Ghostkeeper

Ghostkeeper was co-written and directed by James Makichuk in his directorial debut, having started his career as a camera operator for local television stations before directing commercial ads. After three years of this, Makichuk would later admit that he had grown tired of the job and decided to make his next project a feature film.[8] Development for the film would only start after Makichuk had a chance meeting with writer and producer Doug MacLeod during a film project with a mutual friend of the two, which later fell through. The two quickly became good friends, deciding to collaborate on a feature-length project, wanting to capitalize on the growing popularity of the horror genre after the recent success with John Carpenter's Halloween (1978), that could be filmed at a single location with a small cast.[9] Early on in the development process, the filmmakers chose the Deer Lodge, a winter hotel in Banff, Alberta as the primary filming location after learning that one of Makichuk's friends knew someone who owned the hotel.[8][9] For the film's antagonist, filmmakers drew inspiration from the Native American legend of the Wendigo,[10] a cannibalistic spirit that possessed humans, roaming the wilderness in search of human flesh. According to Makichuk, the Wendigo was originally intended to have a more substantial role in the film, but many scenes had to be removed due to budget restraints.[10]

The majority of the cast were locally-hired actors in the Calgary area,[3] with the exception being lead Riva Spier, who was an actress hired out of Montreal.[3] For the majority of the cast, Ghostkeeper was their first and final film credit; Georgie Collins was primarily a well-known stage actress in Calgary, and was cast in the role of the mysterious elderly hotel proprietor.[3] Spiver, who had previously starred in minor roles prior to the film, would later go on to have a successful voice acting career.

Deer Lodge in Banff, Alberta served as a primary filming location.

Ghostkeeper was filmed on location in Lake Louise and the Banff National Park in Alberta, Canada.[11] Filming began on November 30, 1980,[3] and finished on December 23, 1980.[12] The film was photographed by cinematographer John Holbrook.[13] Producer Harry Cole commented during the shoot: "It's a producer's dream— it has one location in a controlled environment."[3] Cole also described the film as more a "suspense movie" along the lines of Psycho (1960).[3]

Ghostkeeper was produced via a tax shelter on a budget of approximately CA$750,000–$1 million.[1][14][4] Its tax shelter funding made the production's financial situation rather unstable; James Makichuk said that he was given the option of halting the film's production when the funding began to run low, but he pursued to finish the film anyway—[15]

They told us that the money is almost all gone. We had a choice of stopping the movie, pulling the plug and I said, ‘No way, we’ve gotten over half of it shot.’ So every day I made up the scene as we’re going along, which is not the way to make a movie. That’s what made it so uneven and without the terrific ending that we had hoped for. But the thing I wanted with Johnny Holbrook, who is a great cameraman, is to have a mood. A dark sort of mood, an ominous thing going on – and I think for the most part it works. The prints that got finished were so dark but the distributors, those guys, they don’t care at all.[15]

According to Makichuk, prior to the depletion of the budget, his original intention was to film a much longer ending, including an extended chase sequence with Spier and the Wendigo creature on the rooftop of the Deer Lodge hotel.[16]

The film's score was composed by Paul Zaza, who also composed music for fellow Canadian slasher film productions Prom Night (1980), My Bloody Valentine (1981), and Curtains (1983). Zaza got on board due to the involvement of film editor Stan Cole. In fact, some of the musical themes featured in Ghostkeeper were also used in Prom Night.[16]

An alternate opening to the film was shot by distributors two years after the initial production. In the opening, a young man flees from the hotel during the day, running into the woods until backing up against a tree. While pinned, he is killed (presumably by Danny) and stabbed with a sharp wooden stake. This opening was not featured in the 1986 VHS.[17]

Rosemary McCracken of the Calgary Herald commented on the film's screenplay, noting that it carries "distinct echoes of Stanley Kubrick's The Shining," adding that "despite the flaws in the script, the film has a fair bit going for it. The performances are a notch above those being offered in much of the American horror fare being served up in our theaters."[1]

Of contemporary reviews, the horror film website The Terror Trap gave the film a positive review stating, "Not for all tastes, the methodically paced Ghostkeeper is an exercise in disciplined mood generation; its bare claustrophobia either works for the viewer or not. But for those who prefer their chills straightforward, pre-sneer and pre-sarcasm, Keeper can be a most rewarding snow trap".[19]

J.A. Kerswell from Hysteria Lives! gave the film a negative review calling the film "flawed", and "muddled".[20] In The Blockbuster Entertainment Guide to Movies and Videos (1999), the film was rated two-and-a-half stars out of five, deemed "an absurd thriller."[21] Eric Cotenas of DVD Drive-In noted the film's prominent atmosphere and drew comparisons to Stephen King's The Shining as well as cinematographer John Holbrook’s "aesthetic response to the desolate location."[22]

The film did not receive a home video release until September 1986, when it was released in the United States through New World Pictures' home video branch.[23][24]

Director James Makichuk stated in an interview that he was trying to get a DVD released through Netflix with a quality print of the film.[15]

In April 2012, Ghostkeeper was released for the first time on DVD through Code Red Releasing.[22] The DVD included a commentary with James Makichuck, Riva Spier and Murray Ord, an interview with director of photography John Holbrook as well as an interview with actress Georgie Collins. The film is presented in 1.78.1 anamorphic widescreen for the first time on video and has been restored from the only known existing film elements.[25] On August 18, 2017, Code Red issued a Blu-ray edition of the film featuring a new 2K scan of the original film elements.[26]