Liljestrand House

Howard Liljestrand was the son of missionaries to Sichuan, China, where he had been raised. After completing medical degrees in the United States, he and Betty arrived in Hawaiʻi in 1937 en route to China. However, the chaos that followed the outbreak of the Second Sino-Japanese War earlier that year convinced them to pause in Honolulu, where both found employment at The Queen's Medical Center. Eventually they decided to settle in the Islands, build a home, and raise a family.[4]

It took the Liljestrands until 1946 to find the perfect spot: on a secluded hillside, but within easy reach of work, school, and town. Howard had enjoyed youthful summers in China at a mountain retreat, and he and Betty often roamed the wooded ridge christened Tantalus by Punahou School students. Other prime hillside communities near town were already crowded, but Tantalus was still sparsely settled forest reserve land, lacking city water lines, and the few lots available were not very expensive. During one of their hikes in 1946, Howard and Betty found the perfect spot—along with its elderly owner enjoying the view. After they became better acquainted, Mr. Coulter offered to sell them the parcel of land for $2000, even though they offered him twice the price. Then the couple went looking for the perfect architect to build a home for them on that site, and found him in Vladimir Ossipoff.[4]

The Liljestrands presented Ossipoff with demanding requirements, while the topography and highly variable daily weather conditions—sun, wind, and rain—imposed further constraints. The house is on two terraces, with the carport, entrance, and main part of the long, narrow house on the uphill terrace, and a lower story opening onto the downhill terrace. On a third, lower tier is a swimming pool. The upper side of the house is well sheltered from frequent mountain showers, while low-lying wooden louvers draw cooling breezes toward the larger openings on the side facing downhill. A long, open-sided recreation room extends beneath the bedrooms and faces onto a wide lawn. The large master bedroom at one end is angled to preserve an old stand of eucalyptus trees, and a sharp, wraparound deck juts out from the living room end of the house, overlooking the pool, the treetops, and a wide expanse of the city and the leeward side of the island stretching into the distance. Every room has a view.[5]

The house is made of wood frame with retaining walls of concrete block in support. Large glass windows under overhanging eaves combine with carefully placed partitions to provide both shade and filtered daylight. Interior walls of redwood are bleach-stained to mute the color and highlight the grain. The staircase, built-in cabinets, countertops, and several pieces of furniture were fashioned from the fine wood of a single, large monkeypod tree. The open-beamed ceiling adds to the spaciousness of the living rooms, while a sandstone fireplace with copper hood lends a simultaneous feel of coziness.[5]

The exterior landscaping was designed by the noted landscape architects, Robert and Catherine Thompson, who were friends of the family, and the house has been carefully maintained by the architect, Bob Liljestrand, the eldest son of the original owners.[5]

Wikimedia Commons has media related to Liljestrand House.

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  Front entrance, with Madge Tennent painting inside and Jean Charlot murals framed outside
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  Living room, facing front entrance
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  Stairway up to living room
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  Downstairs, facing pavilion (open-sided recreation room)
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  Makai (lower) elevation, from lawn
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  View over pool, with Diamond Head in distance
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  View from far below

• Sakamoto, Dean, ed. (2007), Hawaiian Modern: The Architecture of Vladimir Ossipoff. New Haven: Honolulu Academy of Arts and Yale University Press. ISBN 978-0-300-12146-9

• The Liljestrand House