York (album)

Blu was still under contract with Sire/Warner Bros in 2011, but as the LA Times noted "the slashing collection of songs was nowhere near commercial enough to ever see major label release".[9] A few weeks later, Barnes was released from his Sire/Warner Bros. contract, although demo copies were pressed.[3] Later officially released through New World Color on March 26, 2013.[8][10] The album was also released as a vinyl 4-LP set with three additional songs, "Jazmine", "Jazzmen" and "Ronald Morgan".[11]

While Blu is the featured artist he was found to be "tapping a cadre of California instrumental hip-hop luminaries (...) of the Los Angeles beat scene".[3] Many of them featured at the Low End Theory music club.[4] These included the performers U-God, Jack Davey, Sa-Ra, Nola Darling, Cashus King, Suziana Lounge, Chop, Cherry Pop, Tiombe Lockhart, Exile, Jimetta Rose, Donel Smokes, Definite Mass, Dubble Oh, Niaa Andrews, Andy Allo, Edan, El Prez, Pac Div, Uni, J Davey, Tiron, & Ayomari.[11]

The artwork uses a photomontage by the Japanese artist Tsunehisa Kimura titled The City Welcomes a Fresh Morning, which depicts New York City being engulfed in a waterfall.[12]

Jeff Weiss of the LA Times described the leaked version as touching "upon soul, jazz and straight up boom-bap rap, with Blu alternately nostalgic and forward-minded. It's an album more sincerely strange than any of the more straightforwardly weird records that are all the rage".[9] David Amidon described this first release as "a sound that can’t currently be compared to any other vocal hip-hop album of measurable consequence, a decidedly original experience".[4] Craig Jenkins described the official release as "the physical document of that time a gifted rapper blew off a promising record deal to geek out in the studio with friends and then came out with one of the defining documents of his scene".[3]

Jason Lymangrover at allmusic.com was less enthusiastic and found that if the album "could be considered a success based solely on ambition, this would be a masterpiece, but as it stands, there are so many frills and guests clouding up the scenery that it’s hard to place Blu's voice among all the mess".[2] While Steve Juon of Rap Reviews warns that "Caution is advised - Blu's brand of hip-hop on this one's not for everybody".[5]

Standard Edition