Hush'd Be the Camps To-Day

HUSH'D be the camps to-day;
And, soldiers, let us drape our war-worn weapons;
And each, with musing soul retire, to celebrate,
Our dear commander's death.

No more for him life's stormy conflicts;
Nor victory, nor defeat—No more time's dark events,
Charging like ceaseless clouds across the sky.

But sing, poet, in our name;
Sing of the love we bore him—because you, dweller in
  camps, know it truly.

Sing, to the lower'd coffin there;
Sing, with the shovel'd clods that fill the grave—a
  verse,
For the heavy hearts of soldiers.

An image depicting Lincoln's funeral ceremonies in New York City

Whitman was home in Brooklyn on a break from his job with the Department of the Interior when he heard of Lincoln's assassination. He recalled that, although breakfast was served, the family did not eat and "not a word was spoken all day". He heard a similar story that troops under William Tecumseh Sherman on their homeward march were loud and jubilant until they heard the news about Lincoln, which stunned them into silence.[4]

Although the poem is narrated from the point of view of a witness of Lincoln lying in state, Whitman himself likely didn't see it personally. The original subtitle of the poem included "April 19", the date of Lincoln's coffin was on display in the East Wing of the White House, but Whitman did not leave Brooklyn for Washington, D. C. until April 24. He therefore also missed the ceremonies in New York when Lincoln's body was there on April 24.[5]

The first poem that Whitman wrote on Lincoln's assassination was "Hush'd Be the Camps To-Day", which was dated April 19, 1865—the day of Lincoln's funeral in Washington.[lower-alpha 1][7] Although Drum-Taps had already begun the process of being published on April 1, Whitman felt it would be incomplete without a poem on Lincoln's death and hastily added "Hush'd Be the Camps To-Day".[8] William Coyle, in his book The Poet and the President, gives a formal publication date of May 4, 1865, for the poem. It was later republished in the 1871 edition of Leaves of Grass in the "Memories of President Lincoln" cluster. Several commas were removed and the fourth stanza was revised.[9]

Although the poem is not particularly well known, it was Whitman's first response to Lincoln's death, and the scholar Gregory Eiselein considers it to have many of the defining characteristics of Whitman's elegies to the fallen president. Eiselein particularly notes how the poem "mourns for the dead but celebrates death", considers Lincoln's death as a moment that will bring peace, and remembers Lincoln "not because he was a great leader or conqueror but because he was well-loved". By not naming Lincoln and comparing him to every soldier who died in the war, Whitman extends the elegy to all soldiers.[10] The critic Helen Vendler considers "Hush'd" to be written from the collective voice of the Union Army mourning their commander. She argues that it demonstrates "omnimobility" of words by travelling from the camps to Lincoln's burial site.[7]

The scholar Gay Wilson Allen considered "Hush'd" to be written "hastily" as Whitman's tribute to Lincoln's funeral.[11] Whitman's biographer Justin Kaplan called "Hush'd" a "stop press insertion".[8] Peter J. Bellis agreed, writing that "Hush'd Be the Camps To-Day", as Whitman's first elegy to Lincoln, "seeks both to describe and to perform that burial, to make itself the physical and narrative endpoint of the nation’s grief".[12] "Hush'd Be The Camps To-Day" has inaccuracies and what scholar Ted Genoways describes as "stock form"; Whitman was unsatisfied by it.[6] Allen argues that this poem was not "the elegy he [Whitman] felt was needed", and neither was "My Captain!" Throughout the summer Whitman developed his feelings on the assassination as he wrote "Lilacs", which represented the fitting elegy and was one of Whitman's greatest expressive works.[11] Vendler noted that "Hush'd" is an instance of Whitman subordinating himself and writing as someone else.[13]

In 1943, Henry Seidel Canby wrote that Whitman's poems on Lincoln have become known as "the poems of Lincoln".[14] William E. Barton wrote in 1928 that neither "This Dust Was Once the Man" nor "Hush'd be the Camps" "would have attracted much attention at the time or have added anything later to the poet's reputation".[15]

• Abraham Lincoln cultural depictions
• Walt Whitman and Abraham Lincoln

• Allen, Gay Wilson (1997). A Reader's Guide to Walt Whitman. Syracuse, New York: Syracuse University Press. ISBN 978-0-8156-0488-4.
• Barton, William E. (1965) [1928]. Abraham Lincoln and Walt Whitman. Port Washington, New York: Kennikat Press. OCLC 234090069.
• Bellis, Peter J. (2019). "Reconciliation as Sequel and Supplement". In Sten, Christopher; Hoffman, Tyler (eds.). "This mighty convulsion": Whitman and Melville write the Civil War. Iowa City. pp. 69–82. ISBN 978-1-60938-664-1. OCLC 1089839323.{{cite book}}: CS1 maint: location missing publisher (link)
• Coyle, William (1962). The Poet and the President: Whitman's Lincoln Poems. New York City: Odyssey Press. OCLC 2591078.
• Genoways, Ted (2006). "Civil War Poems in "Drum-Taps" and "Memories of President Lincoln"". In Kummings, Donald D. (ed.). A Companion to Walt Whitman. Hoboken, New Jersey: John Wiley & Sons. pp. 522–537. ISBN 978-1-4051-2093-7.
• Kaplan, Justin (1980). Walt Whitman, A Life (1st ed.). New York City: Simon & Schuster. ISBN 0-06-053511-3. OCLC 51984882.
• Loving, Jerome (1999). Walt Whitman: The Song of Himself. University of California Press. ISBN 0-520-21427-7. OCLC 39313629.
• Reynolds, David S. (1995). Walt Whitman's America: A Cultural Biography. New York City: Vintage Books. ISBN 9780195170092.
• Vendler, Helen (1988). The Music of what Happens: Poems, Poets, Critics. Harvard University Press. ISBN 978-0-674-59152-3.

• The disorder of Drum-Taps