MIDI tuning standard

If ƒ is a frequency, then the corresponding frequency data value d may be computed by

${\displaystyle d=69+12\log _{2}\left({\frac {f}{440\ \mathrm {Hz} }}\right).\,}$

The quantity log₂ (ƒ / 440 Hz) is the number of octaves above the 440-Hz concert A (it is negative if the frequency is below that pitch). Multiplying it by 12 gives the number of semitones above that frequency. Adding 69 gives the number of semitones above the C five octaves below middle C.

Since 440 Hz is a widely used standard concert A (e.g. USA, UK), and since that is represented in MIDI terms by the integer 69 (nine semitones above middle C, which is 60), this gives a real number which expresses pitch in a manner consistent with MIDI and integer notation, known as the MIDI note number.

Converting from MIDI note number (d) to frequency (f) is given by the following formula:

${\displaystyle f=2^{(d-69)/12}\cdot 440\ \mathrm {Hz} \,}$

The frequency data format allows for the precise notation of frequencies that differ from equal temperament.

"Frequency data shall be defined in [units] which are fractions of a semitone. The frequency range starts at MIDI note 0, C = 8.1758 Hz, and extends above MIDI note 127, G = 12543.854 Hz. The first byte of the frequency data word specifies the highest equal-tempered semitone not exceeding the frequency. The next two bytes (14 bits) specify the fraction of 100 cents above the semitone at which the frequency lies. Effective resolution = 100 cents / 2¹⁴ = .0061 cents."[1]

This higher resolution allows a logarithmic representation of pitch in which the semitone is divided into 128² = 2¹⁴ = 16384 parts, which means the octave is divided into 196608 (logarithmically) equal parts. These parts are exactly 100/16384 cents (approximately 0.0061 cents) in size, which is far below the threshold of human pitch perception and which therefore allows a very accurate representation of pitch.

The precision pitch values may be used in microtonal music, just intonation, meantone temperament, or other alternative tunings.

Software which supports MTS includes Scala, TiMidity++, ZynAddSubFX and FluidSynth.

Software plugin instruments which support MTS include Native Instruments FM8, Synthogy Ivory, and Xen-Arts' various xenharmonic VSTi plugins, including the FMTS FM synthesizer, Ivor virtual analog synthesizer, and XenFont SoundFont sample player.

Hardware instruments in current production which support MTS include: Dave Smith Instruments (DSI) Rev-2, Prophet-12, Prophet-6, Oberheim OB-6, Moog Sub37, Minitaur, Novation Bass Station II, Peak, Sonoclast Plastic Pitch Plus, and the Waldorf Kyra.

• Microtonal music
• Microtuner
• Musical tuning