Gustaaf Sorel
Gustaaf Sorel (17 January 1905, in Ostend – 14 May 1981, in Ostend) was a Belgian painter and draughtsman known for his representations of gloomy people and bleak street sights.[1]
Gustaaf Sorel | |
---|---|
Born | Ostend, Belgium | 17 January 1905
Died | 14 May 1981 76) Ostend, Belgium | (aged
Nationality | Belgian |
Style | Expressionism, Cubism, Constructivism |
Awards | Prijs van het Oostends Kursaal (1937), Prix Thorlet de l’Académie Française (1954), Silver medal of the city of Paris (1954) |
Sorel depicted his folkish surroundings with loose and fluid line work of his own synthetic painting method. He underwent several figurative influences like expressionism, cubism and constructivism, but, mostly stubbornly pursued his own style.
His city and street depictions with ashen facades radiate the oppressive sadness of the abandoned streets and empty stalls, of the city and her inhabitants. He had an obsession for a secretive, pressing silence, but even in those dark corners, there is no anxiety-inducing mood.
Usually a soft light radiates from a window, door or gate. a play of the light by which the mood becomes more intense and gives rise to many contrasts.
Gallery
- Panoramic Landscape, gouache on paper, circa 1936
- Lady with blue hat, watercolour
- Seawall, India ink on paper, 1939
- Death mask of Gustaaf Sorel by sculptor Irénée Duriez
References
- Norbert Hostyn (1983). "Sorel, Gustaaf". National Biographical Dictionary (in Dutch). Vol. 10. Brussels: KVAB. pp. 599–603. ISBN 90-6569-010-7. Available online: link. Retrieved 10 January 2015.