I'm Movin' On (CeCe Peniston album)

I'm Movin' On was supposed to be Peniston's deeper foray into mainstream R&B followed the pattern of her previous release Thought 'Ya Knew (1994), in which Peniston began her unsuccessful transition into the R&B market. The label heavily focusing on hip-hop influenced R&B jams and a variety of slow ballads invited several producers to join her session, in front of Dave Hall and Gordon Chambers, who co-wrote the title track. This time, Peniston reprised her fellow collaboration with Steve Hurley on two songs. "The Last to Know" that she co-wrote, and "Don't Know What to Do". None of these would be released on single, though. In order to push her musical horizons further, A&M also featured JoJo Hailey of the group Jodeci and Tenina Stevens (also known as Suga T), as the first time ever that another artists would be vocally credited on her record.

Professional ratings

Review scores
Source	Rating
AllMusic	[1]
Encyclopedia of Popular Music	[2]
Entertainment Weekly	B[3]

I'm Movin' On met with mixed to favorable reviews from music critics. AllMusic editor Jose F. Promis labeled the A&M calculations to reincarnate Peniston into an R&B diva as "total alienation of her core fans" and her "career killer". Apart from giving the album two and a half (out of five) stars, he branded most of songs as "R&B clichés of the 1990s abound", but praised "Don't Know What to Do" and the singer's cover version of Jocelyn Brown's "Somebody Else's Guy".[1] William Stevenson from Entertainment Weekly foresaw in his B-graded review that the "blah ballads" are [to be] waste of Peniston's voice tailor-made for dance genre, citing also "Don't Know What to Do" and "House Party" as the album's most powerful pipes that should not had been overlooked on single.[3] Rudi Meyer of Vibe was the most enthusiastic about Peniston's approach towards R&B mainstream. Appealing to the singer's past urban hit singles (such as "Keep on Walkin", "Inside That I Cried" and "I'm in the Mood"), she found potential in her new material (namely in "The Last to Know", "If It Should Rain" and "Before I Lay"). Meyer rated the final result as "mostly pleasing outcome". Nevertheless, she praised club oriented tracks at the same time.[4]

Two weeks after its official shipping to music stores, the album entered the US Billboard Top R&B/Hip-Hop Albums Chart at number forty-eight (its peak) on September 28, 1996. In total, the set spent four weeks in the component chart, with no appearance in the Billboard 200,[5] or in the overseas albums charts.

Notes

• ^{^a} denotes additional producer

General

Specific

• CeCe Peniston at AllMusic