John Martin (publisher)

John Martin (born 1930) is an American publisher who founded the Black Sparrow Press. As a publisher, he is best known for his work with Charles Bukowski, John Fante, and Paul Bowles. He is based in Santa Rosa, California.

Martin built a successful office supply business in Los Angeles in the 1960s, eventually becoming the manager of a forty-person operation. He had been a book collector since the age of twenty, eventually amassing a collection of D. H. Lawrence first editions, which he sold to UC Santa Barbara for $50,000 to fund the founding of Black Sparrow Press.[1][2]

Work with Charles Bukowski

Martin considered Bukowski “the new Walt Whitman” and founded Black Sparrow Press explicitly to publish Bukowski's work.[3]

At the time, Bukowski was mostly publishing small chapbooks, essentially pamphlets in small, cheap editions.[3] Martin's office supply business gave him access to a printing press,[2] and his first publication under the Black Sparrow imprint was a 1966 Bukowski broadside for the poem “True Story,” which was printed in an edition of 30.[1]

In 1969, Martin offered Bukowski a $100 per month salary to quit his job and write full-time, which Bukowski accepted.[4] Martin suggested a novel would be easier to sell than a collection of poems. A month later, Bukowski submitted his first novel, Post Office.[3] Martin was frequently referenced as a character in Bukowski's work, including appearing as the character John Barton in the author's final novel, Pulp.[5]

Work with other authors

In his career, Martin was known as a champion of underground or avant-garde literature.[6] Under Martin's watch, Black Sparrow went on to publish works by many prominent literary figures such as Robert Duncan, Denise Levertov, Robert Creeley, Diane Wakoski, David Bromige, Joyce Carol Oates, John Ashbery, Wanda Coleman, Charles Reznikoff, Kenneth Koch, Wyndham Lewis, Fielding Dawson, and Ed Sanders.[3][1][7]

Black Sparrow's books were known for several unique design features, which Martin adopted to make his books noticeable on bookshelves.[8] He made his books 6 inches by 9 inches, which was larger-than-standard at the time; he also used textured matte paper and bold, colorful letterpress printing.[8] After the end of the 1960s, all of the press's covers were designed by Martin's wife, Barbara.[8][9]

Sale of Black Sparrow

Aside from Bukowski, the publisher's two best-selling authors were Paul Bowles and John Fante. In 2002, HarperCollins imprint Ecco Press purchased the rights to Black Sparrow authors Bukowski, Bowles, and Fante for a "seven-figure" deal brokered by Ecco founder Dan Halpern; the rest of Black Sparrow's backlist was sold to Boston-based publisher David R. Godine for $1.[10] This sale price included all of Black Sparrow's remaining inventory, in order to continue providing royalty income to the publisher's authors.[6]

References

  1. "Metroactive Books - Black Sparrow Press". metroactive.com. Retrieved 16 December 2016.
  2. Benson, Heidi; Writer, Chronicle Staff (2002-07-29). "Black Sparrow Press shuts its doors / Indie publisher sells Bukowski, Fante and Bowles titles to HarperCollins". SFGate. Retrieved 2019-04-10.
  3. Smith, Jonathan (2014-06-20). "'I Never Saw Him Drunk': An Interview with Bukowski's Longtime Publisher". Vice. Retrieved 2019-04-10.
  4. "An Introduction to Charles Bukowski, by Jay Dougherty". jaydougherty.com. Retrieved 16 December 2016.
  5. "Books". The New York Times. ISSN 0362-4331. Archived from the original on 2019-04-09. Retrieved 2019-04-10.
  6. "Black Sparrow Folds Its Wings". Poets & Writers. 2002-09-01. Retrieved 2019-04-10.
  7. "BPSC Library". bpsc.library.ualberta.ca. Retrieved 2019-04-10.
  8. Kushins, Jordan. "The Iconic, Legendary Designs of Black Sparrow Press Books". gizmodo.com. Retrieved 16 December 2016.
  9. "Celebrate Charles Bukowski's Birthday With Iconic Black Sparrow Press Book Covers". flavorwire.com. 16 August 2013. Retrieved 16 December 2016.
  10. Rutten, Tim (August 21, 2002). "Plot in the Black Sparrow Saga Takes Unexpected Turn", Los Angeles Times.
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