Marjorie Rusche

Marjorie Maxine Rusche (born 18 November 1949) is an American composer, conductor, and pianist who has composed several operas and was a founding member of the Minnesota Composers Forum.[1][2]

Biography

Rusche was born in Sturgeon Bay, Wisconsin. She earned a M.A. from the University of Minnesota (Minneapolis) and a D.M.A. from Indiana University.[3] Her teachers included Dominick Argento and Paul Fetler.[1]

Rusche served in the U.S. Peace Corps in Kenya.[4] Over the years, she has taught various music courses at Columbia College Chicago; Indiana University South Bend; Saint Mary’s College; Southwestern Michigan College; and the University of Notre Dame.[5]

Rusche has received awards, commissions, and grants from: American Chamber Opera Company, New York City; Columbia College Chicago Follett Fellowship; DANCECIRCUS, Milwaukee, Wisconsin; DuPage Chorale/American Composers Forum (Chicago chapter); Gotham Ensemble, New York City; Indiana Music Teachers Association Convention; Indiana State Arts Board Individual Composer Fellowship; Indiana University Curriculum Development Grant; Indianapolis Symphonic Choir; Jerome Foundation, St. Paul, Minnesota; Masterworks Chorale, Muncie, Indiana; McKnight Foundation, St. Paul; Meet The Composer-Midwest; Meet The Composer-New York; Minnesota Composers Forum/Jerome Foundation; Minnesota State Arts Board; Portland, Oregon, Regional Arts Commission Grant; Saint Mary’s College Women’s Choir; Schubert Club, St. Paul; Skylight Comic Opera Theater, Milwaukee; South Bend Chamber Singers; South Bend Symphony Orchestra; University of Notre Dame Chorale; and USA Projects, Artists2Artists Fund, USA Open Matching Fund, Cheswyter Music Commissioning Fund (American Composers Forum) and 30 individual donors.[6][7][8]

A charter member of the Minnesota Composers Forum (today known as the American Composers Forum), Rusche also belongs to the American Society of Composers, Authors, and Publishers (ASCAP), College Music Society, International Alliance for Women in Music, New Music USA, and Opera America.[6][4][9]

Rusche composes in many different genres. Her works have been broadcast and performed internationally and throughout the United States.[6] Her compositions include:

Chamber
  • Pentagram (flute and guitar)[10]
  • Quintet (flute, clarinet, horn, violin, cello)[10]
  • Sonata (flute and piano)[10]
  • Talisman (flute)[10]
  • Woodwind Trilogy (flute, oboe, clarinet, A clarinet, bassoon)[10]

Operas
  • Dance of Death (libretto by Dan Pinkerton)[11]

Orchestra
  • Concerto for Cor Anglais[1]

Vocal
  • I Heard a Fly Buzz (text by Emily Dickinson)[13]


References
  1. Cohen, Aaron I. (1987). International encyclopedia of women composers. 2: Sai - Zyb, Appendices (2. ed., revised and enl ed.). New York: Books & Music. p. 605. ISBN 978-0-9617485-1-7.
  2. Raines, Robert (2015). Composition in the Digital World: Conversations with 21st Century American Composers. Oxford University Press. ISBN 978-0-19-935703-1.
  3. McVicker, Mary F. (2016-08-09). Women Opera Composers: Biographies from the 1500s to the 21st Century. McFarland. ISBN 978-0-7864-9513-9.
  4. Rusche, Marjorie M. "Marjorie M. Rusche - College Music Symposium". symposium.music.org. Retrieved 2023-10-12.
  5. "Marjorie M. Rusche, Author at OperaWire". OperaWire. 2018-11-09. Retrieved 2023-10-12.
  6. "Marjorie Rusche • Maestra". Maestra. Retrieved 2023-10-12.
  7. Vermeersch, B.C. (2001), "Composers' Forum", Oxford Music Online, Oxford University Press, retrieved 2023-10-12
  8. Women Artists News. Midmarch Associates. 1992. p. 37.
  9. Stern's Performing Arts Directory. DM, Incorporated. 1999. p. 175.
  10. Boenke, H. Alais (1988-10-19). Flute Music by Women Composers: An Annotated Catalog. Bloomsbury Publishing USA. p. 105. ISBN 978-0-313-36831-8.
  11. Borroff, Edith (1992). American Operas: a checklist. Detroit studies in music bibliography. Warren, Mich: Harmonie park. p. 258. ISBN 978-0-89990-063-6.
  12. "Marjorie M. Rusche Song Texts | LiederNet". www.lieder.net. Retrieved 2023-10-12.
  13. The Musical Woman. Greenwood Press. 1984. p. 158. ISBN 978-0-313-23588-7.
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