The Bonsai Kid". craftsmanship.net.
  6. "Is Portland The Epicenter Of An American Bonsai Movement?". opb. Retrieved 2023-03-20.
  7. "How two Glenwood Springs High School grads changed bonsai in the United States". The Denver Post. 2015-10-03. Retrieved 2023-03-20.
  8. "Learning to grow: the American bonsai master who starved for knowledge". theguardian.com.
  9. "Meet Ryan Neil". shoutoutcolorado.com.
  10. Oregonian/OregonLive, Janet Eastman | The (2016-05-11). "'Unbridled' American bonsai: Portland Japanese Garden's living art exhibit (photos, video)". oregonlive. Retrieved 2023-03-20.
  11. "The Beautiful, Brutal World of Bonsai". newyorker.com.
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