Mary Theresa Hart

Hart was born in 1872 in New York, the third child and second daughter of James McDougal Hart and the artist Mary Theresa Gorsuch Hart (d. 1921), who was best known for Easter Morning, a widely reproduced image of a white marble cross draped in flowers.[4] James M. Hart's siblings included the artists William Hart and Julie Hart Beers. Mary Theresa Hart's sister, Letitia Bonnet Hart (1867-1953), was also a painter. (Their brother Robert Gorsuch Hart, a water-plant engineer, died while working in Mexico in 1906, at age 37.)[5] The family lived at 94 First Place in Brooklyn and had a country home in Lakeville, Connecticut.

Mary Theresa Hart studied at the National Academy of Design in New York and with Will Hicok Low[6] and Edgar Melville Ward.

The two sisters and their father commuted daily from Brooklyn to adjoining top-floor studios at 11 East 14th Street in Manhattan.[7] Mary Theresa Hart often sat for portraits by her sister, offering an "intelligent grasp of the poses," and the two women occasionally collaborated on canvases.[8] A poem about the artist trio ended in the refrain, "don’t you wish that you were smart, Like James, Letitia and Mary Hart?"[9]

Mary Theresa Hart died in 1942 at the family's Brooklyn row house. She is buried with her family in Green-Wood Cemetery.

Mary Theresa Hart exhibited (often alongside her sister, uncle, and father) at venues including the American Water Color Society, Art Institute of Chicago, Louisiana Purchase Exposition, New York Water Color Club, Pan-American Exposition, and National Academy of Design--a portrait of the two sisters, painted by both of them, won the National Academy's Norman W. Dodge $300 prize for Mary Theresa Hart in 1901.[10] Her writings and illustrations appeared in periodicals including The Designer and the Woman's Magazine,[11] The Judge,[12] Life,[13] The Quarterly Illustrator,[14] and Woman's Home Companion.[15] In 1905 and 1906, she illustrated children's books, Wee Winkles and Wideawake and Wee Winkles and Snowball, both written by Gabrielle Jackson (and published by Harper & Brothers); the illustrations were praised by publications including Vogue, which described them as "drawn with sympathy and effect."[16]

Institutions that own Hart's paintings include Green-Wood Cemetery (where Mary Theresa Hart designed the family's bronze gravestone plaque), Mead Art Museum at Amherst College (portrait of William Austin Dickinson, MAM712918, a gift from Mabel Loomis Todd's daughter Millicent Todd Bingham), National Academy of Design (portrait of James M. Hart, 543-P, a gift from Letitia B. Hart), and Yale University Art Gallery (portrait of a bearded man, 1969.43.8, a gift from Millicent Todd Bingham).