Pedro Vilarroig

Vilarroig was born in Madrid in 1954. His mother was a violinist and his father a painter. As a child, he often used to paint while listening to music. By this means, he heard a great deal of music by the great masters of classicism, who noticeably influenced him. While going for long walks, he would often hear new music in his head.[1] Vilarroig graduated with a doctorate in Mining Engineer, and entered the Real Conservatorio Superior de Música of Madrid in 1973 when he was 19 years old (most of the Conservatory's students enter as young children).

When Vilarroig had finished his studies, he joined the Laboratorio de Interpretación Musical (Music Performance Lab) LIM for two years acting as a collaborator, performer and composer in electroacoustics.

Founder of the Asociación Musical Verda Stelo, he conducted a choir and a chamber orchestra for seven years.[2] He read choral studies with the Czech professor Petr Fiala, participated in a composition workshop conducted by Carmelo Bernaola, conducted choirs in courses organized by the Federación Coral of Madrid, and wrote incidental music for courses led by Eduardo Armenteros and José Miguel Martínez at the SGAE in Madrid.

He has composed chamber and symphonic music, soundtracks for shorts, and has had other commissions for soundtracks, among them an audiovisual for the Spanish Foreign Office and two for the Natural Sciences National Museum of Madrid. Though he has composed numerous works for electroacoustics, his style is neotonal with many influences, including Mahler, Prokofiev, Shostakovich and Sibelius.[3]

He is founder and president of the Asociación Española de Compositores Neotonales[3] and he was the president of the Federación Coral de Madrid from 1999 to 2008. He has also taught Physics and Cosmology at the Universidad Politécnica of Madrid since 1980.

Composers' early works often consist of chamber pieces whereas orchestral works are composed later. This is the case of Vilarroig who made some pieces for piano as well as duos, but he soon started his symphonic works, managing to compose seven symphonies and a concerto for piano and orchestra between 1975 and 1990. Nevertheless, the premiere of his second symphony did not take place until 2009 when it was performed by the Heredia Symphony Orchestra (Costa Rica) conducted by Eddie Mora. The critic Andres Saenz commented that the work "was finished when the composer was 22 years old. The symphony is composed of four movements and deploys a fully tonal harmonic language with some influences from composers as Mahler, Sibelius and Shostakovich, but mainly he has a look at the late post-Romantic period (end of the 19th century and beginning of the 20th). In this decade (1970), when both the academy and the avant garde loathed the tonality, the young Vilarroig gathered up his courage giving the cold shoulder to atonality, represented by serialism and dodecaphonism. That way, the musical flow unfolds a view supported by a wide thematic body-language in a heroic and passionate spirit that states an underlying metaphor of fight and overcoming with an optimistic end.".[4] Recordings of his third and eight symphonies took place in Moscow (2008) performed by the State Radio and Television Symphony Orchestra of Russia (conducted by Victor Ivanov),[5] and his Concerto for piano and Orchestra in Prague was recorded by the pianist Luis Fernando Perez in 2006[6][7] and premiered in Madrid in November 2008.[8] Later works, such as his Concerto for Saxophone and Orchestra, were performed in the first decade of the 21st century (Rivas, performed by Joaquín Franco). [9]

He quit writing music in 2018 and he does not have any relationships with the music world at the present time.

Pedro Vilarroig has a style that merges several tendencies. He does not repudiate tonality, atonality, modality nor fusions with other modern music such as jazz, new age, film music and electroacoustics. It is difficult to label him as neo-romantic or neo-classical since his works can differ radically from each other. One commentator described his musical style as one of "genre mixing",[10] while reviewer Andrés Ruiz Tarazona notes that his musical style follows an "eclectical concept", with "variegated aesthetics, almost always inside the tonal area".[11] There are people[3] who express the view that this can lead to an impersonal method of composition, but it is necessary to listen to a substantial number of works to appreciate that there is a real personality beyond this mixture. A good example for comparison could be Steven Spielberg, who directs movies in different genres such as science fiction (ET, Jurassic Park), history (Schindler's List) and drama (The Color Purple). In all these films a strong Spielberg’s personality can be appreciated.

Vilarroig is very interested in his own spiritual development and his search for answers is displayed in such works as his symphony nº 3. This symphony has a dark tone that contrasts with the subsequent ones. In some sense his music is a narrative of his own life. Most of the people that listen to his music agree with the idea that it sounds descriptive and near to film music.

He has also made an audiovisual presentation called "Cosmological suite". About it, we can say that, basically conceived from the musical point of view, Vilarroig’s audio-visual showed dramatic pictures about some aspects of the Universe for 49 minutes.[12]

• Three symphonies for orchestra published in audio tape.
• Coauthor of the collection «Happy Baby» in CD for babies, with adaptations of classical pieces, as well as his own works with the general title Variations about six child songs.
• CD titled "Venite Adoremus" by the choir Matritum Cantat with the carol Camino de Belén va una estrella.
• Anniversary of the creation of the choir Villa de las Rozas with the work Wo leia sawola ni.
• CD titled "Ave María" by the choir Surá of Costa Rica with his Ave María.
• CD titled "Concerto for Piano and Orchestra" with the Praga Symphony Orchestra with the works:
  • String Quartet
  • Sonata for Alto Saxophone and Piano
  • Concerto for Piano and Orchestra, Luis Fernando Perez, pianist
• CD together with the Russian composer Andrei Petrov and Eddie Mora (from Costa Rica) with his Symphony nº 3 "Philosophical" recorded in Moscow with the State Radio and Television Symphony Orchestra. Both are under the record label Verso.[13]

• University radio (Costa Rica)[14]
• Aldeas infantiles' review[15]
• Valladolid daily[16]
• Las Rozas[17]
• Tribuna review[18]
• Press release of Wake up & dream[19]
• Soria Herald[20]
• El Pais[21]
• ABC[22]
• Toro[23]
• Scherzo review[24]
• Radio Universidad Clasica, (Costa Rica) with the full broadcasting of his String Quartet nº 1 and his Concerto for Piano and Orchestra[25]
• Voice of Russia (interview)[26]
• Radio Clásica[27]
• Broadcasting in Radio Clásica of his whole work Concerto for Piano and Orchestra (the same day).
• Tonality comes back[28]
• Cadena Ser (Guadalajara)[29]
• COPE[30]
• Radio Clásica[31]
• Mas espectáculo (web site)[32]
• Cadena Ser (Jaén)[33]

• Computer Generated Sound and Music Fractals (electroacoustics) and Consciousness Geometry at the Civil Engineer Association.
• Introduction of the software Ondaedit, for the generation of arbitrary shaped sound, at the Contemporary Music Spreading Center (CDMC). This software was created by himself.
• Application of Astronomical data for the Musical Composition, at the CDMC also.
• He took part in the Film Music Workshop carried out at the SGAE facilities with the introduction of the software TCFilm, also developed by himself and used for image and score synchronization in a film.

• 1. Cosmology:
  • Title: Principles of Cosmology and Astrophysics. Applications of the General Theory of Relativity (Spanish language), ISBN 84-95063-35-2
• 2. Physics of sound:
  • 1. Title: Fourier Theory from its applications' point of view (Spanish language), ISBN 84-921166-2-5.[34]
  • 2. Title: Physical harmony. The scientific basis of music (Spanish language), ISBN 978-84-692-4546-0.

• I Festival Coral de Las Rozas. Compulsory work: Wo leia sawola ni.
• XIV Certamen de Canción Castellana Villa de Griñón. Compulsory work: Campos de Castilla (2005).
• II Competition Rivas en Canto. Compulsory works: Si me hallaras vacío, based on a poem by the poet José Luis Morante (2007),[35][36]
• Course about chamber music. More compulsory works have been Sonata for Strings and his String Quartet in the Chamber Music Course organized by Angel del Palacio, regular conductor of the Universidad Rey Juan Carlos orchestra, that took place in Toro in August, 2006. Compulsory work: Sonata for Strings and String Quartet. (references: King Juan Carlos University,[37][38])
• Matritum Choral meeting. Compulsory work: Ave María.
• The Sonata for Piano and alto Saxophone is included and recommended by the Real Conservatorio Superior de Música of Madrid in the repertoire for saxophone.
• Two works for boy voices, The Garden and Bells of Madrid ordered by Félix Redondo, conductor of the Children Choir of the Comunidad de Madrid.
• Two sacramental works: In Paradisum and Dies Irae requested by the Cantiere Vocale Utrecht Choir.[39]
• Symphony poem Mercury, requested because of the Almadén mines anniversary.

• Pedro Vilarroig
• Neotonal Composers
• Free scores by Pedro Vilarroig at the International Music Score Library Project (IMSLP)
• Free scores by Pedro Vilarroig in the Choral Public Domain Library (ChoralWiki)