Leela Mahal Center

Prabhu has a troubled childhood with divorced parents. His mother marries another man. Upset that he has to call his stepfather as his own father, he leaves his house at a young age. He grows up to be a thug who works at Leela Mahal Center, a cinema theatre. GK, a former Mumbai-based don, who was sent to jail by his own friend, Sudheer. GK tells Prabhu to kidnap Anjali, a violinist. She is initially disturbed by Prabhu and starts to fall in love with him after Singhamalai tells Anjali about Prabhu's past life. A terrorist gang comes to kidnap Anjali as a bargain for their fellow friends in jail. How Prabhu fights the gang and saves Anjali form the rest of the story. It is revealed that Anjali is none other than GK's daughter. GK & Sudheer become friends again.

The film is directed by Devi Prasad, who previously directed Aaduthu Paaduthu.[2] The film got stuck in production before ultimately releasing in 2004.[2] Aryan Rajesh, who plays the lead in the film was yet to reach the limelight prior to the film's release due to the box office failures of his previous films.[4] In 2004 prior to the release of Donga Dongadi, Sadha, who starred in Jayam, was yet to bag stardom in the Telugu film industry.[5]

The songs are composed by S. A. Rajkumar.[2] The songs "Babuji Zara Dheere Chalo" from Dum and "Mabbe Masakesindile" from Vayasu Pilichindi were combined for a song in the film.[2] The lyrics were written by Suddala Ashokteja, Sai Sriharsha, and I.S. Murthy.[1] The song "Thummeda Rekkalanadugu" rendered by S. P. Balasubrahmanyam is based on the Telugu poem of the same name.[1] In a review of the film's soundtrack, a critic from The Hindu stated that "A well-crafted (combined) effort by the composers and the lyricists ... gives music-loving Telugus some good compositions."[1]

Unlike Rajesh's previous films, this film was a success at the box office.[6] The Hindu wrote that "Aryan Rajesh performs the role with ease and Sada looks beautiful. Atul Kulkarni fares well".[3] Idlebrain gave the film a rating of three out of five and wrote that " Devi Prasad should be appreciated for making a decent film in spite of undue delays and obstacles that dogged the progress of this film".[2] Indiaglitz wrote that "Screenplay and Direction by debutant Devi Prasad is mediocre. But Devi Prasad shows promise in stylized presentation".[7]

• Leela Mahal Center at IMDb