J. A. G. Acke

Self-Portrait (date unknown)

He went to Åland in 1886 and became a member of the Önningeby colony, a Swedish-Finnish artists' colony that existed from roughly 1886 to 1914. The founder was the Finnish painter Victor Westerholm, with whom he established close, life-long friendship.[1] He painted prolifically there and engaged with the other artists, who saw him as an odd, energetic and humorous person. However, the artists all shared a disdain for the prevailing Academic style and the Düsseldorf School, taking their inspiration from naturalism and Impressionism. Again, unlike the others, he would paint en plein aire in the winter. He visited the colony till 1892, and the years of his participating are considered the liveliest period in the colony's history. [1]

In 1887, he met his future wife Eva Maria Topelius in Önningeby but, originally, they remained just friends. When his relationship with Anna Wengberg, another Swedish artist who painted in Önningeby, began to unravel, he married Topelius in 1891. Her father was the Finnish-Swedish writer Zachris Topelius.

His adopted son, Fausto

In the 1890s, he participated in restoring the medieval wall paintings in Uppsala Cathedral. For several years, he worked on a large canvas, "Snöljus" (Snow Light, 1892), which depicted winter fishing through the ice in Åland. He sent the painting to the Salon in Paris, but it was rejected. After that, he and Eva made fewer visits to Åland. At times, they lived in Finland and participated in the Finnish art scene. After her father's death in 1898, they came to be increasingly focused on the Swedish art community.

In 1901, the couple moved to Vaxholm, and built a home called the "Villa Columbines". The marriage remained childless but, during a trip to Italy in 1900 to 1901, they met an Italian family, whose three-year-old son Fausto they adopted in 1903. In Sweden, they spent much of their time with their friends Carl Larsson and Rikard Lindström. Another acquaintance was the poet, Verner von Heidenstam, whose portrait Acke painted. From 1902 to 1903, he and some Finnish artists made illustrations for his father-in-law's children's books. He had his name legally changed to Acke in 1904. In 1912, he made an extended trip to Rio de Janeiro, which influenced his paintings, especially his way of depicting light.

His last major work involved the frescoes at the Stockholm City Hall. He was working on a mural at the National History Museum, representing the philosophy of Emanuel Swedenborg, when he suddenly died, at home (the "Villa Akleja"), of apparent heart failure.