Raffi Besalyan

"Armenian-born pianist Besalyan possesses truly lucid and beautiful sound that reminds you of perfectly matched pearls. It was in the Rachmaninoff group in the first half, where the pianist displayed this quality with tremendous conviction. From the penetrating chords and piercing harmonies in the G minor Prelude Op.23 No.5, the beautiful melody leafed out and floated in the air, pouring out deeply personal inconsolable feelings. The depth of the melody in the bass of the G sharp minor Prelude Op.32 No.12 was admirably contrasted with the brilliance of the arpeggios in the higher register. The rampant image of Mephisto roaming at will appeared from Besalyan’s tenacious and unyielding chords and octaves, and his capricious, and at times, leisurely changes of the mood in Liszt’s Mephisto Waltz. One could even hear the high-pitched satanic laughter. The audience was dazzled and fully captivated by Besalyan’s bell-like tone in the music by Armenian composers Komitas and Baghdassarian, which were performed with magnificent imagination and splendid colorful changes of tonality. Earl Wild arrangements of Gershwin Songs were snappy and tasteful. In Besalyan’s rendition of Prokofiev’s Seventh Sonata the “violence” and the “cool‐headedness” were brought out with much power and set apart vividly from Prokofiev’s hollow and distorted melodies.

I must say, that Besalyan is a true heir of the mainstream of the Russian Pianism, like Horowitz." (Izumi Hall, April 13, 2008) by Senshi Yokohara, Chopin Magazine July 2008[8]

“Standing ovation and cries of “Bravo” and “Encore” went to pianist Raffi Besalyan... mesmerized the audience with his gracious, delicate yet powerful presentation of Rachmaninoff’s Concerto No.3.” Armenian Reporter International, New York City [9]

“The flow of Baghdassarian's Prelude instantly changed the color and the air of Izumi Hall. The entire hall was devoured by Besalyan’s glorious touch and crystalline sound...Besalyan was not just playing the piano, he was creating wonderful art, and treated the piano with his love for the music. ” Sotokuan Press, Osaka, Japan[8]

"I attended the piano recital of Armenian-born pianist Raffi Besalyan in Clintonville on April 16. What a splendid interpretation of Russian composer Sergei Rachmaninoff – I was totally mesmerized by Mr. Besalyan’s dynamic performance. The rest of his repertoire, Liszt’s Mephisto Waltz, Chopin’s Etudes and Gershwin’s Rhapsody in Blue were played with extreme perfection, Mr. Besalyan really let “the piano speak”. Tribune Gazette, WI[10]

"The maniacal Mephisto Waltz # 1 by Liszt closed the program. Its technical difficulties were negotiated with aplomb, but what a jaw-dropper! Face it, the piece is mostly empty bombast, but it is so much fun, and it displays a pianist’s exceptional skills. Raffi Besalyan has a surfeit of them, stamina and strength foremost in this opus." Josiah Tazellar for Detroit Performs [11]

"The second half of the program began with Besalyan’s account of three Chopin Etudes Op.25-the famous “Butterfly”, the “Octave” Etude and the “Ocean”. Besalyan's Chopin had a solid core, it sang with a rich juicy tone. Here again, his playing was dynamic, the music came alive throbbing with excitement. These are perhaps some of Besalyan's best qualities." Phoenix Hall, Osaka, Japan. Web Music Reviews

In 2012 Besalyan established himself as an award-winning recording artist, receiving international accolades for his album “Dance, Drama, Decadence” [12] (IMC Music, Japan). The album received the prestigious Jun-Tokusen Award from The Record Geijutsu, Japan’s leading classical music magazine, and was chosen as the “Classical Album of the Month” by Mainichi Shinbun, one of Japan's largest newspapers. “Dance, Drama, Decadence” was selected as the “Best New Release of the Month” by Tokyo FM, a prominent radio channel, where the CD premiered in its entirety. In addition, Ongaku no Tomo of Japan recommended and archived the CD as a study reference for music students and professors alike.[10]

Fanfare Magazine featured Besalyan in an extensive interview followed by rave reviews of the album, and another glowing review appeared in American Record Guide. Besalyan was also interviewed by Wisconsin Public Radio's Norman Gilliland on The Midday, and Dance, Drama, Decadence was aired on WPR (Madison, WI) and KHPR (Honolulu, HI).

The album features virtuoso works by Rachmaninoff, Liszt, and Ravel and premiere recordings of colorful folkloristic pieces by Armenian composers Komitas and Baghdassarian. Besalyan is also featured on “Bach-Busoni Edition, Vol.I” for Koch International Classics.

Besalyan's first critically acclaimed recording of solo works by S. Rachmaninoff and A. Babajanian for the GRAMMY® Award-Winning record label Sono Luminus entitled "The Return"[13] was released in March 2015, and is distributed by Naxos.[14] “The Return” has been aired on several radio stations across the U.S. and Canada, such as the NPR, WGBH Boston, WRUV Vermont, the SiriusXM Washington D.C., Wisconsin Public Radio, The King FM Seattle, WFMT Chicago, The Grand FM Ontario and CBC Public Radio. WQXR, New York's premiere classical radio station featured the album as the New and Noteworthy Release of September 2015.

In 2021, Besalyan's second solo piano album "The Sound of Black & White[15]" for Sono Luminus was released. The album includes a world premiere recording of Oscar Levant’s jazzy Sonatina.[16] "The Sound of Black & White" was featured on six playlists by Apple Classical Music, and was a nominee for the Album of the Year- Solo Piano on Native DSD, selected by highly qualified reviewers from hundreds submitted by 80 record labels. "The Sound of Black & White" is frequently aired on NPR affiliated radio channels.

• Eduard Baghdasarian, 24 Preludes for Piano (Edited and with fingerings by Raffi Besalyan); Publisher: Muse Press, Japan; Published on November 29, 2021

• Official site
• The Return by Raffi Besalyan
• 'Raffi Besalyan, pianist from Atlanta' Interview for Armenian Music Project with Tigran Arakelyan