Periano Ghundai

Periano Ghundai (Pashto: پېريانو غونډۍ) meaning "The Hill of Fairies" was an archaeological mound located in the Zhob district in Balochistan, Pakistan.[1] The site is located 3 kilometres (1.9 mi) west of the town of Zhob. It was excavated in 1924 by Sir Aurel Stein and showed great resemblance to the Harappan culture.[1]

It is located along the Zhob River which forms a part of the Indus River basin.

Archaeology

Periano Ghundai was settled as early as 4300 BC, along with several other similar sites in Baluchistan.

"The number of settlements known in Baluchistan and in the adjacent lowlands had greatly increased by around 4300 BC, and they included important settlements such as Periano Ghundai (in the Zhob Valley), Mundigak (in the Kandahar region), Faiz Mohammad (in the Quetta Valley), Togau (in the Sarawan region), and Sheri Khan Tarakai (in the Bannu basin)."[2][3]

These developments were taking place during Mehrgarh period III.

Togau phase
Pre-Harappan Togau phase - main sites (triangles)

In a later period, Periano Ghundai belongs to the Togau phase in Baluchistan. Togau ware is dated 3500-3000 BC. It was first defined by Beatrice de Cardi in 1948. Togau is a large mound in the Chhappar Valley of Sarawan, 12 kilometer northwest of Kalat in Baluchistan.[4]

Togau is a fine black-painted pottery[5] which originated in southern Afghanistan (Mundigak region) and eastern Balochistan (Kachi-Bolan region). Later, it spread to central/southern Balochistan (Surab, Jhalawan, and Makran regions) and the Indus Valley (Amri).[6]

According to Jarrige et al (2011), four stages have been defined in the evolution of the Togau pottery, as attested during the Mehrgarh Period III. This tradition started to develop in the 5th millennium BC and continued up to mid-4th millennium (3500 BC).

Togau and Kili Ghul Mohammad wares are closely related. Traditionally, they are considered as the first painted pottery styles in Balochistan.[6]

Ceramics

Periano Ghundai painted ware is distinguished by black-on-red slip decorations. Geometric motifs predominate and are similar to those on Faiz Muhammad and Quetta ware potteries of the Damb Sadat phase. Thus, there seem to be cultural connections between Periano Ghundai and Damb Sadat phases.[7]

Although similar, Faiz Muhammad painted ware is characterized by black-on-grey slip decorations.

Periano Ghundai site was completely destroyed by the locals sometime after 1950.[1]

See also

References
  1. "Archaeological Sites" (PDF). Zhob District Development Profile. Government of Balochistan. 2011. pp. 6, 10. Retrieved 17 May 2014.
  2. McIntosh, Jane, The ancient Indus Valley: New perspectives. Understanding Ancient Civilizations (series). Santa Barbara (CA.): ABC-CLIO, Inc., 2008. p.62
  3. Paul D. LeBlanc (2013), Indus Epigraphic Perspectives: Exploring Past Decipherment Attempts & Possible New Approaches. University of Ottawa (Thesis)
  4. Mukhtar Ahmed, Ancient Pakistan - An Archaeological History. Volume II: A Prelude to Civilization. 2014 ISBN 1-4959-4130-2 p392
  5. B. De Cardi (1965), Excavation and Reconnaissance in Kalat, West Pakistan – The Prehistoric Sequence in the Surab Region. Pakistan Archaeology 2: 86-182. Karachi: The Department of Archaeology, Ministry of Education, Government of Pakistan
  6. Jarrige, J.-F., A. Didier, and G. Quivron, (2011). "Shahr-i Sokhta and the Chronology of the Indo-Iranian Borderlands", in Paléorient 37 (2)
  7. J.G. Shaffer; B.K. Thapar (1992). "PRE-INDUS AND EARLY INDUS CULTURES OF PAKISTAN AND INDIA" (PDF). UNESCO. Archived from the original (PDF) on 28 October 2016.

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