Horrorcore

Horrorcore, also called horror hip hop, horror rap, death hip hop, or death rap, is a subgenre of hip hop music based on horror-themed and often darkly transgressive lyrical content and imagery. Its origins derived from certain hardcore hip hop and gangsta rap artists, such as the Geto Boys, which began to incorporate supernatural, occult, and psychological horror themes into their lyrics. Unlike most hardcore hip hop and gangsta rap artists, horrorcore artists often push the violent content and imagery in their lyrics beyond the realm of realistic urban violence, to the point where the violent lyrics become gruesome, ghoulish, unsettling, inspired by slasher films or splatter films. While exaggerated violence and the supernatural are common in horrorcore, the genre also frequently presents more realistic yet still disturbing portrayals of mental illness and drug abuse. Some horrorcore artists eschew supernatural themes or exaggerated violence in favor of more subtle and dark psychological horror imagery and lyrics.

Not to be confused with Horror punk.
Horrorcore
Other namesHorror hip hop, horror rap, death hip hop, death rap, murder music
Stylistic origins
Cultural originsLate 1981, United States
Local scenes
Detroit
Other topics

Horrorcore has incited controversy, with some members of the law enforcement community asserting that the genre incites crime.[1][2] Fans and artists have been blamed for numerous high-profile instances of violent criminal activity, including the Columbine High School massacre,[3][4] the Red Lake high school massacre,[5] the Farmville murders, murders of law enforcement officers, and gang activity.

Characteristics

Horrorcore defines a style of hip hop music that focuses primarily on dark, violent, gothic, transgressive, macabre and/or horror-influenced topics such as death, psychosis, psychological horror, mental illness, satanism, self-harm, cannibalism, mutilation, suicide, murder, torture, drug abuse, and supernatural or occult themes. The lyrics are often inspired by horror movies and are performed over moody, hardcore beats.[6] According to rapper Mars, "If you take Stephen King or Wes Craven and you throw them on a rap beat, that's who I am".[7] Horrorcore was described by Entertainment Weekly in 1995 as a "blend of hardcore rap and bloodthirsty metal".[8] The lyrical content of horrorcore is sometimes described as being similar to that of death metal, and some have referred to the genre as "death rap".[9] Horrorcore artists often feature dark imagery in their music videos and base musical elements of songs upon horror film scores.[9]

History

Origins

LA Weekly listed Jimmy Spicer's 1980 single "Adventures of Super Rhyme" as the first example of "proto-horrorcore", due to a lengthy segment of the song in which Spicer recounts his experience of meeting Dracula.[10] The group Dr. Jeckyll and Mr. Hyde specialized in horror-themed music. Dana Dane's song "Nightmares" related a frightening narrative.[10]

Since 1986, Ganxsta N.I.P. has performed horror-themed lyrics that he has described as "Psycho Rap", but he was not commonly considered to be horrorcore until the term came into mainstream prominence.[11] Ganxsta N.I.P. has written lyrics for other groups, including Geto Boys, who were also an influence on the early horrorcore sound.[11]

In 1988, DJ Jazzy Jeff & The Fresh Prince released "A Nightmare on My Street", which described an encounter with Freddy Krueger,[10] and the Fat Boys recorded the similarly-themed "Are You Ready for Freddy" for the film A Nightmare on Elm Street 4: The Dream Master and its soundtrack. 1988 is also the year Insane Poetry (at the time called His Majesti) released "Armed & Dangerous", followed by their debut single as Insane Poetry, "Twelve Strokes Till Midnight", one of the first examples of music specifically made to be horrorcore.[10]

Although Kool Keith claimed to have "invented horrorcore",[12] the first use of the term appeared on the group KMC's 1991 album Three Men With the Power of Ten. Nonetheless, Kool Keith brought significant attention to horror-influenced hip hop with his lyrical content as a part of the Ultramagnetic MC's and his 1996 debut solo album Dr. Octagonecologyst.

Rise in the hip hop genre
Scarface, of the group Geto Boys, whose violent, horror-themed lyrics have been singled out as the first recorded example of horrorcore

The Geto Boys' debut album, Making Trouble, contained the dark and violent horror-influenced track "Assassins", which was cited by Joseph Bruce (Violent J of the horrorcore group Insane Clown Posse) in his book Behind The Paint as the first recorded horrorcore song. He writes that the Geto Boys continued to pioneer the style with their second release, Grip It! On That Other Level, with songs such as "Mind of a Lunatic" and "Trigga-Happy Nigga".[13] The Geto Boys' 1991 album, We Can't Be Stopped, was also influential on the horrorcore genre and contained themes of paranoia, depression, and psychological horror, especially in the track "Chuckie", and "Mind Playing Tricks on Me".[14][15]

While rappers in the underground scene continued to release horrorcore music, including Big L,[16] Insane Poetry,[17] and Insane Clown Posse,[10] the mid-1990s brought an attempted mainstream crossover of the genre.[10]

According to the book Icons of Hip Hop, horrorcore gained mainstream prominence in 1994 with the release of Flatlinerz' U.S.A. (Under Satan's Authority) and Gravediggaz' 6 Feet Deep (released overseas as Niggamortis).[18][19][20][21] The Flatlinerz and Gravediggaz, along with the Geto Boys and Kool Keith, remain the most important artists in the development of horrorcore as a specific genre.

In 1995, an independent horror film called The Fear was released, which included a soundtrack consisting entirely of horrorcore songs, including Insane Clown Posse's biggest radio hit, "Dead Body Man".[10] 1995 also saw the release of Three 6 Mafia's debut album Mystic Stylez, which touched on heavy drug use, ritualistic sex, mass murder, torture, and Luciferianism. Bone Thugs-N-Harmony's E. 1999 Eternal, released in the same year, contains tales of the occult throughout, specifically on songs such as "Mr. Ouija 2", "Mo' Murda", "East 1999", and "Da Introduction". Tension would soon rise between Bone Thugs and Three 6 over their presumed similarities in style and use of dark imagery.

In 2009, dark music-themed website Fangoria named Tech N9ne's 2001 album Anghellic as an iconic and influential album to the genre, the artist, and hip-hop as a whole.

Horrorcore is generally not popular with mainstream audiences, though in some cities, like Detroit, it is the dominant style of hip-hop, with Detroit-based performers such as Insane Clown Posse[22] and Eminem,[23] as well as Brooklyn-based artists like Necro, having been commercially successful throughout the US.[18] Horrorcore has thrived in Internet culture. Every Halloween since 2003, horrorcore artists worldwide have gotten together online and release a free compilation titled Devilz Nite.[24] According to the January 2004 BBC documentary Underground USA, the subgenre "has a massive following across the US" and "is spreading to Europe".[25] Rolling Stone in 2007 referred to it as a short-lived trend that generated "more shlock than shock".[20]

Present-day horrorcore

In 2019, experimental trio clipping. released There Existed an Addiction to Blood, described as a "transmutation of horrorcore".[26]

Controversy

Some members of the law enforcement community have asserted that horrorcore is dangerous and incites crime, and the genre's artists and followers have been linked to a wide variety of crime, ranging from mass murder to gang activity and drug trafficking.

In September 1996, Joseph Edward "Bubba" Gallegos, an 18-year-old from Bayfield, Colorado, killed his roommates after ingesting methamphetamine and listening repeatedly to horrorcore rapper Brotha Lynch Hung's song "Locc 2 da Brain". Brotha Lynch Hung is considered a horrorcore pioneer and even created his own horrorcore sub-category called "Ripgut" which is known for even more graphic lyrics dealing with hardcore gore, torture, and cannibalism. After attempting to kill his ex-girlfriend and taking two other students hostage, Gallegos was in turn killed by police. Gallegos was said to be a massive fan of Brotha Lynch Hung, and his minister suggested that the music played a role in the killings.[27][28]

In 1999, horrorcore group Insane Clown Posse (ICP) was considered a potential influence on school shooters Eric Harris and Dylan Klebold. ICP responded that if the shooters had been "Juggalos" (fans of ICP), they would have "gotten the whole damn school".[3] However, Brooks Brown, the best friend of Dylan Klebold and a friend of both the shooters, was a Juggalo and had introduced Klebold to Insane Clown Posse's music.[4]

In 2005, horrorcore fan Jeff Weise committed the Red Lake Senior High School massacre. Weise was a fan of horrorcore rappers such as Mars and Prozak.[5]

Juggalo gangs have caused law enforcement concern throughout the United States due to their tendency for extreme violence and have been linked to diverse crimes. Arizona Department of Public Safety Detective Michelle Vasey has expressed concern at the Juggalos' high potential for violence, stating, "The weapons, they prefer, obviously, hatchets ... We've got battle-axes, we've got machetes, anything that can make the most violent, gruesome wound", and, "Some of the homicides we're seeing with these guys are pretty nasty, gruesome, disgusting homicides, where they don't care who's around, what's around, they're just out to kill anybody".[29] A 2017 Denver Police Department guide warned that even Juggalos who are not affiliated with a gang are prone to commit "murder, shootings, kidnapping, rape, necrophilia, cannibalism, assault, and arson", and that "such acts give a Juggalo a sense of pride and street credit amongst peers".[30] Allegedly horrorcore-related criminal activity has, in rare cases, even branched out into ad-hoc domestic terrorism, such as when a Juggalo-led terrorist cell calling itself the "Black Snake Militia" attempted to raid a National Guard armory in 2012.[31]

See also

References
  1. "'Horrorcore': Does Genre Incite Murder?". ABC News. Retrieved Oct 14, 2019.
  2. Tom Beyerlein, Staff Writer. "'Horrorcore' music fans linked to violence". journal-news. Retrieved Oct 14, 2019.
  3. Murphy, Sean (Jul 24, 2016). "Are the Juggalos a gang or a supportive fraternity?". Retrieved Oct 14, 2019.
  4. Brown, Brooks (2002). No Easy Answers: The Truth Behind Death at Columbine. ISBN 9781590560310.
  5. "YouTube video". Archived from the original on 2014-07-05. Retrieved 2013-05-13.
  6. Meyer, Frank. (2004-10-28) Frankly Speaking: Halloween Horror-core Hip Hop g4tv. Retrieved 2008-09-14.
  7. Darcy, Pohland. (May 19, 2005) The dark world Of Horrorcore music Archived 2007-11-24 at the Wayback Machine WCCO-TV. Accessed November 4, 2007.
  8. Browne, David. (24 Feb 1995) Fifth anniversary music Entertainment Weekly. Accessed November 4, 2007.
  9. Strauss, Neil (September 18, 1994). "When Rap Meets the Undead". The New York Times. Retrieved April 25, 2009.
  10. Chaz Kangas (November 5, 2013). "The History of Horrorcore Rap". LA Weekly. Retrieved August 1, 2020.
  11. "AllHipHop » Ganxta NIP: The Psycho Becomes A God Of Horrorcore". AllHipHop. 29 September 2014. Retrieved 26 March 2015.
  12. Kane; QED (July 19, 2007). "Kool Keith Interview". Original UK Hip Hop. Archived from the original on June 21, 2008. Retrieved 2008-08-04.
  13. Bruce, Joseph; Hobey Echlin (August 2003). "The Dark Carnival". In Nathan Fostey (ed.). ICP: Behind the Paint (second ed.). Royal Oak, Michigan: Psychopathic Records. pp. 174–185. ISBN 0-9741846-0-8.
  14. Sciaccotta, J. C. "Geto Boys - 'Mind Playing Tricks on Me'". Popmatters.com. PopMatters. Retrieved 11 December 2015.
  15. "#1: Geto Boys 'Mind Playing Tricks On Me'". Complex.com. Complex Magazine. Retrieved 11 December 2015.
  16. "Fright Night". Vibe. November 2004. p. 74.
  17. Cordor, Cyril. "Biography of Insane Poetry". Allmusic. Retrieved 12 November 2008.
  18. Hess, Danielle (2007). "Hip Hop and Horror". In Hess, Mickey (ed.). Icons of Hip Hop. Greenwood Publishing Group. p. 369. ISBN 978-0-313-33903-5.
  19. Passantino, Dom (7 Jan 2005) "Top ten Hip-Hop gimmicks of all time". Stylus Magazine. Accessed November 4, 2007.
  20. Fernando Jr., S. H. (September 18, 2007). "The Pick, The Sickle & The Shovel". Rolling Stone. Accessed November 4, 2007.
  21. "Gravediggaz star loses cancer battle". NME (16 July 2001). Accessed November 4, 2007.
  22. Graham, Adam (12 February 2019). "30 years later, Insane Clown Posse finds respect". The Detroit News. Retrieved 23 February 2021.
  23. Ketchum III, William (31 October 2016). "In Defense Of Eminem's Horrorcore Masterpiece: "Relapse"". HipHopDX. Retrieved 21 September 2020.
  24. "kikaxemusic.com". ww5.kikaxemusic.com. Archived from the original on July 13, 2011. Retrieved Oct 14, 2019.
  25. "Underground USA". Archived 2010-10-25 at the Wayback Machine BBC. Accessed November 4, 2007
  26. Corcoran, Nina (August 14, 2019). "clipping. announce new album There Existed an Addiction to Blood, share 'Nothing Is Safe': Stream". Consequence of Sound. Retrieved October 19, 2019.
  27. Moehringer, J.R.; Wagner, Michael G. (September 27, 1996). "O.C. Trio's Killing Carefully Planned". Los Angeles Times.
  28. H. G., Reza (September 28, 1996). "Rap's Role in Crime Refuels Lyrics Debate". Los Angeles Times. Retrieved June 1, 2010.
  29. Bashir, Martin (2010-03-09). "Law Enforcement Claims 'Horrorcore' Genre Incites Crime – ABC News". Abcnews.go.com. Retrieved 2012-11-08.
  30. "The Denver Police's field guide to Juggalos". MuckRock. Retrieved Oct 14, 2019.
  31. Rupar, Aaron. "Bucky Rogers, alleged Minnesota terrorist, is a juggalo [PHOTOS]". City Pages. Retrieved Oct 14, 2019.
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