Malkoçoğlu Cem Sultan
Malkoçoğlu Cem Sultan (Turkish: Malkoçoğlu Cem Sultan; Persian: سرزمین دلاوران) is a Turkish historical action film by Remzi Aydın Jöntürk. It is one of the numerous collaborations between the famous actor Cüneyt Arkın and Jöntürk. The film belongs to the wave of historical films in the Turkish cinema. The film is about the beloved comics character of Ayhan Başoğlu, Malkoçoğlu.[1][2] The film was shot simultaneously in Turkish and in Persian. The Iranian version was released as Serzemin-e Delaveran in 1971.
| Malkoçoğlu Cem Sultan | |
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| Directed by | Remzi Aydın Jöntürk |
| Written by | Remzi Aydın Jöntürk |
| Produced by | Naci Duru |
| Starring | Cüneyt Arkın Pouri Banayi Feri Cansel Cihangir Ghaffari |
Release dates |
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| Countries | Turkey, Iran |
| Languages | Turkish, Persian |
The main features of the movie has real historical basis as Malkoçoğlu was regarded as one of the loyal Akıncı families of the Ottoman Empire. The film is the dramatization of Başoğlu's comic book of the same name and tells the story of the life struggle of Cem Sultan and how Akıncıs help him. The leader of the Akıncı troops, Malkoçoğlu, trusts a peasant, Polat, and accepts him into his army and gives him the mission to safely guide Cem Sultan to his Frenk allies. Cüneyt Arkın portrays two characters in the film, as a part of his trademark style.
Cast
- Cüneyt Arkın ... Polat / Malkoçoğlu or Ali as Polat's father (Dual role)
- Gülnaz Huri ... Melek
- Cihangir Ghaffari ... Cem Sultan
- Feri Cansel ... Jitan
- Suzan Avcı ... Zühre
- Behçet Nacar ... Gaddar("brutal") Hamolka
- Özdemir Han ... Şeytan("Devil") Omerro
- Ayton Sert ... Hancı("accommodator") İgor
- Aytekin Akkaya ... Raider
- Günay Güner ... Raider
- Adnan Mersinli ... Öküz Abdi
- Tarık Şimşek ... Omerro's henchman
Political aspect of the film
Illustrating the class differences in society during the mid-Ottoman era is one of the key elements of the film. Poor peasant Polat has to kill a wealthy landlord because he tries to take Polat's lover away from him by stating that a peasant even doesn't have the right to talk to such an influential person. This depiction is a classic of Remzi Jöntürk films, even for the action based ones, frequently emphasizing on class struggles in society. The film also has references to the medieval understanding of honor and how it was, in some cases, more significant than state affairs.[3]