Palasa 1978

The film starts with a man coming and beating another man, asking where is he? He tells that the man is in the durga matha festival. He goes and beheaded the man. Everyone is in shock. Then the police come immediately and try to catch the man. Then finally, one of the police officers catches up to him and asks why did he kill the man. The man tells his own story which exposes the caste discrimination in society.

The films tells primarily about the caste discrimination in India and untouchability in the 1970s period. Yogesh Maitreya of Firstpost wrote that "Historically, Indian cinema exploited the labour of Dalits in its making, whilst erasing or appropriating their stories. This was not an accidental practice. When their stories were told on screen, it would be by savarnas who also played their characters with patriarchal, sexist and casteist undertones. The scenario has slowly changed, and the identity of Dalit characters in cinema — directed by a Dalit (and a few non-Dalit) filmmakers — has become explicit, transcending boundaries of caste and class. These filmmakers have helped shape visual storytelling that combines “justice with aesthetics”. “Justice with aesthetics” was rarely present in cinema made by savarnas, or it was seldom honest. Dalit-Bahujan filmmakers have filled this gap, while creating a new wave of cinema that is more appealing to a Dalit-Bahujan audience. In this film, we examine 10 Indian films that count not only among the finest cinema the country has produced, but are also intertwined with justice, politics, and aesthetic."[18]

Another reviewer from The News Minute, Charan Teja, stated, "Telugu films are usually in the news for the buzz generated by their cast, crew and massive pre-release events. However, once in a while, films like Palasa 1978 garner attention due to their content and understanding of social history. The film, directed by Karuna Kumar, begins with bloodshed. After the title song, we hear the drum beats of a jatara (carnival), and the protagonist Mohan Rao (Rakshit), a Dalit man, beheads Ganapavasu, another Dalit man. The latter is a henchman of the Shavukarus, dominant caste Hindu landlords. While films on caste oppression have usually depicted Dalits as a homogeneous oppressed community, Palasa is a much more nuanced and historically authentic depiction of the violence that’s meted out in the name of caste."[19]

Palasa 1978
Soundtrack album by Raghu Kunche
Released	2 March 2020 (2020-03-02) (Jukebox)
Recorded	2019-2020
Studio	My Studio, Hyderabad
Genre	Feature film soundtrack, Romance
Length	21:16
Language	Telugu
Label	Aditya Music
Producer	Raghu Kunche
Raghu Kunche chronology
Raagala 24 Gantallo (2019) Palasa 1978 (2020)
External audio Audio Jukebox on YouTube
Singles from Palasa 1978
"Bavochhadu" Released: 23 February 2020 "Nakkileesu Golusu" Released: 21 March 2020

The music is composed by Raghu Kunche.

Neeshita Nyayapati of The Times of India on reviewing the music, wrote that "The album of Palasa 1978 is easily one of the best albums of the year. Raghu Kunche truly does an outstanding job of staying true to the time, era and story that the film aims to explore. However, this album is not for anyone looking for the same ol’ Tollywood fare but it's definitely for you if you're looking to expand your horizons. You won't regret listening to it even if this kind of music may not be your first choice."[20] Another reviewer from IndiaGlitz stated "A largely middling album with three worthy songs.  The genres of the songs are in tune with the backdrop of the movie."[21]

The Times of India gave the film four out of five stars and wrote that "Highlighting the casteist nature of the state and mainstream politics, Palasa has a reference to many atrocities committed on Dalits across the country".[4] In a review of the film by The Hindu, the reviewer wrote that "Director Karuna Kumar's film is a gritty story of folk artistes picking up guns for survival".[22] A review in Sakshi appreciated director Karuna Kumar's attempt in picking up a sensitive subject like caste and opined that he succeeded in making the film appealing to all types of audiences.[23]

Sankeertan Varma of Film Companion stated, "At a crucial and effecting moment in the film, Sebastian invokes Ambedkar as an example to suggest that violence isn’t the only way to deal with an unfair society. Elsewhere, we see Mohan Rao reading Kalyan’s Rao’s Antarani Vasantamwhile trying to understand his life and its purpose. This is a film that isn’t interested in being anything but informed and responsible. Telugu cinema, even it has been talking about caste oppression in the recent past, has largely been averse to stories that are explicitly political. So, to see a film that talks about caste-based oppression and its many complexities organically, without hiding behind happy endings and generic philosophies is refreshing to watch, warts and all."[24]

Jeevi of Idlebrain.com wrote that "Palasa 1978 is a realistic film that deals with the caste divide in the 80's in the backward region of Uttarandhra. The debutant director Karuna Kumar has tried to narrate it with utmost genuinity by adding some commercial touch. Plus points are realistic backdrop, characterizations, dialogues, dialect and the subject. On the flipside, the screenplay of the film is not good. Narration should have been more interesting towards the latter part of the film. Despite a few shortcomings, Palasa 1978 stands out as a genuine attempt by the director Karuna Kumar."[25]

• Palasa 1978 at IMDb
• Palasa 1978 at Rotten Tomatoes