Laura U. Marks

Laura U. Marks is a philosopher and scholar of new media and film.[1] She is the Grant Strate University Professor at Simon Fraser University (SFU).[2] Previously, she was the Dana Wosk University Professor of Art and Cultural Studies at SFU.[3] Among her theoretical contributions is the concept of haptic visuality, according to which a spectator's contact with media is conceived of as touching, as opposed to seeing.[4] Marks is also a curator, and has developed exhibitions of Arab cinema.[5]

This article is about the media scholar. For the activist, see Laura Marks.

Publications
  • Marks, Laura U. (2000). The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses. Duke University Press. ISBN 0-8223-2358-3. OCLC 41273008.[6]
  • Marks, Laura U. (2002). Touch: Sensuous Theory and Multisensory Media. University of Minnesota Press. ISBN 0-8166-3888-8. OCLC 49626366.[7][8]
  • Marks, Laura U. (2010). Enfoldment and Unfinity: An Islamic Genealogy of New Media Art. MIT Press. ISBN 978-0-262-01421-2. OCLC 458583162.[9]
  • Marks, Laura U. (2015). Hanan al-Cinema: Affections for the Moving Image. MIT Press. ISBN 978-0-262-33107-4. OCLC 922529462.[10][11]

References
  1. "Laura Marks, 2010". Department of Art, Northwestern University. 2010.
  2. "Curriculum Vitae". Simon Fraser University.
  3. "Dr. Laura U. Marks". ISEA International. Retrieved October 8, 2020.
  4. Forbes, Angus (August 11, 2006). "Haptic Visuality". Department of English, University of California, Santa Barbara. Retrieved October 8, 2020.
  5. "Arab Glitch: A Film Series". University of Rochester. March 4, 2014.
  6. Martin-Jones, D. (December 2002). "The Skin of the Film: Intercultural Cinema, Embodiment and the Senses". Screen. 43 (4): 442–446. doi:10.1093/screen/43.4.442.
  7. Barlow, Melinda (October 2004). "Review of Touch: Sensuous Theory and Muitisensory Media". Canadian Journal of Film Studies. 12 (2): 126–129. doi:10.3138/cjfs.12.2.126. ISSN 0847-5911.
  8. Gauthier, Sean (2006). "Review of Touch". Canadian Journal of Communication. 61.
  9. Osborn, J.R. (November 2011). "Review of Enfoldment and Infinity". Design and Culture. 3 (3): 409–411. doi:10.2752/175470811X13071166525775. ISSN 1754-7075. S2CID 144635329.
  10. Roman, Mathilde (May 20, 2017). "Laura U. Marks, Hanan al-Cinema: Affections for the Moving Image". Critique d'art (in French). doi:10.4000/critiquedart.21285. ISSN 1246-8258.
  11. Valassopoulos, Anastasia (May 2017). "Review of Hanan al-Cinema". International Journal of Middle East Studies. 49 (2): 355–357. doi:10.1017/S0020743817000198. ISSN 0020-7438. S2CID 164476377.


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