Nightlife (Pet Shop Boys album)
Nightlife is the seventh studio album by English synth-pop duo Pet Shop Boys, released on 8 October 1999 by Parlophone. After the release and promotion of their previous album, Bilingual (1996), Pet Shop Boys started work with playwright Jonathan Harvey on the stage musical that eventually became Closer to Heaven (at one stage during the writing process, the musical was given the name of Nightlife). Pet Shop Boys soon had an album's worth of tracks and decided to release the album Nightlife as a concept album and in order to showcase some of the songs that would eventually make it into the musical.
Nightlife | ||||
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Studio album by | ||||
Released | 8 October 1999 | |||
Recorded | 1996–1999 | |||
Studio |
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Genre | ||||
Length | 52:02 | |||
Label | Parlophone | |||
Producer |
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Pet Shop Boys chronology | ||||
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Singles from Nightlife | ||||
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Review scores | |
---|---|
Source | Rating |
AllMusic | [4] |
Exclaim! | Positive[5] |
NME | 4/10[6] |
Pitchfork | 3.2/10[7] |
Release Magazine | 8/10[8] |
Rolling Stone | [9] |
Salon.com | Positive[10] |
The Village Voice | A−[11] |
The album incorporates a variety of musical influences, including hard trance on the Rollo-produced "For Your Own Good" and "Radiophonic"; dance-pop on "Closer to Heaven" and "I Don't Know What You Want but I Can't Give It Any More"; disco pastiche on "New York City Boy"; and country music on "You Only Tell Me You Love Me When You're Drunk". The track "Happiness Is an Option" is based on Sergei Rachmaninoff's classical piece Vocalise, Op. 34, No. 14.
As of May 2001, the album had sold 1.2 million copies worldwide.[12] It reached number seven on the UK Albums Chart (their first studio album not to reach the top five) and spent three weeks on the chart at the time, but re-entered at number 29 in 2017 following the album's Further Listening 1996–2000 reissue. It also became the duo's lowest-charting studio album in the United States, reaching number 84 on the Billboard 200.
"In Denial" with Kylie Minogue
"In Denial" is a duet featuring Kylie Minogue. It was seen as a risk by critics because this project came at a time when Minogue was experiencing low record sales and did not have her own record contract. Pet Shop Boys had previously written a song titled "Falling" for Minogue's 1994 album Kylie Minogue. The same year as Nightlife's release, Minogue also signed to Parlophone and released her hugely successful Light Years album in 2000. Minogue would later sing "In Denial" on her Showgirl: The Greatest Hits Tour, with Neil Tennant's pre-recorded vocals being played as part of the duet while Minogue sang live.
Visuals
For the promotion of the album, the band adopted a stark new appearance, designed in consultation with theatre designer Ian McNeil.[13] Now, the duo ubiquitously appeared wearing thick, dark eyebrows, inspired by Kabuki theatre;[14] yellow or orange wigs in a variety of hairstyles, inspired by the punk subculture (especially several spiked wigs); and black sunglasses. This was supported by a series of outfits in dark, muted colours, the most deviant of which incorporated culottes,[15] inspired by the attire of samurai,[14] instead of trousers. Photographs involving the costumes were often set in urban environments; the Midland Grand Hotel in Kings Cross, London was used as the setting to debut the look.[15] The costumes were used for promotional photographs, the album cover and liner notes, all the single covers, as well as the Nightlife Tour.
The music video for "I Don't Know What You Want But I Can't Give It Anymore" showed Tennant and Lowe being transformed into their new appearances, though in a fantastical manner: they are operated on by medical laboratory machines, then covered in talcum powder and dressed by monks in a ritual-like manner. Finally, they are given dogs on leashes and released into a "different world", where everyone else is also dressed in exactly the same way.[16] Conceptualised among the band members, McNeil, and director Pedro Romhanyi, the video was created to showcase the costumes. It was visually influenced by the films THX 1138 (1971) in the initial transformation sequence (copying many of its shots and props precisely); Ridicule (1996), in the ritualistic dressing-up scene; 2001: A Space Odyssey (1968), in the decor of the living room with an illuminated floor; and A Clockwork Orange (1971), in the outdoor urban setting.[17]
According to Tennant, the costumes helped him to distance himself from the songs, adding to the impersonal nature of Nightlife.[13] In other interviews, he explained that they played into his belief in the need for pop stars to have "bigger than life" public images,[18] and were a reaction against the "naturalistic" look of the 1990s.[18][19]
Effort was also spent on designing the tour's visuals, with sets designed by deconstructivist architect Zaha Hadid.[20] The stage was modular, and could fit in differently-sized venues[19] and be rearranged by the backing singers throughout each concert.[16]
Track listing
All tracks are written by Neil Tennant and Chris Lowe, except where noted
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "For Your Own Good" | 5:13 | ||
2. | "Closer to Heaven" |
| 4:06 | |
3. | "I Don't Know What You Want but I Can't Give It Any More" |
| 5:09 | |
4. | "Happiness Is an Option" |
| Pet Shop Boys | 3:48 |
5. | "You Only Tell Me You Love Me When You're Drunk" |
| 3:11 | |
6. | "Vampires" |
| 4:43 | |
7. | "Radiophonic" |
| 3:31 | |
8. | "The Only One" |
| 4:21 | |
9. | "Boy Strange" |
| 5:09 | |
10. | "In Denial" (duet with Kylie Minogue) |
| 3:20 | |
11. | "New York City Boy" |
|
| 5:15 |
12. | "Footsteps" |
| 4:16 |
US limited edition bonus CD
A limited-edition two-CD set of Nightlife was released in the United States. The bonus disc, titled Nightlife Extra, contained all the B-sides from the UK releases of the "I Don't Know What You Want but I Can't Give It Any More" and "New York City Boy" singles, as well as remixes of these singles, some of which were only available in the US on promotional releases.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "The Ghost of Myself" | 4:04 | |
2. | "Casting a Shadow" | 4:38 | |
3. | "Je t'aime... moi non plus" (with Sam Taylor-Wood) | Serge Gainsbourg | 4:11 |
4. | "Silver Age" | 3:33 | |
5. | "Screaming" |
| 4:55 |
6. | "I Don't Know What You Want but I Can't Give It Any More" (The Morales Remix) | 7:46 | |
7. | "I Don't Know What You Want but I Can't Give It Any Moree" (Thee Maddkatt Courtship 80 Witness Mix) | 7:38 | |
8. | "New York City Boy" (The Superchumbo Uptown Mix) |
| 9:44 |
9. | "New York City Boy" (The Almighty Definitive Mix) |
| 6:31 |
10. | "New York City Boy" (The Thunderpuss 2000 Club Mix) |
| 10:55 |
11. | "New York City Boy" (The Lange Mix) |
| 7:06 |
Further Listening 1996–2000
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Vampires" (demo) | 4:02 | |
2. | "For All of Us" (demo) | 4:20 | |
3. | "Call Me Old-Fashioned" (demo) | 3:58 | |
4. | "Friendly Fire" | 3:23 | |
5. | "Believe/Song for Guy" (featuring Elton John) |
| 2:59 |
6. | "Sail Away" | Noël Coward | 4:33 |
7. | "It Doesn't Often Snow at Christmas" (fan club mix) | 3:56 | |
8. | "Nightlife" | 3:54 | |
9. | "Playing in the Streets" | 3:23 | |
10. | "Tall Thin Men" | 2:14 | |
11. | "Radiophonic" (demo) | 5:15 | |
Total length: | 41:57 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Somebody Else's Business" | 3:30 | |
2. | "Silver Age" | 3:32 | |
3. | "Screaming" | 4:54 | |
4. | "For All of Us" | 4:23 | |
5. | "The Ghost of Myself" | 4:03 | |
6. | "Casting a Shadow" | 4:37 | |
7. | "I Don't Know What You Want but I Can't Give It Any More" (The PSB Extension) | 8:39 | |
8. | "Was It Worth It?" (live) | 3:05 | |
9. | "Lies" | 4:42 | |
10. | "Paris City Boy" (Full French) |
| 5:17 |
11. | "Positive Role Model" |
| 4:03 |
12. | "Somebody Else's Business" (extended mix) | 5:33 | |
Total length: | 56:18 |
Personnel
Credits adapted from the liner notes of Nightlife.[21]
- Pet Shop Boys – arrangement (tracks 2, 5, 6, 8, 10, 12)
Additional musicians
- Pete Gleadall – programming (tracks 1, 4, 7, 9); additional programming (track 3)
- Mark Bates – additional keyboards (tracks 1, 7, 9)
- Pauline Taylor – additional vocals (track 1)
- Craig Armstrong – arrangement, orchestration (tracks 2, 5, 6, 8, 10, 12); additional keyboards (tracks 2, 5, 6, 10); piano (tracks 5, 6, 8, 10); vocoder (track 8); choir arrangement (tracks 10, 12); additional piano (track 12)
- Stephen Hilton – programming, additional keyboards (tracks 2, 5, 6, 8, 10, 12)
- Richard T. Norris – programming, additional keyboards (tracks 2, 6, 12)
- Pete Lockett – percussion (tracks 2, 6, 8, 12)
- Ali MacLeod – guitar (tracks 2, 5, 6, 12)
- Peter "Ski" Schwartz – additional keyboards (tracks 2, 12); keyboards, programming, string arrangements (track 3)
- Audrey Wheeler – additional vocals (track 3)
- Sylvia Mason-James – additional vocals (track 4)
- Kate St John – oboe (track 4)
- B. J. Cole – pedal steel guitar (track 5)
- Scott J. Fraser – bass guitar (tracks 5, 6, 8, 12)
- JB Henry – additional vocals (tracks 6, 8, 12)
- Tessa Niles – additional vocals (tracks 6, 12)
- Carol Kenyon – additional vocals (tracks 6, 12)
- Malcom Hyde-Smith – percussion (track 9)
- Paul Herman – guitar (track 9)
- Andy Gangadeen – drums (track 9)
- Kylie Minogue – vocals (track 10)
- Joey Mosk – keyboard programming (track 11)
- Vincent Montana Jr. – string arrangements, horn arrangements, string conducting, horn conducting (track 11)
- Gene Perez – bass guitar (track 11)
- Carlos Gomez – percussion (track 11)
- Danny Madden – backing vocals arrangement, backing vocals conducting (track 11)
- Steve Abrams – backing vocals (track 11)
- Billy Cliff – backing vocals (track 11)
- Keith Fluitt – backing vocals (track 11)
- John James – backing vocals (track 11)
- The London Session Orchestra – orchestra (tracks 2, 5, 6, 10, 12)
- Gavyn Wright – orchestra leader (tracks 2, 5, 6, 10, 12)
- Metro Voices – choir (tracks 10, 12)
- Jenny O'Grady – choir master (tracks 10, 12)
- Matt Dunkley – choir conducting (tracks 10, 12)
Technical
- Rollo – production, mixing (tracks 1, 7, 9)
- Pet Shop Boys – production (all tracks); mixing (track 11)
- Goetz – engineering (tracks 1, 7, 9); mixing (tracks 3–5, 10, 11)
- Craig Armstrong – production (tracks 2, 5, 6, 8, 10, 12)
- Andy Bradfield – engineering (tracks 2, 5, 6, 8, 10, 12)
- Mark "Spike" Stent – mixing (tracks 2, 6, 8, 12)
- Geoff Foster – strings recording (tracks 2, 5, 6, 8, 10, 12)
- David Morales – production (tracks 3, 11)
- Steven Barkan – engineering (tracks 3, 11)
- Bill Importico Jr. – engineering assistance (tracks 3, 11)
- Hugo Dwyer – strings engineering (track 3)
- Richard Lowe – engineering (track 4)
- Jon Smelz – string and horn engineering (track 11)
- Tim Young – mastering
Artwork
- Alexei Hay – cover photography
- Eric Watson – inside photography
- Farrow Design – design
- Pet Shop Boys – design
Charts
Weekly charts
|
Year-end charts
|
Certifications and sales
Region | Certification | Certified units/sales |
---|---|---|
Germany (BVMI)[44] | Gold | 150,000^ |
Japan (RIAJ)[45] | Gold | 100,000^ |
Spain (PROMUSICAE)[46] | Gold | 50,000^ |
United Kingdom (BPI)[47] | Gold | 100,000^ |
United States | — | 139,000[48] |
^ Shipments figures based on certification alone. |
Release history
Region | Date | Edition | Label | Ref. |
---|---|---|---|---|
Germany | 8 October 1999 | EMI | Standard | [49] |
Japan | [50] | |||
United Kingdom | 11 October 1999 | Parlophone | [51] | |
United States | 2 November 1999 | Sire | [52] | |
16 November 1999 | Limited | [53] |
Notes
- Tracks 1, 7 and 9
- Strings on tracks 2, 5, 6, 8, 10 and 12
- Tracks 2, 5, 6, 8, 10 and 12
- Tracks 3 and 11
- Track 4
References
- "New Releases – For Week Starting 19 July, 1999". Music Week. 17 July 1999. p. 23.
- "ニューヨーク・シティ・ボーイ | ペット・ショップ・ボーイズ" [New York City Boy | Pet Shop Boys] (in Japanese). Oricon. Retrieved 29 August 2023.
- "Singles: Releases for Weeks Starting 3-1-2000 & 10-1-2000". Music Week. 25 December 1999. p. 20.
- Erlewine, Stephen Thomas. "Nightlife – Pet Shop Boys". AllMusic. Retrieved 22 December 2012.
- Bolton, Rob (October 1999). "Pet Shop Boys – Nightlife". Exclaim!. Retrieved 30 August 2015.
- "Nightlife". NME. Retrieved 4 May 2016.
- Cooper, Paul (2 November 1999). "Pet Shop Boys: Nightlife". Pitchfork. Retrieved 18 September 2011.
- Forsberg, Niklas (22 October 1999). "Pet Shop Boys: Nightlife". Release Magazine. Retrieved 18 September 2011.
- Sheffield, Rob (11 November 2009). "Pet Shop Boys: Nightlife". Rolling Stone. Archived from the original on 24 February 2009. Retrieved 21 December 2005.
- Taylor, Charles (17 November 1999). "The last days of disco". Salon.com. Retrieved 30 August 2015.
- Christgau, Robert (9 November 1999). "African Connection II". The Village Voice. Retrieved 30 August 2015.
- Delingpole, James (12 May 2001). "West End boys". The Daily Telegraph. Archived from the original on 31 March 2018. Retrieved 31 March 2018.
- Forsberg, Niklas. "From West End Girls to New York City Boys". Release Magazine. Retrieved 15 February 2007.
- Gdula, Steve (9 November 1999). "Happy together". The Advocate. ISSN 0001-8996. Archived from the original on 1 May 2008. Retrieved 15 February 2007 – via FindArticles.
- Hoare, Philip (8 October 2006). "About the boys". The Daily Telegraph. Archived from the original on 30 August 2015. Retrieved 30 August 2015.
- Clerk, Carol (31 July 1999). "Straight Down the Line: Pet Shop Boys: Tennant's Super". Melody Maker. Vol. 76, no. 30. p. 7. ISSN 0025-9012.
- "A Pedigree of Panache". Sleazenation. August 1999. ISSN 1742-5506. Archived from the original on 13 February 2007. Retrieved 16 February 2007 – via ChrisLowe.co.uk.
- Silcott, Mireille (11 November 1999). "The Pet Shop Boys, obsessively". Montreal Mirror. Archived from the original on 8 September 2009. Retrieved 15 February 2007.
- Stevenson, Jane (14 November 1999). "Pet Shop Boys dance with architecture". Jam!. Archived from the original on 5 March 2016. Retrieved 30 August 2015.
- "The Pet Shop Boys interview". VOXOnline. Archived from the original on 21 October 2006. Retrieved 15 February 2007.
- Nightlife (liner notes). Pet Shop Boys. Parlophone. 1999. P3043912.
{{cite AV media notes}}
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