Karen King-Aribisala

Karen Ann King-Aribisala (born Guyana) is a Nigerian novelist, and short story writer.[1] She is a Professor of English at the University of Lagos.[2]

Education

She was educated at the International School Ibadan, St. George's British International School, Italy (where she met her future husband; Femi Aribisala), and the London Academy of Dramatic Arts.[3][4]

Works
  • Our Wife and Other Stories, Malthouse Press, 1990, ISBN 978-978-2601-59-9; Ottawa, Canada: Laurier Books, 2004, ISBN 978-1-55394-010-4
  • Kicking Tongues, Heinemann, 1998, ISBN 978-0-435-91200-0
  • The Hangman's Game, Peepal Tree, 2007, ISBN 978-1-84523-046-3
  • Bitter Leafing Woman and Other Stories, Malthouse Press, 2017.

Prizes and awards

Her collection of stories, Our Wife and Other Stories won the 1991 Commonwealth Writers' Prize, Best First Book Africa,[5] and her novel The Hangman's Game won 2008 Best Book Africa.[6]

She also won grants from the Ford Foundation, British Council, Goethe Institute, and the James Michener Foundation.[7]

Anthologies
  • Toyin Adewale-Nduka; Omowunmi Segun, eds. (1996). Breaking the Silence: an anthology of short stories. WRITA, Women Writers of Nigeria. ISBN 978-978-32456-6-2.
  • "Wine in a Teacup". Kunapipi. Dangaroo Press. 17 (3): 83–85. 1995.

Reviews

References
  1. Anna Rutherford; Lars Jensen; Shirley Chew (1994). Into the nineties: post-colonial women's writing. Dangaroo Press (University of Michigan). p. 362. ISBN 9781871049527.
  2. Karen King-Aribisala page at Peepal Tree Press.
  3. Sunday Aikulola (August 18, 2019). "King-Aribisala: Writing for me is like breathing". The Guardian. Retrieved September 22, 2019.
  4. Paul Frailey (December 27, 2011). "Karen King-Aribisala". Black past. Retrieved September 22, 2019.
  5. "Karen King-Aribisala". Archived from the original on 2011-04-13. Retrieved 2011-05-09.
  6. Commonwealth Prize - Regional Winners for Best Book Category (1988–2010). AfricaBookClub.com.
  7. "Africa in the African Diaspora: New Insights into the Diffusion of African Identity and Cultural Forms". 2003–2005 Mellon Grant Workshop Series Supported by the UW Center for the Humanities.
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