Ema Pukšec

Ilma de Murska's London appearances were from 1865 until after 1873 and were generally in connection with James Henry Mapleson's company. She made her London debut as Lucia di Lammermoor at Her Majesty's Theatre. Her appearance as Queen of the Night in 1865 was a great success.[2] George Bernard Shaw observed that, in the famous fioriturae of this role, she sang "to chime with a delicate ring and inimitable precision of touch".[3] In 1866 she sang Meyerbeer's Dinorah. That autumn she played Ophelia in Ambroise Thomas's Hamlet, with Charles Santley and Karl Formes, in London and on tour.[4]

In 1871 she was Isabella for Ernesto Nicolini's English debut, in Robert le Diable.[5][6] She also took part in Mapleson's tours in Dublin between 1872 and 1876.[7]

After leaving Vienna in 1873, de Murska performed in Hamburg, Berlin and Paris. In 1873-74, she toured United States. She also toured Russia, Australia and New Zealand, and for a period of time she lectured at the music conservatory in New York City. In June 1875 she left for her Australasian tour, at which she gave 145 concerts, ten operas and two oratorios, clearing for herself £16,000, according to one account, of which she sent £11,000 to her daughter in Austria.[8] She married, almost certainly bigamously, the pianist Alfred Anderson in Sydney on 29 December 1875 during her Australian tour.[9] She was obliged to break her schedule a few weeks later in Melbourne, as her husband was gravely ill. As a result, her fans in that city were treated to additional performances, in Lucia di Lammermoor and La Sonnambula, alternating nights with Fannie Simonsen.[10] Anderson, who had been suffering intermittently before the marriage, died on 22 March.[11] Within two months, on 15 May 1876, while on tour in Dunedin, New Zealand, De Murska had married again, to John Hill, a friend and colleague of Anderson.[12] This marriage lasted no longer than any of her others, as when de Murska returned to America in October 1876, Hill remained in Australia.

De Murska was noted for her hypersensitivity, especially about her age, and for the large menagerie of animals which accompanied her everywhere. Most important of these was an immense black Newfoundland dog called Pluto, which was trained to eat fowl off a plate, set for him as a place at the dining table with his mistress, without dripping anything on the tablecloth.[13] He customarily travelled in a first-class carriage. His constant travelling-associates were two parrots, an Angora cat, and a monkey. The monkey and cat tormented each other and clawed each other's fur, and the parrots were given free range in the hotels where the diva was staying, and were frequently destructive of the furnishings. De Murska accepted the consequent expenses happily.[13]