Reta Cowley

Reta Madeline Summers was born in Moose Jaw, Saskatchewan, on 1 April 1910. She grew up near Truax and in Yorkton. She attended the Saskatoon Normal School and graduated with a teacher's certificate in 1930. During the Great Depression she taught in rural schools in Saskatchewan. From 1938 to 1946 she held a permanent teaching position in Yorkton.[1]

In 1937 Reta attended the Emma Lake Artists' Workshops of the University of Saskatchewan.[2] They had been founded in 1936 by Augustus Kenderdine. She returned to the Emma Lake school in 1938, 1939 and 1940. Gordon Snelgrove taught her art history, and Kenderdine taught her to paint in the Barbizon school's tradition of painting nature directly, en plein air. Reta studied at the Banff School of Fine Arts in the summers of 1941–44, where Walter J. Phillips taught her watercolor techniques.[1]

Reta married Fred Cowley in 1945, adopting his surname. She no longer had to teach, and moved with him to Saskatoon. There she took night classes at the University of Saskatchewan under Eli Bornstein and Nicolas Bjelajac. In the early 1950s Reta Cowley taught at the Emma Lake Summer School. She was a participant in the workshop of 1963. In 1966 she was awarded a BA from the University of Saskatchewan. She taught sessions at the university until 1972, and taught public school until 1975, when she retired and devoted herself to painting. Reta Cowley died on 23 November 2004 at the age of 94.[1]

Bornstein taught Reta Cowley to use form and color to structure her paintings and to pattern her brush strokes. She became more aware of modern artists such as Cézanne and John Marin. Cowley's watercolor style had matured by the late 1960s, one in which she depicted the landscapes of the prairies in terms of their unique qualities of light and space.[1] Unlike other watercolorists, Cowley's work shows no signs of an initial pencil drawing. The delicate washes of color are applied without need for such a framework.[3] Her style combines elements of British naturalism and American modernism. It has been compared to the styles of Walter J. Phillips and David Milne.[4]

Clement Greenberg wrote, "Among the outspokenly representational painters of merit in Saskatoon was Reta Cowley, who renders the villages and towns of central Saskatchewan with delicacy and fresh feeling, She demonstrates that one can learn from Cézanne and Klee how to make nature more, not less, vivid in pictorial art."[5] In 1949 Reta Cowley wrote for an art school scrapbook, "Let us carry back with us into everyday life some of the strength and serenity of the woods. Here we are close to nature. Its cycle of growth and decay and new life can teach us a healthy attitude to the eternal change which is in and above us. Memories of the peace and beauty of our northland can fill a corner of our mind to which we can withdraw for renewed courage when times are difficult."[6]