Fiametta

Fiametta is a fantastic creature, produced by Cupid from the flame of love, who took the form of an earthly girl in order to charm Count Sterngold and prevent him from marrying a rich bride Regonda for self-interest. Cupid, with the help of Fiametta, reunites Regonda and officer Otto, who love each other.

The action, which began on Olympus, was transferred to Tyrol. In an eclectic plot, a magical creature, mythological heroes, Tyrolean aristocrats and gypsies coexisted - the presence on the stage of fantastic as well as real characters from different layers of society allowed the choreographer to use both classical and characteristic dance. The reviewer Bocharov noted that the author “quite managed to reconcile the graceful pride of Greek mythological creatures with the un-ceremoniousness of some Tyrolean Count and the violent revelry of idle gypsies” (a few years later, a similar combination is used by Marius Petipa in his ballet Don Quixote).

Lithograph of rehearsals at the Paris Opera of the Saint-Léon/Minkus Fiametta, Paris, 1864

• Restaging by Arthur Saint-Léon under the title Fiametta or The Devil In Love for the Imperial Ballet, with Minkus revising his score, first presented on February 13–25, 1864 at the Imperial Bolshoi Kamenny Theatre, St. Petersburg, Russia. Principal Dancers: Marfa Muravieva (as Fiametta), Lev Ivanov (as Count Friedrich), Vera Lyadova (as Cupid), Aleksandra Kemmerer (as Regonda), Christian Johansson (as Otto), and Maria Sokolova (as Terpsichore). Other interpreters of Fiametta were Praskovia Lebedeva, Mathilde Madaeva, Adèle Grantzow (November 15–27, 1865). Saint-Léon's 1864 staging of this work was the first Russian production of a ballet to make use of such stage devices as electric lighting and shadow effects with the aid of convex mirrors.[lower-alpha 1]
• Restaging by Arthur Saint-Léon under the title Néméa ou l'Amour Vengé (Nemea or The Avenged Love) in two acts and four scenes for the Ballet of the Académie Royale de Musique, with Minkus revising his score, first presented on July 11, 1864, at the Académie Royale de Musique in Paris. For this production Saint-Léon changed the name of the names of the principal characters of Fiametta and Count Friedrich to Néméa and Count Molder. Principal Dancers: Marfa Muravieva (as Néméa), Eugénie Fiorcre (as Cupid), Louis Mérante (as Count Molder).
• Restaging by Arthur Saint-Léon under the title Fiamma d'amore for Teatro Comunale di Trieste, with Giuseppe Camorano revising Minkus' score, first presented on March 15, 1868, in Trieste. Principal Dancers: Adèle Grantzow (as Fiametta).
• Revival by Marius Petipa under the title Fiametta for the Imperial Ballet in four acts, first presented on December 6–18, 1887 at the Imperial Mariinsky Theatre, St. Petersburg, Russia. Principal Dancers: Elena Cornalba (as Fiametta), Alexandre Shiryaev (as Cupid), and Pavel Gerdt (as Count Fiedrich).