Hsiung-Zee Wong

Hsiung-Zee Wong (born October 24, 1947) is a composer,[1] artist, and designer who was born in Hong Kong. She moved to the United States in 1966, where she worked as a freelance graphic designer and illustrator. Wong studied at the University of Hawaii until 1968. In 1970, she studied electronic music[2] at Mills College with Robert Sheff (later known as Gene Tyranny) and Dane Rudhyar. In 1972, she studied industrial design at the California College of Arts and Crafts.[3] Other teachers included Ernst Krenek, Chou Wen-Chung, Leonard Klein and Robert Ashley.[4] In 1972, Wong presented an art exhibit entitled "A Celebration of Women" at the Intersection Gallery (probably Intersection for the Arts).[5]

Wong founded Hysteresis, a women's creative arts group that included Bay-area artists, at Mills College.[6] She also performed with the Flowing Stream Ensemble. Wong's compositions include:

Electronic

Cry of Women in the Wilderness (piano, gong, and amplified Zen bell; 1972)
Earth Rituals (tape with chanting and sound improvisation; 1973)
Maturity (taped piano improvisation; 1972)
Sounding of the Sane (tape with audience chanting)

Guitar

Artsongs and Ballads[7]

Multimedia

They Move, Don't They? (sound calligraphic score with visual slides; 1973)

Vocal

Piano Ritual I (voice, piano, Chinese woodblock and gong)
Songs (voice and guitar; 1964–1972)

References

Anderson, Ruth (1976). Contemporary American composers : a biographical dictionary. Boston: G.K. Hall. ISBN 0-8161-1117-0. OCLC 2035024.
Stern, Susan (1978). Women composers : a handbook. Metuchen, N.J.: Scarecrow Press. ISBN 0-8108-1138-3. OCLC 3844725.
Cohen, Aaron I. (1987). International encyclopedia of women composers (Second, revised and enlarged ed.). New York. ISBN 0-9617485-2-4. OCLC 16714846.{{cite book}}: CS1 maint: location missing publisher (link)
Pfitzinger, Scott (March 2017). Composer genealogies : a compendium of composers, their teachers, and their students. Lanham, Maryland. ISBN 978-1-4422-7225-5. OCLC 961457738.{{cite book}}: CS1 maint: location missing publisher (link)
Female Artists, Past and Present. Women's History Research Center. 1974.
Mander, Anica Vesel; Rush, Anne Kent (1974). Feminism as Therapy. Random House. ISBN 978-0-394-70937-6.
MacAuslan, Janna (1997). Guitar music by women composers : an annotated catalog. Aspen, Kristan, 1948-. Westport, Conn. ISBN 0-313-29385-6. OCLC 36589202.{{cite book}}: CS1 maint: location missing publisher (link)

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.

[1] Anderson, Ruth (1976). Contemporary American composers : a biographical dictionary. Boston: G.K. Hall. ISBN 0-8161-1117-0. OCLC 2035024.

[2] Stern, Susan (1978). Women composers : a handbook. Metuchen, N.J.: Scarecrow Press. ISBN 0-8108-1138-3. OCLC 3844725.

[3] Cohen, Aaron I. (1987). International encyclopedia of women composers (Second, revised and enlarged ed.). New York. ISBN 0-9617485-2-4. OCLC 16714846.{{cite book}}: CS1 maint: location missing publisher (link)

[4] Pfitzinger, Scott (March 2017). Composer genealogies : a compendium of composers, their teachers, and their students. Lanham, Maryland. ISBN 978-1-4422-7225-5. OCLC 961457738.{{cite book}}: CS1 maint: location missing publisher (link)

[5] Female Artists, Past and Present. Women's History Research Center. 1974.

[6] Mander, Anica Vesel; Rush, Anne Kent (1974). Feminism as Therapy. Random House. ISBN 978-0-394-70937-6.

[7] MacAuslan, Janna (1997). Guitar music by women composers : an annotated catalog. Aspen, Kristan, 1948-. Westport, Conn. ISBN 0-313-29385-6. OCLC 36589202.{{cite book}}: CS1 maint: location missing publisher (link)