Der Schauspieldirektor

Der Schauspieldirektor (The Impresario), K. 486, is a comic singspiel by Wolfgang Amadeus Mozart, set to a German libretto by Gottlieb Stephanie, an Austrian Schauspieldirektor. Originally, it was written because of "the imperial command" of the Holy Roman Emperor Joseph II who had invited 80 guests to a private luncheon.[1] It is regarded as "a parody on the vanity of singers",[1] who argue over status and pay.

Der Schauspieldirektor
Singspiel by W. A. Mozart
The composer, drawing by Dora Stock, 1789
TranslationThe Impresario
LibrettistGottlieb Stephanie
LanguageGerman
Premiere
7 February 1786 (1786-02-07)
Schönbrunn Palace Orangery, Vienna

Mozart, who describes it as "comedy with music"[2] wrote it as his entry in a musical competition which was given a private performance hosted on 7 February 1786 by Joseph II at the Schönbrunn Palace in Vienna.[3] This competition pitted a German singspiel, presented at one end of the room, against a competing Italian opera, the Italian entry being Antonio Salieri's opera buffa, Prima la musica e poi le parole (First the Music, then the Words), which was then given at the other end of the room.[1] The premiere was followed by the first of three public performances given four days later at the Kärntnertor Theater, Vienna, on 11 February.[3]

The autograph manuscript of the opera is preserved in the Morgan Library & Museum.

Composition history

The work was written during a very creative period in Mozart's life, at the same time as his Le nozze di Figaro, which premiered later the same year, along with three piano concertos and "another dozen major works".[1]

In addition to the overture, there are only four vocal numbers in the score, and the musical content (about 30 minutes)[4] is surrounded by much spoken dialogue, typical in its day. One highlight, which Erik Smith describes as very funny, is where "each lady sings about the nobility of her art while trying to defeat her rival with ever higher notes".[1] Although it has been described as a "silly farce", Mozart appears to have taken the opportunity to write serious arias[2] and thus the "audition" of Madame Herz includes her aria "Da schlägt die Abschiedsstunde" ("There tolls the hour of departure"), while Mme Silberklang sings the elegant rondo, "Bester Jüngling" ("Dearest Youth").[2]

Performance history
Henry Edward Krehbiel's translation of The Impresario toured the United States in 1921.

The opera was first presented in the United Kingdom on 30 May 1857 at the St James's Theatre in London and given its US premiere at the Stadt Theatre in New York on 9 November 1870.[1]

In modern times, the text is usually completely rewritten for contemporary relevance, which was the case for the 2014 production given by the Santa Fe Opera. There it had "English dialogue by the British dramatist Ranjit Bolt and additional Mozart concert arias folded into the score" with the action taking place in Paris in the 1920s.[5] The cast included Anthony Michaels-Moore, Brenda Rae, Meredith Arwady, and Erin Morley.[6]

The 1966 recording by the English Chamber Orchestra (conducted by André Previn), was performed with an English libretto penned by Previn's then wife Dory Previn, who transplanted the amusing tale to the 20th century.[7]

Bronx Opera performed it in 1972, 2008, and in 2021, due to the COVID-19 pandemic, as a video version in Zoom format.[8]

Roles
Roles, voice types, premiere cast
Role Voice type Premiere cast, 7 February 1786[3]
Frank, an impresario spoken role Johann Gottlieb Stephanie Jr.
Eiler, a banker spoken role Johann Franz Brockmann
Buff, a buffo singer bass Giuseppe Weidmann
Monsieur Vogelsang, a singer tenor Valentin Adamberger
Madame Herz, a singer soprano Aloysia Weber
Mademoiselle Silberklang, a singer soprano Caterina Cavalieri
Herz, an actor spoken role Joseph Lange
Madame Pfeil, an actress spoken role Anna Maria Stephanie[9]
Madame Krone, an actress spoken role Johanna Sacco
Madame Vogelsang, an actress spoken role Maria Anna Adamberger

Synopsis
Place: Vienna
Time: 1786

Frank, the impresario (along with the buffo singer, Buff, who assists him) audition two actresses to be part of his new theatrical company. While both are hired, they then argue over who will get the prime role and who will be paid the most. To illustrate their strengths, each sings a striking aria to back her claim (Herz: "Da schlägt die Abschiedsstunde", Silberklang: "Bester Jüngling"). An agreement is reached when the tenor, Vogelsang, intervenes, in what Julian Rushton describes as a hilarious trio, "Ich bin die erste Sängerin" (I am the prima donna) compromise is agreed to with each receiving "large salaries and star billing".[2] The work ended with the quartet "Jeder Künstler strebt nach Ehre" (Every artist strives for glory).

Recordings
Year Cast:
Madame Herz,
Mlle Silberklang,
Vogelsang,
Buff		 Conductor,
Opera house and orchestra		 Label[10]
1966 Judith Raskin,
Reri Grist,
Richard Lewis,
Sherrill Milnes		 André Previn,
English Chamber Orchestra
Leo McKern as Impresario[7]		 CD: Sony
Cat: 88985470422
Sleeve notes by George R. Marek
1968 Sylvia Geszty,
Rosemarie Rönisch,
Peter Schreier,
Hermann Christian Polster		 Helmut Koch,
Kammerorchester Berlin		 CD: Berlin Classics
Cat: 9136. Complete recording of 10 scenes including those spoken.
Also used in Brilliant Classics' Mozart – Complete Works.
1974 Reri Grist,
Arleen Auger,
Peter Schreier,
Kurt Moll		 Karl Böhm,
Staatskapelle Dresden		 CD: Deutsche Grammophon
Cat: DG 429 877-2 (+ Die Zauberflöte)
1975 Ruth Welting,
Ileana Cotrubaș,
Anthony Rolfe Johnson,
Clifford Grant		 Sir Colin Davis,
London Symphony Orchestra		 CD: Philips
Cat: 422 536-2 (+ Zaide).
Also used in Philips' Complete Mozart Edition
1986 Magda Nádor,
Krisztina Laki,
Thomas Hampson,
Harry van der Kamp		 Nikolaus Harnoncourt,
Royal Concertgebouw Orchestra		 CD: Teldec
Cat: 8 43336 (+ Salieri's Prima la musica, poi la parole)
1990 Edita Gruberová,
Kiri Te Kanawa,
Uwe Heilmann,
Manfred Jungwirth		 John Pritchard,
Vienna Philharmonic		 CD: Decca,
Cat: 475 7049 (+ concert arias)
Eva Mei,
Patricia Petibon,
Markus Schäfer,
Oliver Widmer		 Nikolaus Harnoncourt,
Concentus Musicus Wien		 CD: belvedere
Cat: 08035 (+ Salieri's Prima la musica, poi la parole)
2001 Cyndia Sieden,
Sharon Baker,
John Aler,
Kevin Deas		 Martin Pearlman,
Boston Baroque		 CD: Telarc
Cat: 80573 (+ Der wohltätige Derwisch by Benedikt Schack)

References

Notes

  1. Smith 2001, p. 608
  2. Rushton 1998, p. 214
  3. Opera Glass on opera.stanford.edu
  4. Libretto, in German (musical numbers only) on opera.stanford.edu
  5. Details of the 2014 production on santafeopera.org
  6. James Keller, "Songbirds at the Opera: The Impresario and Le rossignol, The Santa Fe New Mexican, 18 July 2014
  7. Mozart: The Impresario, Presto Classical
  8. "Sunday Night at the Opera with Bronx Opera Company: The Impresario", BronxNet, 8 September 2021
  9. Spouse of Gottlieb Stephanie
  10. Recordings on operadis-opera-discography

Sources

  • Rushton, Julian (1998). "Der Schauspieldirektor". In Stanley Sadie (ed.). The New Grove Dictionary of Opera. Vol. 4. London: Macmillan. ISBN 0-333-73432-7.
  • Smith, Erik (2001). "Der Schauspieldirektor". In Amanda Holden (ed.). The New Penguin Opera Guide. New York: Penguin Putnam. ISBN 0-14-029312-4.

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.