Old Tote Theatre Company

The Old Tote Theatre Company (1963–1978) was a New South Wales theatre company that began as the standing acting and theatre company of Australia's National Institute of Dramatic Art (NIDA). It was the predecessor to the Sydney Theatre Company.[1] The Old Tote was one of the leading Australian theatre companies.

History

The Old Tote Theatre was established in 1962 by the National Institute of Dramatic Art (NIDA), which had been created in 1958.[2] It began in a converted tin shed on the campus of University of New South Wales in Sydney. The wood and corrugated iron building (originally an army recreation hall) became known as the "Old Tote" because it had previously been part of the group of buildings that had formerly housed the totalisator betting machine when the site had been Kensington Racecourse. The building still stands, and is now known as the Figtree Theatre.[3]

The company was founded by the University's Professor of Drama, Robert Quentin, and NIDA Director, Tom Brown.[4] The University contributed six thousand pounds to convert the building into a theatre and its debut production, which opened on 2 February 1963, was a highly successful production of Anton Chekhov's The Cherry Orchard, starring Sophie Stewart and her husband Ellis Irving, with Gordon Chater as Yepihodov, John Bell as Trefimov and Ron Haddrick as Gayev, which ran for almost two months. This was followed by a double bill of The Bald Prima Donna and The Fire Raisers, with a cast that including Brian James, Gwen Plumb, Neil Fitzpatrick, Anna Volska and Jack Allan. Other productions in the first season included Hamlet, with John Bell in the title role, and Playboy of the Western World. The first season was an outstanding success and was extended to 28 weeks, with an average nightly capacity of 95%.[5]

In 1967 it was proposed to replace the old building with a new complex housing NIDA, the School of Drama and a larger theatre, but this plan was never carried out. In the same year, the Old Tote was separated from NIDA, moving its headquarters to the old Parade Theatre, in a building still on the UNSW campus. The company's inaugural performance in that venue was on 7 May 1969 with Robin Lovejoy's production of Tom Stoppard's Rosencrantz and Guildenstern Are Dead.[2] The move came with a subsidy from the newly created Australian Council for the Arts, and the Old Tote then embarked on a policy of expansion and at the request of the state government it took on the responsibilities of a state theatre company. This led to commitments to stage productions at both the Sydney Opera House and the Seymour Centre as well as at the Parade.[3]

The Old Tote company went on to occupy the Drama Theatre of the Sydney Opera House from 1973 to 1978 and also toured some of the shows around Australia, including Rosencrantz and Guildenstern are Dead to the Canberra Theatre Centre. However these additional activities, compounded by lack of support from the New South Wales state government, overstretched the company's resources and in 1978 the Old Tote went into liquidation.[3]

Productions

Year Title
1963 The Cherry Orchard
Unknown The Bald Prima Donna and The Fire Raisers (double bill)
1963 Hamlet
1963 Playboy of the Western World
1964 The American Dream
1964 The Importance of Being Earnest
1964 Still Life
1964 The Sport of My Mad Mother
1964 Inadmissible Evidence
1964 & 1968 Who’s Afraid of Virginia Woolf?
1965 Entertaining Mr Sloane
1965 The Killing of Sister George
1965 Altona
1965 Night of the Ding-Dong
1966 The Schoolmistress
1966 Three Sisters
1966 Tiny Alice
1966 A Moon for the Misbegotten
1967 The Homecoming
1967 Hedda Gabler
1967 The Imaginary Invalid
1968 Norm and Ahmed
1968 You Never Can Tell
1969 Death of a Salesman
1969 The Guardsman
1969 This Story of Yours
1969 The Rivals
1969 Rosencrantz and Guildenstern Are Dead
1969 Pygmalion
1969 Don Juan
1970 King Oedipus
1972 Forget-Me-Not Lane
1972 Little Murders
1972 A Country Girl
1972 Uncle Vanya
1972 The Legend of King O'Malley
1972 Betty Blokk-buster Follies
1972 The Tempest
1973 The Indian Wants the Bronx
1973 Cop-Out
1973 Tis Pity She’s a Whore
1973 Arsenic and Old Lace
1973 Kabul
1973 Lysistrata
1973 The Threepenny Opera
1973 Miss Jairus
1973 King Richard II
1973 What If You Died Tomorrow?
1973 An Eighteenth Century Soirée
1973 Lasseter
1973 The Taming of the Shrew
1974 Love for Love
1974 Cradle of Hercules
1974 Macbeth
1974 La Mandragola
1974 Three Men on a Horse
1974 The Chapel Perilous
1974 Love's Labour's Lost
1974 Equus
1974 What If You Died Tomorrow?
1974 Little Eyolf
1975 Chez Nous
1975 House
1976 Habeas Corpus
1976 A Streetcar Named Desire
1976 Mourning Becomes Electra
1976 The National Health
1976 The Hostage
1976 The Season at Sarsaparilla
1977 Widowers' Houses
1977 The Norman Conquests
1977 Caesar and Cleopatra
1977 The Lower Depths
1977 The Alchemist
1977 Rookery Nook
1977 The Magistrate
1977 The School for Scandal
1977 Big Toys
1978 The Night of the Iguana
1978 Hay Fever
1978 The Lady from Maxim's
1979 Lady of the Camellias
Unknown The Father
Unknown Hotel Paradiso
Unknown The Government Inspector
Unknown The Dutch Courtesan
Unknown Arturo AI
Unknown The Man of Mode

Alumni

Many distinguished and much-loved actors, such as Ruth Cracknell, Ron Haddrick, Neil Fitzpatrick, Jacki Weaver, John Bell, Dinah Shearing, Helmut Bakaitis, Robyn Nevin, Elizabeth Alexander, Reg Livermore, Dennis Olsen, Gary Files, Robin Lovejoy and Jennifer Hagan appeared in more than 90 productions of the classics and contemporary plays from the international repertoire.[6]

Other notable actor alumni include John Jarratt, Barry Otto, Bill Hunter, Max Cullen, Andrew McFarlane, Gillian Jones, Angela Punch-McGregor, David Gulpilil, Pamela Stephenson, Thomas Keneally, David Williamson, Ivar Kants, Judy Nunn, Anna Volska, Sophie Stewart, Rob Steele, Peter Whitford, Bob Maza, Judi Farr, Danny Adcock, Don Crosby, John Gaden, Gordon Chater, Brian James, Gwen Plumb, Kate Fitzpatrick, Arthur Dignam, Ronald Faulk, Sylvanna Doolan, Jack Charles, Clive Marshall, Alan Faulkner, Patricia Hill, Zac Martin, Al Thomas, Sylvia Martin, Colin Croft, Allana Coorey, Peter Corbett, Kenneth Laird, Mervyn Drake, Denis Gaunt, Penny Perkins, Ron Gartside and Kevin Jackson.

Jim Sharman became interested in directing experimental theatre and he soon made a name for himself in Sydney with his groundbreaking productions at the Old Tote Theatre Company many of which were designed by his long-time collaborator Brian Thomson. Renowned director Richard Wherrett also directed productions for the Old Tote.

See also

References

  1. The Founding of Sydney Theatre Company. Retrieved 20 April 2007
  2. McPherson, Ailsa (2012). "Old Tote Theatre". The Dictionary of Sydney. Retrieved 15 December 2021.
  3. "Old Tote Theatre – Figtree Theatre – Parade Theatre – NIDA Theatre (Sydney)". Archived from the original on 1 September 2007.
  4. Horne, Julia, Robert Quentin (1917–1979) in Origins: Newsletter of the UNSW Archives, No. 6 December 2000–January 2001, pp-5-7
  5. Ten on the Tote : an illustrated history of the Old Tote Theatre Company to celebrate its tenth anniversary, 1963–1973; compiled by Josephine South; text by Harry Scott (Old Tote Theatre Company, 1973)
  6. The NIDA Paper Archive Collection. Retrieved 20 April 2007
  • Josephine South, Harry Scott. (1973). Ten on the Tote : an illustrated history of the Old Tote Theatre Company to celebrate its tenth anniversary, 1963–1973. Kensington, N.S.W. : Old Tote Theatre Company. ISBN 0-9599284-0-5.
  • Philip Parsons, Victoria Chance (Ed.) (1995). Companion to theatre in Australia. Sydney : Currency Press in association with Cambridge University Press. ISBN 0-86819-357-7.
  • Colin Bachali (1998). Jane St Theatre : Australian play season 1966 - 1977. Sydney : Katoomba, N.S.W. : Colin Bachali. ISBN 0-646-32652-X.
  • Jacki Weaver (2005). Much love, Jac x. Crows Nest, N.S.W. : Allen & Unwin. ISBN 1-74114-618-6.
  • John Bell (2002). John Bell : the time of my life. Sydney : Currency Press. ISBN 1-86508-640-1.
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