QAGOMA

The gallery's historical Asian collection spans from the neolithic period through to the 20th century, and highlights the artistic developments influenced by social change, philosophy and technique. The department aims to show the importance of cultural exchange in the region and its continuing role in the development of Asia's decorative traditions, and helps to contextualise the contemporary Asian collection. The works range from painting, printmaking, sculpture, ceramics, textiles, metalware, lacquerware, photography and furniture.[9]

Some of the collections highlights include:

• Asian Ceramic Traditions
  • Neolithic jars from Japan's Jōmon (3000–2000BCE) and Yayoi (400–300BCE) cultures and Kuan (storage jars) and an amphora from China's Neolithic Yangshao culture (3500–3000BCE)
  • Burial ware from the Tang dynasty (618–907), celadon from the Yuan (1279–1368) and Ming (1368–1644) dynasties, blue and white wares from the Kangxi period (1662–1722) and porcelain including imperial works from the Qing dynasty (1644–1912).
  • Tsubo (lidless jars) from Japan's Six Ancient Kilns, dating from the Muromachi (1333–1573) and Azuchi–Momoyama (1573–1603) periods
  • Ceramics by Ōtagaki Rengetsu (1791–1875)
• Japanese Painting
  • Screens from the Hasegawa school (1600–1868)
  • Scenes from the Genji Monogatari The Tale of Genji by Tosa Mitsuatsu (1734–64)
  • Birds and flowers of the four seasons by Kanō Yasunobu (1613–85)
• Japanese Prints
  • Ukiyo-e works by Hiroshige (1797–1858)
  • Works by early masters such as Utamaro (1753–1806)
  • Works by late masters such as Toyohara Chikanobu (1838–1912) and Yoshitoshi (1839–1892)
• Historical South & Southeast Asian Art
  • Bronze sculpture of the Orissan and Later Chola period (c.860–1279CE)
  • Miniature paintings of Mughal and Rajput courts (18th-19th centuries)
  • Ornamented weaponry from Indonesia and Malaysia

QAGOMA's contemporary Asian art collection is among the most extensive of its kind in the world, with over one thousand works dating from the late 1960s to the present, documenting modern historical trends of social change and changing patterns of artistic production. The collection demonstrates the contributions of Asian artists to global contemporary art, and the influence of traditions, philosophies and techniques. The collection includes leading artists from all parts of Asia, as well as the Asian diaspora with strengths in contemporary Chinese art, contemporary Japanese art, contemporary Indian art and a major collection of Southeast Asian art. Some of the artists represented include Xu Bing, Atul Dodiya, Nam June Paik, Yayoi Kusama, Lee Ufan and Ai Weiwei.

The gallery's Australian art collection dates from the colonial period onwards, and presents historical moments of first contact, settlement, exploration and immigration. Works from the colonial period highlight the influence of European traditions, and the emergence of a distinctly Australian vernacular with the Heidelberg School movement in the late 19th century.[10] Some of the Australian artists featured in the collection include, Eugene von Guerard, John Glover, Richard Godfrey Rivers, Fred Williams, Ray Crooke, Russell Drysdale, Charles Conder, Ethel Carrick, Sam Fullbrook, Vida Lahey, Sidney Nolan, Rupert Bunny, Louis Buvelot, William Bustard, Bessie Gibson, John Russell, William Dobell, Ian Fairweather, John Perceval, Arthur Boyd, E. Phillips Fox, Margaret Preston, John Brack, Charles Blackman, Hans Heysen, Sydney Long, Margaret Olley, Hugh Ramsay, Arthur Streeton and Tom Roberts.

Some of the collections highlights include:

• Australian Painting
  • Still glides the stream and shall forever glide by Arthur Streeton (1895)
  • La Pointe de Morestil par mer calme (Calm sea at Morestil Point) by John Russell (1901)
  • Under the Jacaranda by Richard Godfrey Rivers (1903)
  • Bathers by Rupert Bunny (1906)
  • Bathing hour (L'heure du bain) by E. Phillips Fox (c.1909)
  • Monday morning by Vida Lahey (1912)
  • Jeune femme en rose pâle (Young woman in pale pink) by Bessie Gibson (1932)
  • The Cypriot by William Dobell (1940)
  • Man feeding his dogs by Russell Drysdale (1941)
  • Journey into the you beaut country no. 2 by John Olsen (1961)

QAGOMA's contemporary Australian collection reflects the diversity of people in Australia, and dates from the conceptual/abstract art of the late 1960s-70s to the present. Many of the works recognise the core collecting areas of painting, sculpture, drawing, printmaking, glass and ceramics, while expanding to include artists' increasing use of a wider variety of media including photography, digital media and film. Some of the leading artists represented in the collection include, Peter Booth, eX De Medici, Fiona Hall, Bea Maddock, Jan Nelson, Patricia Piccinini, Tony Tuckson, Anne Ferran, Bill Henson, Rosemary Laing, Pat Brassington, Tracey Moffatt, Savanhdary Vongpoothorn, Gwyn Hanssen Pigott, Hossein Valamanesh, Ian Burn, Aleks Danko, Susan Norrie and Mike Parr.

The Gallery's historical international art collection focuses on Western European and North American work, and spans from the early Renaissance to the second half of the twentieth century. The collection has strengths in Northern Renaissance; British art from the late-18th to late-19th century, including Victorian and Edwardian painting; and modern European and American painting, sculpture, photography and prints from the late 19th century to the second half of the twentieth century. The majority of the over 2000 works in this area are Western European.[11]

Some of the collections highlights include:

• Old Master
  • Virgin and Child with Saint James the Pilgrim, Saint Catherine and the Donor with Saint Peter c.1496 Master of Frankfurt
  • Cristo risorgente (The risen Christ) c.1555 Tintoretto
  • Young woman in a fur wrap (after Titian) c.1629–30 Peter Paul Rubens
  • Portrait of Marchese Filippo Spinola c.1622–27 Anthony van Dyck