Running at the ring

Running at the ring, riding at the ring or tilting at the ring is an equestrian tournament activity originally practiced at European royal courts and likely derived from other lance games like quintain. It gained new popularity at Natural Chimneys near Mount Solon, Virginia, possibly as early as the 1820s,[1] and since 1962, has been the state sport of Maryland.[2] A similar contest, the corrida de sortija, is held in Argentina where it is considered a gaucho sport derived from the Spanish tradition of medieval tournaments.

Description
Running or tilting at the ring, an illustration derived from L'Instruction du Roy en l'exercise de monter a cheval by Antoine de Pluvinel

Participants rode at full speed to thrust the point of the lance through a ring or to hook a ring and carry it off. A performer was allowed three attempts. The French author and riding master Antoine de Pluvinel published descriptions and the rules.[3] This version of a lance game or quintain could be played in teams, and the riders sometimes dressed in exotic fancy costume as a spectacle at weddings or other court festivals. There are many records of running at the ring at the Scottish and Tudor courts.

A tournament of tilting at the ring continues to be held in Denmark at Sønderborg annually in July and the Ringridermuseet is dedicated to the sport. It is also a tradition to have variations of this game at summer get-togethers in small Danish villages. Here they will often use anything but a horse, such as bike, lawnmower, tractor or even other people.[4] Modern ring tilting tournaments have also been held in Croatian Istria since at least the 1970s.[5]

Running at the ring, usually referred to as a ring tournament, ring jousting, or simply as jousting, has been practiced in parts of the American South since at least the 1840s. Ring tournaments are still held in Virginia, West Virginia, North Carolina, and South Carolina, but most frequently in Maryland,[6] which made this form of jousting its state sport in 1962.[7]

Tudor tournaments

Costume fabrics for Henry VIII of England to run at the ring at Greenwich Palace in January and February 1516 included velvets, damasks, satins, and sarcenets.[8] He performed at Richmond Palace for the Venetian ambassador in May 1517.[9]

In February 1547, English soldiers at Boulogne held a tournament to celebrate the coronation of Edward VI. Instead of tilting, they held courses of running at the ring. One team of six were dressed "like Turks".[10] John Dudley, 1st Duke of Northumberland wagered and lost a valuable velvet cap to Jakes Granado, running at the ring at Westminster Palace on 6 June 1550.[11] Jacques Granado and his brother Bernardine were Squires of the Stable to Edward VI.[12] Edward VI took part in May 1551.[13] In 1655 Edward Somerset, 2nd Marquess of Worcester, included an artificial "ring horse" for running at the ring in his Century of Inventions.[14]

Scottish records

Mary, Queen of Scots

In December 1561, René, Marquis of Elbeuf, with John Stewart, Commendator of Coldingham, Robert Stewart, 1st Earl of Orkney,[15] and others, performed in a tournament on the sands of Leith, probably to celebrate the birthday of Mary, Queen of Scots.[16] There was running at the ring, with two teams of six men, one team dressed as women, the other as exotic foreigners in strange masquing garments.[17]

The English diplomat, Thomas Randolph saw Mary, Queen of Scots, watching running at the ring at the sands of Leith in March 1565.[18][19] The contestants included Lord Darnley and Lord Robert.[20] An entertainment written by George Buchanan for the wedding of Mary, Queen of Scots, and Henry, Lord Darnley, the Pompae Equestres, involved the arrival of teams of exotic knights, and may have provided themes for a tournament.[21] Mary offered a diamond ring as a prize to runners in March 1566.[22]

James VI

In October 1579, James VI of Scotland took up residence at Holyroodhouse. Sand was brought to lay out a course for running at the ring, under the direction of William MacDowall who had supervised works in the palace garden for three decades.[23] The rings were suspended from a "potence".[24] The lances used may have been hollow and lighter than those used for combat.

The 1594 tournament at Stirling Castle was held in The Valley to the south of the castle, since 1857 a part of the Old Town Cemetery

Elizabeth Stewart married James Stewart, 2nd Earl of Moray in January 1581. The wedding was celebrated in Fife with a tournament of "running at the ring" and James VI took part. Two day after the party came to Leith, where a water pageant culminated with an assault on a pasteboard Papal Castel Sant'Angelo, built on boats on the water of Leith.[25] White satin and taffeta outfits, "play claithis", were bought for James VI, his master stabler, and a page.[26] In February 1581 a payment was made for painted spears supplied to James VI and sand delivered to Holyrood to build a course or track called a "carear" or career.[27]

Jousting at the court of James VI was celebrated by the poet Alexander Montgomerie in A Cartell of Thrie Ventrous Knights, which seems to be a pageant prologue for an actual tournament:[28]

To prove thy knights. We dout not bot they dare,
In play or ernest, be bold to brek a tre. (tree = lance)
And so I trou, dare ony of yon thrie:
Bot they are not come heir for sik a thing;
Bot rather, for thair Ladyes sake, to se
Quha fairest runis, and oftest taks the ring.
Go to than, schirs, and let us streik a sting.
Cast crosse or pyle, wha sall begin the play;
And let the luifsume Ladyis and the King
Decerne, as judges, wha dois best, this day.[29]

The Earl of Leicester sent James VI a pied horse, and Roger Aston wrote to him that James rode "right bravely" for a golden ring on 10 June 1580, when six riders challenged all comers during a royal progress at Dundee.[30]

At the baptism of Prince Henry in August 1594 at Stirling Castle, there were three teams of riders. One team was dressed as the Christian Knights of Malta, one in Turkish fashion, and three men dressed as Amazons. A fourth team, to be dressed as Africans called "Moors" did not show up. The event was held in the valley by the castle, and watched by the queen, Anne of Denmark, with her ladies-in-waiting, and the ambassadors. The audience was swelled by a large crowd of young men from Edinburgh armed with muskets.[31]

The "Christian Knights" were James VI; the Earl of Mar; and Thomas Erskine of Gogar. The "Turks" were the Duke of Lennox; Lord Home; and Sir Robert Kerr of Cessford. The "Amazons" were the Lord Lindores as Penthesilea; the Laird of Buccleuch; and the Abbot of Holyroodhouse. These all bore devices or imprese pertaining to the themes of the festival.[32] Anne of Denmark gave diamond rings to the victors.[33]

The rules of the Stirling tournament were:

  1. That all the persons of this pastime compere masked, and in such Order as they come into the Field, so to run out all their courses.
  2. That None use any other Ring but that which is put up: and use no other Lance but that which they have brought for themselves
  3. He that twice touches the Ring, or stirs it, winneth as muche as if he carried away the ring
  4. He that lets his lance fall out of his hand is deprived of all the rest of his courses
  5. That every one run with loose reins, and with as much speed as his horse hath
  6. That none after his Race, in up-taking of his Horse, lay his Lance upon his shoulder, under the pain of losse of that which he hath done in his course
  7. He that carrieth not his Lance under his arme, loseth his course
  8. That none, until his three courses be ended, change his horse, if he be not hurt, or upon some other consideration moved to change him.[34]

Some people were not pleased at the idea of the king and his companions dressed as the Catholic "Knights of the Holy Spirit".[35] The intended interpretation was perhaps that the knights would be seen as Protestants overcoming "Turks" who represented the Catholic church.[36]

Spears were bought for James VI to run at the ring and "run at the glove" at Perth in August 1601.[37]

Carpet knights

After the Union of the Crowns, the courtier Roger Wilbraham wrote a summary of his impressions of the entertainments at court in January 1604, including the masque of The Vision of the Twelve Goddesses and ruuning at the ring; "King James was at his court at Hampton, where the French, Spanish, and Polonian ambassadors were severallie solemplie feasted, many plaies & daunces with swordes, one mask by English & Scottish lords, another by the Queen's Maiestie & eleven more ladies of her chamber presenting giftes as goddesses. These maskes, especially the laste, costes £2000 or £3000, the aparells, rare musick, fine songes, and in jewels most riche £20,000, the least to my judgment, & [jewels for] her Majestie £100,000, after Christmas was running at the ring by the King & 8 or 9 lords for the honour of those goddesses & then they all feasted together privatelie."[38]

James VI and I competed with his brother-in-law Christian IV of Denmark at running at the ring in August 1606.[39] Prince Henry competed at running at the ring with foreign visitors and diplomats including Louis Frederick, Duke of Württemberg-Montbéliard in April and May 1610.[40] On Monday 15 February 1613, after the wedding of Princess Elizabeth and Frederick V of the Palatinate there was a tournament of tilting and running at the ring at Whitehall.[41] Anne of Denmark, Elizabeth, and aristocratic women watched from the Banqueting House. King James rode first. Prince Charles did particularly well. The performances of expert riders were appreciated for taking the ring with "much strangeness".[42]

Philip Massinger in his play The Maid of Honour wrote of "carpet knights" who "thought to charge, through dust and blood, an armed foe, Was but like graceful running at the ring".[43] William Cavendish, 1st Duke of Newcastle built a magnificent riding school and stable at Bolsover Castle. As a young man he had frequently taken part in equestrian sports and running at the ring at the royal court.[44]

Spanish Match

The Spanish word for running at the ring was sortija.[45] There were tournaments including running at ring in Madrid in 1623 when Prince Charles visited in pursuit of his Spanish Match. News from Spain was brought to the English court at Theobalds by Richard Graham, Master of Horse. After his Royal Entry to Madrid, Charles and the Marquess of Buckingham were invited to view the course from a high window with Philip III of Spain and his sister. When they went down to take part themselves, Charles saw the Infanta Maria Anna of Spain for the second time, watching his run from the same window. He "took away" the ring, and was the only successful rider that day.[46] The early biographer of James VI and I, Arthur Wilson, includes a brief version of the same story.[47]

American tradition

The American adoption of the ring tournament is not well documented. One of the few known instances of colonial-era jousting was organized by John André as part of the 1778 Mischianza held in Philadelphia to honor the British Commander-in-Chief William Howe.[48][49] By the mid-19th century, however, jousting was well known in the South with New York Tribune editor Horace Greeley quipping in 1870 that, "the tournament is a natural institution of the South as much as base-ball is of the North or cricket of England".[50] This popularity of jousting in the South is sometimes connected to the popularity of Walter Scott's novel Ivanhoe,[51] which was widely read in the American South.[52]

The first recorded tournament in American happened in 1840, 20 years after Ivanhoe's publication, at the Fauquier White Sulphur Springs resort. The inspiration for this tournament, which advertised tilting at the rings as part of the year's new entertainment, was the 1839 Eglinton Tournament, which in turn was inspired by Ivanhoe.[53] The Fauquier tournament was held annually until 1860 and similar jousts spread across the South during that time.[54][55]

The enthusiasm has been described as a "mania for spearing rings" which "spread rapidly across the antebellum South". Mark Twain wrote of a "Sir Walter disease". After the American Civil War, ring tournaments continued to find favour, including among freedmen.[56]

References
  1. Andrew Jenner, 'The Fading Glory of America’s (Allegedly) Oldest Sporting Event', Modern Farmer, 9 October 2014
  2. Robert Shosteck, Weekend Getaways Around Washington (Pelican, 2004), p. 440: James Chambers, Holidays Around the World: Sith Edition (Infobase, 2018), no. 1537: Helmut Nickel, 'Hunting, Gaming, and Sports', The Secular Spirit: Life and Art at the End of the Middle Ages (New York: Dutton, 1975), pp. 207-208:
  3. Strutt, Joseph (1876). The Sports and Pastimes of the People of England. London: Chatto and Windus. pp. 195–197.
  4. Tilting at the Ring: Visit Sønderjylland
  5. "President Milanović attends "Tilting at the Ring" Tournament and warns: a complex autumn lies ahead". President of the Republic of Croatia. 2021-08-21. Retrieved 2023-07-22.
  6. Orians, G. Harrison (September 1941). "The Origin of the Ring Tournament in the United States" (PDF). Maryland Historical Magazine. 36 (3): 263–277. Retrieved 2023-07-21.
  7. "Maryland Is First to Adopt Official Sport". The Salisbury Times. Vol. 39, no. 100. Salisbury, Maryland. 1962-03-30. p. 4. Retrieved 2023-07-21 – via Newspapers.com.
  8. J. S. Brewer, 'The King's Book of Payments, 1516', Letters and Papers, Foreign and Domestic, Henry VIII, 1515-1516, volume 2 (London, 1864), p. 1469.
  9. Rawdon Brown, Calendar of State Papers Venice, vol. 2 (London, 1867), p. 395 no. 911.
  10. William B. Turnbull, Calendar of State Papers, Foreign Edward VI (London, 1861), pp. 308-310 no. 47.
  11. Henry Thomas Riley, 'Inventory of John, Viscount Lisle', HMC 2nd Report (London, 1870), p. 102.
  12. Craven Ord, 'Edward Waldegrave's Account of the Burial of Edward VI', Archaeologia, vol. 12 (London, 1796), p. 382.
  13. Sydney Anglo, Spectacle Pageantry, and Early Tudor Policy (Oxford: Clarendon Press, 1969), p. 299.
  14. Harleian Miscellany, vol. 4 (London, 1745), p. 499 no. 91.
  15. Peter Anderson, Robert Stewart, Earl of Orkney Lord of Shetland (Edinburgh, 1982), p. 43.
  16. John Guy, My Heart is My Own: Mary, Queen of Scots (London, 2004), p. 154.
  17. Joseph Bain, Calendar State Papers Scotland, vol. 1 (Edinburgh, 1898), pp. 576, 579: Clare McManus, Women on the Renaissance stage: Anna of Denmark and Female Masquing in the Stuart Court, 1590-1619 (Manchester, 2002), p. 83.
  18. Morgan Ring, So High A Blood: The Life of Margaret Douglas, Countess of Lennox (Bloomsbury, 2017), p. 193.
  19. Puttick & Simpson, Catalogue of a Very Important Collection of Royal Letters (London, 1859) pp. 12–13 no. 38.
  20. Katharine P. Frescoln, 'A Letter from Thomas Randolph to the Earl of Leicester', Huntington Library Quarterly, 37:1 (November 1973), pp. 83-88 at 87 from National Library of Scotland MS 3657. doi:10.2307/3816901
  21. Joseph Robertson, Inventaires de la Royne Descosse (Edinburgh, 1863), pp. lxxxiv–lxxxv.
  22. M. S. Giuseppi, HMC Salisbury Hatfield, vol. 16 (London, 1933), p. 18.
  23. Accounts of the Treasurer, vol. 13 (Edinburgh, 1978), p. 292.
  24. Sarah Carpenter, Records of Early English Drama: The Royal Court of Scotland, 1581-1582, NRS TA E21/62 f.126r April 1581
  25. Calendar State Papers Scotland, 1574-1581, vol. 5 (Edinburgh, 1907), p. 611.
  26. Michael Pearce, 'Maskerye Claythis for James VI and Anna of Denmark', Medieval English Theatre 43 (Cambridge: D. S. Brewer, 2022), pp. 112-3: Steven J. Reid, The Early Life of James VI, A Long Apprenticeship (Edinburgh: John Donald, 2023), p. 174.
  27. Register of the Privy Seal of Scotland, Addenda, vol. 14 (Edinburgh, 1898), pp. 358.
  28. Sarah Carpenter, 'Researching Court Performance', Pamela King, Routledge Research Companion to Early Drama and Performance (Routledge, 2017), pp. 148-9: Michael Lynch, 'Reasssertion of Princely Power in Scotland', Martin Gosman, Alasdair A. MacDonald, Arjo Vanderjagt, Princes and Princely Culture: 1450-1650 (Brill, 2003), p. 232: Rod J. Lyall, Alexander Montgomerie: Poetry, Politics, and Cultural Change in Jacobean Scotland (Arizona, 2005), p. 75.
  29. James Cranstoun, Poems of Alexander Montgomerie (Edinburgh, 1887), p. 213.
  30. Edward Ives, The Bonny Earl of Murray: The Man, the Murder, the Ballad (Tuckwell, 1997), p. 87: Calendar State Papers SDcotland, 1574-81, vol. 5 (Edinburgh, 1907), p. 447 no. 518: British Library, Cotton Caligula C/III f.612, 10 June 1580.
  31. William Fowler, A True Reportarie (Edinburgh, 1594), text Early English Books Online.
  32. Michael Bath, Emblems in Scotland: Motifs and Meanings (Brill, Leiden, 2018), pp. 97–101.
  33. Clare McManus, Women on the Renaissance Stage: Anna of Denmark and Female Masquing in the Stuart Court 1590–1618 (Manchester, 2002), p. 85.
  34. Samuel Pegge, Curialia (London, 1791), pp. 37-8, from Fowler's True Reportary.
  35. Thomas Thomson, History of the Kirk of Scotland by Mr David Calderwood, vol. 5 (Edinburgh, 1844), p. 346.
  36. Andrea Thomas, Glory and Honour: The Renaissance in Scotland (Edinburgh, 2013), p. 196.
  37. Letters to King James the Sixth from the Queen, Prince Henry (Edinburgh, 1835), p. lxxix
  38. Harold Spencer Scott, 'Journal of Roger Wilbraham', Camden Miscellany (London, 1902), p. 66
  39. Maurice Lee, Dudley Carleton to John Chamberlain, 1603-1624 (Rutgers UP, 1972), p. 87.
  40. William Brenchley Rye, England as Seen by Foreigners in the Days of Elizabeth & James the First (London, 1865), pp. 59, 62.
  41. Clare McManus, Women on the Renaissance stage: Anna of Denmark and Female Masquing in the Stuart Court, 1590-1619 (Manchester, 2002), p. 142.
  42. John Nichols, Progresses of James the First, 2 (London, 1828), pp. 549–50.
  43. William Gifford, The Plays of Philip Massinger (London, 1845), p. 235, voiced by Gonzaga in Scene 5.
  44. Lucy Worsley & Tom Addyman, 'Riding Houses and Horses: William Cavendish's Architecture for the Art of Horsemanship', Architectural History, 45 (2002), p. 218
  45. Gabriel Guarino, Spanish Celebrations in Seventeenth-Century Naples, 'The Sixteenth Century Journal, 37:1 (Spring 2006), p. 37.
  46. Henry Paton, HMC Mar & Kellie supplement (London, 1930), p. 160.
  47. Arthur Wilson, History of Great Britain: Being the Life and Reign of King James (London, 1653), pp. 228-9.
  48. "The Tournaments of Colonial Times". National Jousting Association. Retrieved 2023-07-21.
  49. Orians 1941, p. 265.
  50. quoted in Hanson, Lauren S.; Harris, Carmen (2021). "Tilting Toward Freedom: African American Ring Tournaments in a Postbellum South". University of South Carolina Upstate Student Research Journal. 14. Retrieved 2023-07-21.
  51. Orians 1941, pp. 266–267.
  52. Eckenrode, Hamilton James (1917). "Sir Walter Scott and the South". The North American Review. 206 (743): 595–603. JSTOR 25121661.
  53. Orians 1941, pp. 268–272.
  54. Orians 1941, pp. 272–274.
  55. "The Romantic Revival". National Jousting Association. Retrieved 2023-07-21.
  56. Leeson, Whitney A. M. (2022). "A Tournament of Black Knights — Alexandria, Virginia, 1865 — Emancipationist Mobilize the Medieval". In Fugelso, Karl (ed.). Studies in Medievalism XXXI: Politics and Medievalism (Studies) III. Cambridge, England: D. S. Brewer. pp. 108–190, 114–116. ISBN 978-1-84384-625-3 – via Google Books.
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