Mónica de Miranda

Mónica de Miranda (born Porto, 1976) is a Portuguese visual artist, photographer, filmmaker, and researcher of Angolan ancestry known for her artwork on socially inspired themes, including postcolonial issues of geography, history, and subjectivity related to Africa and its diaspora. Her media include photography, mixed media and video. De Miranda first became known for her photographic records of the ruins of modern hotels in post-war Angola, and their surrounding sociopolitical circumstances.[1][2][3][4] Her photographic series, videos, short films, and installations have been internationally exhibited at art biennales, galleries, and museums, some of which keep her work in their permanent art collections.[5][6][7][8] Her work has been reviewed in specialized art sources.[9][10][11][12]

Mónica de Miranda

De Miranda was born in Porto and is based in Lisbon since 2009.[13][14][15]

Education

De Miranda graduated as a Bachelor of Visual Arts from the Camberwell College of Arts, London, in 1998. She completed an MSc in Art and Education at the Institute of Education (London) in 2000, and obtained a PhD degree in Visual Arts and Multimedia at the University of Middlesex in 2014 (Thesis: Geography of Affections: Tales of Identity, Diaspora and Travel in contemporary arts).[16] She pursued postdoctoral studies at the University of Lisbon between 2015 and 2018.[17]

Career

De Miranda is affiliated with the University of Lisbon, Centro de Estudos Comparatistas, Faculdade de Letras, where she leads research projects dealing with sociocultural and political aspects of contemporary migration movements linked to lusophone Africa. Among such projects are Post-Archive: Politics of Memory, Place and Identity, and Visual Culture, Migration, Globalization and Decolonization.[17][18][19]

During her multiyear stay in London prior to 2009,[15] she collaborated with researchers at Goldsmiths College[20] and the Institute of International Visual Arts.[21] Working in Tate Britain-related projects, she was engaged with underprivileged adolescents in schools and community centres in the boroughs of Peckham and Brixton.[22]

In Lisbon, she is a co-founder of Xerem, a cultural association that runs a program of international residencies and workshops for artists[23] and is part of the Triangle Network.[24] She is a Director and artistic coordinator at the Hangar Center of Artistic Research, founded in 2014 in Graça (Lisbon).[25] Her work has been supported by entities such as La Caixa Foundation.[26] Further details of De Miranda's career can be found online.[27]

Works
Mónica de Miranda's exhibition at Sabrina Amrani gallery, 2020

De Miranda's work is research-based and looks at the convergence of politics, gender, memory and space.[28] Her works typically consist of video, photography and installation, which frequently register the artist's view on urban and peri-urban, Luso-African landscape and associated contemporary and colonial history.[29]

Her works have been shown at art biennales (Venice 2014,[30] Dakar 2016,[31] Lumbumbashi 2019,[32] Berlin 2022,[33] Bamako[34] BIENALSUR,[35] Houston Fotofest,[36] among others); also at galleries, and museums including the Berardo Collection Museum (Lisbon 2016),[13] the Pera Museum (Istanbul 2017)[37] the National Museum of Contemporary Art Chiado, (MNAC, Lisbon 2014),[7] the Museum of Art, Architecture and Technology (Lisbon 2019),[5] and the Calouste Gulbenkian Museum (Lisbon 2020).[6] The latter three museums, as well as the Lisbon Municipal Archive,[8] the PLMJ Foundation,[38] and the Centro Cultural de Lagos[39] keep De Miranda's pieces in their permanent art collections.

Her art is represented in the collections of 21c Museum Hotels, Louisville, Kentucky, USA; Soho House, London, UK;  Colección Alma Colectiva, Guadalajara, Mexico; Nesr Foundation, Luanda, Angola, and PLMJ, Lisbon, Portugal.[40]

Her short films have competed on several film festivals, including: Doclisboa 2022 (with “The Island” - 2022),[41] and the Avanca Film Festival 2023 (with "Red Horizon" - 2020).[42]

She won the Idealista Contemporary Art Prize with the project South Circular.[43] Her pieces were nominated for the Novo Banco Photo Award (2016),[44] and the New Artist Award of the EDP Foundation in 2019.[45] Her exhibition Geografia Dormente was nominated for the Best Photographic Work of the Authors Prize – 2019 by the Sociedade Portuguesa de Autores.[46] Substantial critique of De Miranda's artwork can be found online, where she has been regarded as "an artist whose work crosses borders and outlines a landscape of plural identities, inspired by her own experience of an increasingly itinerant culture".[44][47][48] Her images are "lyrical, performative, and contemplated quiet moments that offer a kind of ...very reflective and melancholic", as written by Marigold Warner, Associate Online Editor at the British Journal of Photography when reviewing De Miranda's artwork.[11]

Her best known pieces include The Island,[49] Path to the Stars,[50] Panorama,[2] Hotel Globo,[51] Tales of Lisbon,[52] and South Circular.[53] Her work has been reviewed in specialized art sources such as New York Magazine,[9] L'Œil de la photographie,[10] British Journal of Photography,[11] and Aesthetica Magazine.[12]

De Miranda's oeuvre has been the subject of study of a number of academic works, examining aspects such as her sarcastic photography,[54] the deep sociopolitical meanings behind her films,[55] the aesthetics of fragmenting, moving and doubling in her photographic installations,[56] and her influence on contemporary Portuguese video art.[57]

Exhibitions
  • Nov 2004 - The Search For Identity, group show, Doncaster Museum & Art Gallery, Doncaster, UK[58]
  • Feb 2005 In the Bag!, group show, Brixton Art Gallery, Brixton, London[59]
  • Apr 2013 – Private Lives, group show, Cascais Cultural Center, Cascais, Portugal[60]
  • Jun 2014 – Ilha de São Jorge, 6-film exhibition shown at the 14th Venice Biennale of Architecture, Venice. Italy[61][62]
  • Oct 2015 - Telling Time, group show, Rencontres africaines de la photographie 10th edition, Bamako, Mali[63]
  • Jul 2015 – Hotel Globo, Museu Nacional de Arte Contemporânea do Chiado, Lisbon[51]
  • Sep 2015 O Reverso da Convivência, group show, Museu Nacional de Arte Contemporânea do Chiado, Lisbon[64]
  • May 2016 – 12th Dakar Biennale, Dak'Art – Biennale de l'Art Africain Contemporain, Dakar, Senegal[65]
  • Oct 2016 - Bienal de Fotografia Vila Franca de Xira, group show, Galeria Paulo Nunes, Lisbon[66]
  • Dec 2016 – Addis Foto Fest, Addis Ababa, Ethiopia[67]
  • Mar 2017 – Lejour qui vient, Galerie des Galeries, Paris, France[68]
  • Jun 2017 – Atlantic – A Journey to the center of the earth. solo show, Galeria Sabrina Amrani, Madrid, Spain[69]
  • Oct 2017 – Mostra Fora de Cena, Luanda, Angola[70]
  • Nov 2017 – AKAA, Also Known As Africa Art Fair, group show, Carreau du Temple, Paris, France[71]
  • Jan 2018 – Transfer, solo show and residence, Académie des Beaux Arts de Kinshasa, República Democrática do Congo[72]
  • Jul 2018 Mónica de Miranda em Moçambique[73]
  • Ago 2018 – Daqui Pra Frente – Arte Contemporânea em Angola, Caixa Cultural Brasília, Brasil[74]
  • Sep 2018 – Tomorrow is another day, solo show, Carlos Carvalho – Arte Contemporánea[75]
  • Nov 2018 – Geografia Dormente, solo show, Galeria Municipal de Arte de Almada, Portugal[76]
  • Nov 2018 – Panorama, solo show, Galería do Banco Económico, Luanda, Angola.[77]
  • Mar 2019 – Fiction and Fabrication, group show, Museum of Art Architecture and Technology, Lisbon[5]
  • Oct 2019 – Bienal Sur, group show, Guayaquil, Ecuador[78]
  • Nov 2019, Taxidermy of the Future, two artist show, VI Bienal de Lubumbashi, Congo[79]
  • Dec 2019 - Taxidermy of the future, group show, National Museum of Natural History, Luanda, Angola[80]
  • Feb 2020 Twins (from series Cinema Karl Marx) – group show Partidas e Chegadas – Artistas em Viagem, Calouste Gulbenkian Museum, Lisbon[81]
  • Mar 2020 – African Cosmologies, group show, Fotofest Biennial. Houston, USA.[82]
  • Apr 2020 - South Circular (online), Galería Sabrina Amrani[83]
  • May 2020 – Contos de Lisboa, solo show, Arquivo Municipal de Lisboa, Lisbon[52]
  • Dec 2020 – Deconstruction/Reconstruction, Sabrina Amrani Gallery, Madrid[84]
  • Jan 2021 - All That Burns Melts Into The Air,  Sabrina Amrani , Madrid, Spain[85]
  • Jan 2022 - The Island, Autograph Gallery, London, UK[49]
  • Mar 2022 - Shadows Fall Behind, Sabrina Amrani , Madrid, Spain[86]
  • Apr 2022 - No longer with the Memory but with its Future, Oratorio San Ludovico-Nuova Icona, Venice Biennale, Venice, Italy [87]
  • Jun 2022 - 12.ª Bienal de Arte Contemporânea, Berlin[88]
  • Jul 2022 - Mirages and Deep Time, Galeria Municipal Avenida da India, Lisbon, Portugal [89]
  • Oct 2022 - Future Archives, RAMPA, Porto, Portugal[90]
  • Oct 2022 - Construir o Tempo (Constructing time), Camões Centrol Cultural Português, Luanda, Angola[91]
  • Nov 2022 - Caminho para as Estrelas, Jahmek Contemporary Art, Luanda, Angola[92]
  • Jan 2023 - Path to the Stars, SALA 10, Museo Universitario Arte Contemporáneo, Mexico City, Mexico[93]
  • Feb 2023 - The Island, Turku Art Museum, Turku, Finland[94]
  • Apr 2023 - O Sol Não Nasce A Norte,  A Caixa, Portugal [95]                     

The above list does not necessarily include all of De Miranda's exhibitions.

Publications

De Miranda's publications[96] include the following books and book chapters:

  • De Miranda, Monica (2005), Changing geographies: art without borders : participation, collaboration and interaction in socially engaged arts (Thesis).[97]
  • De Miranda, M. & Tavares E., (2017),Geography of affections, 2012–2016, Ed. Tyburn Gallery, ISBN 978-989-99810-0-3[98]
  • De Miranda, Mónica, Hotel Globo, chapter 13 in (Re)imagining African independence : film, visual arts and the fall of the Portuguese empire. Piçarra, Maria do Carmo, 1970-, Castro, Teresa, 1952-. Oxford, 2017 ISBN 978-1-78707-318-0[99]
  • De Miranda, Mónica, (2018), Atlantica : contemporary art from Angola and its diaspora. (1st edition ed., 2019). Lisbon, ISBN 978-989-20-8810-5[100]

References
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  2. "Mónica De Miranda: Panorama". Contemporary And (in German). Retrieved 24 September 2020.
  3. "Colocando o dedo na ferida". C& AMÉRICA LATINA. Retrieved 24 September 2020.
  4. ""Panorama" de Mónica Miranda encerra ciclo de exposição do ano". jornaldeangola.sapo.ao. Retrieved 24 September 2020.
  5. "Fiction and Fabrication. Photography of Architecture After the Digital Turn". MAAT. Retrieved 11 October 2020.
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  11. "African Cosmologies — Photography, Time, and the Other". British Journal of Photography. 4 May 2020. Retrieved 11 October 2020.
  12. "Aesthetica Magazine – Panoramic Histories". Aesthetica Magazine. Retrieved 11 October 2020.
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  19. "VISUAL CULTURE, MIGRATION, GLOBALIZATION AND DECOLONIZATION – Comparatistas – english version". Retrieved 12 October 2020.
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  30. "Mónica de Miranda | no longer with the memory but with its future | Oratorio di San Ludovico | Venice | My Art Guides". My Art Guides | Your Compass in the Art World. Retrieved 25 May 2023.
  31. Njami, Simon. "DAK'ART 2016, BIENNALE of DAKAR, May, 3 – June, 2 — 2016" (PDF). biennaledakar.org.
  32. "Taxidermy of the Future". Biennale de Lubumbashi. Retrieved 25 May 2023.
  33. "Mónica de Miranda". 12th Berlin Biennale for Contemporary Art. Retrieved 25 May 2023.
  34. "African Biennale of Photography in Mali defends culture despite difficulties". RFI. 25 December 2022. Retrieved 25 May 2023.
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  39. barlavento (29 March 2011). "Coleção de Arte Contemporânea de Lagos mostra-se no Centro Cultural". Barlavento (in European Portuguese). Retrieved 25 September 2020.
  40. "ARCOMadrid 2023 | Carlos Carvalho Art Gallery". www.carloscarvalho-ac.com. Retrieved 30 April 2023.
  41. Silva, Maggie (8 October 2022). "Doclisboa '22 | Competição Portuguesa 1, em análise". MHD (in European Portuguese). Retrieved 28 May 2023.
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  43. Nação, Redação A. (28 April 2023). "Mónica de Miranda, Prémio idealista de arte contemporânea 2023". anacao.sapo.pt (in European Portuguese). Retrieved 18 June 2023.
  44. "Another Mozambican finalist in Novo Banco Photo award: Félix Mula". Mozambique. Retrieved 28 September 2020.
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  46. "Sociedade Portuguesa de Autores". www.spautores.pt. Retrieved 11 October 2020.
  47. "The Land of no Melancholy". Wrong Wrong Magazine. Retrieved 28 September 2020.
  48. "Telling & Retelling". Contemporary And (in German). Retrieved 28 September 2020.
  49. "Monica de Miranda: The Island | Exhibition at Autograph, London 24 Jun - 22 Oct 2022 | Book Free Tickets". autograph.org.uk. Retrieved 1 May 2023.
  50. "'Path to the Stars' by Mónica de Miranda". Centro de Arte Moderna. Retrieved 19 June 2023.
  51. "Mónica de Miranda: Hotel Globo". MUSEU NACIONAL DE ARTE CONTEMPORÂNEA DO CHIADO. Retrieved 24 September 2020.
  52. "Visão | Bairros do desamor na exposições "Contos de Lisboa"". Visão (in European Portuguese). 26 February 2020. Retrieved 28 September 2020.
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  54. Lamoni, G (2013). "African masks, family photographs and open suitcases: Rosana Paulino, Mónica de Miranda and Maimuna Adam". n.paradoxa. 31: 5–14.
  55. Jayawardane, M.N. (2019). "38". Reconciliations at Sea: Reclaiming the Lusophone Archipelago in Mónica de Miranda's Video Works. Cambridge: Open Book Publishers. pp. 505–531. ISBN 9791036538070.
  56. Balona de Oliveira, Ana (2019). "Panoramas de Fragmentos Móveis, Ou Visões Gémeas de (Des)Pertença na Obra de Mónica de Miranda". Revista Vazantes. 3 (1): 5–16. ISSN 2594-5491.
  57. Videoarte e filme de arte & ensaio em Portugal = Video art and art & essay in Portugal. Guarda, Dinis. Lisboa: Número – Arte e cultura. 2008. ISBN 978-972-97705-8-6. OCLC 939134996.{{cite book}}: CS1 maint: others (link)
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  61. "Ilha de São Jorge". Pirelli HangarBicocca. Retrieved 13 October 2020.
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  65. "L'exposition internationale | biennale de Dakar" (in French). Retrieved 12 October 2020.
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  69. "Galería Sabrina Amrani – Exposiciones Pasadas | Atlantic – Journey to the center of the earth". www.sabrinaamrani.com (in Spanish). Retrieved 28 September 2020.
  70. "Mostra "Fora de Cena"". Jornal De Angola. Retrieved 29 September 2020 – via pressreader.com.
  71. "November 2017 Monthly Agenda". Moleskine Foundation. 2 November 2017. Retrieved 28 September 2020.
  72. "MÓNICA DE MIRANDA SOLO EXHIBITION AT ACADÉMIE DES BEAUX-ARTS KINSHASA". Retrieved 28 September 2020.
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  74. "Daqui Pra Frente – Arte Contemporânea em Angola chega a Caixa Cultural". Metrópoles (in Brazilian Portuguese). 6 August 2018. Retrieved 12 October 2020.
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  76. "Geografia Dormente". m-almada.pt. Retrieved 28 September 2020.
  77. recipes, ink, cookbook. "Mónica de Miranda expõe "Panorama" na capital do país | Cultura | Jornal de Angola – Online". jornaldeangola.sapo.ao. Retrieved 28 September 2020.{{cite web}}: CS1 maint: multiple names: authors list (link)
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  79. "Bienal de Lubumbashi redefine cartografia do mundo com obras de Grada Kilomba e Mónica de Miranda". Gerador (in Portuguese). 5 November 2019. Retrieved 28 September 2020.
  80. "Taxidermy Of The Future – Group Show". Contemporary And (in German). Retrieved 28 September 2020.
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  82. "African Cosmologies". Tré Media. Retrieved 28 September 2020.
  83. "IAC | La Galería Sabrina Amrani presenta la exposición online "South Circular" de Mónica de Miranda". iac.org.es. Retrieved 30 April 2023.
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  87. Portugal, Rádio e Televisão de (29 March 2022). "Mónica de Miranda inaugura exposição em Veneza em abril". Mónica de Miranda inaugura exposição em Veneza em abril (in Portuguese). Retrieved 1 May 2023.
  88. Lusa (April 2022). "Portugueses Mónica de Miranda e João Polido Gomes na Bienal de Arte Contemporânea de Berlim". PÚBLICO (in Portuguese). Retrieved 1 May 2023.
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  93. "Sala10: Mónica de Miranda". Museo Universitario Arte Contemporáneo (in Spanish). Retrieved 2 May 2023.
  94. "Mónica de Miranda: The Island | Turku Art Museum". Turun Taidemuseo. Retrieved 2 May 2023.
  95. BANTUMEN, Equipa (26 April 2023). ""o sol não nasce a norte", a nova exposição de Mónica de Miranda". BANTUMEN (in European Portuguese). Retrieved 2 May 2023.
  96. "Miranda, Mónica de". worldcat.org. Retrieved 11 October 2020.
  97. De Miranda, Monica (2005). Changing geographies: art without borders : participation, collaboration and interaction in socially engaged arts (Thesis). OCLC 1166647960.
  98. De Miranda, Monica (2017). Geography of affections, 2012–2016. London, UK: Tyburn Gallery. ISBN 978-989-99810-0-3.
  99. (Re)imagining African independence : film, visual arts and the fall of the Portuguese empire. Piçarra, Maria do Carmo, 1970–, Castro, Teresa, 1952–. Oxford. 2017. ISBN 978-1-78707-318-0. OCLC 995175909.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
  100. Atlantica : contemporary art from Angola and its diaspora. Miranda, Mónica de (1st ed.). Lisbon. 2018. ISBN 978-989-20-8810-5. OCLC 1101939623.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
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