Gabriel Rockhill

Rockhill has advanced a new model for thinking the historical relationship between art and politics. Rather than understanding them as two spheres separated by an insurmountable divide or linked by a privileged bridge, he demonstrates through historical and materialist analysis that they are not fixed entities with a singular relation, but rather social practices and "concepts in struggle." In books like Radical History & the Politics of Art (Columbia University Press, 2014) and Interventions in Contemporary Thought: History, Politics, Aesthetics (Edinburgh University Press, 2016), he proposes a significant departure from extant philosophical debates on what is commonly called "art" and "politics" in the name of a radically historicist analysis of the political dimensions inherent in the modes of production, circulation and reception of aesthetic practices. Engaging with a diverse array of intellectual, artistic, and political traditions, his work carefully maps interactions between different aspects of aesthetic and political practices as they intertwine and sometimes merge in specific fields of struggle.

In his earlier work, Logique de l'histoire: pour une analytique des pratiques philosophiques (Éditions Hermann, 2010), he developed an alternative logic of history and historical change, which emphasizes the geographic and social dimensions of history, as well as a novel account of social practices and a multidimensional theory of agency. His most recent book, Contre-histoire du temps présent: interrogations intempestives sur la mondialisation, la technologie, la démocratie (CNRS Éditions, 2017; published in English as Counter-History of the Present: Untimely Interrogations into Globalization, Technology, Democracy, Duke University Press, 2017) expands this work to a critical analysis of the dominant image of the present moment, thereby dismantling what he refers to as the "historical and political imaginary of the contemporary conjuncture."

Since 2008, Rockhill has directed the Critical Theory Workshop/Atelier de Théorie Critique in Paris. Originally conceived as a study abroad program for Villanova University, it currently operates as an independent nonprofit that hosts an annual Summer School at the School for Advanced Studies in the Social Sciences.

In addition to his scholarly publications, Rockhill has written a number of essays of political critiques that tie the United States' Central Intelligence Agency and other Western capitalist nation-states' security apparatus of having influenced the anti-communist politics of Western intellectual thought, including the Frankfurt School, Michel Foucault, and Slavoj Žižek. These online articles for prominent left literary publications have been subject to widespread debate and have been translated into multiple languages.[4][5][6][7]

• La CIA et les intellectuels: Une histoire souterraine des idées. De l'école de Francfort aux "nouveaux philosophes" (La fabrique éditions, forthcoming).
• Contre-histoire du temps présent: interrogations intempestives sur la mondialisation, la technologie, la démocratie (CNRS Éditions, 2017), published in English as Counter-History of the Present: Untimely Interrogations into Globalization, Technology, Democracy (Duke University Press, 2017).
• Interventions in Contemporary Thought: History, Politics, Aesthetics Archived 2017-09-03 at the Wayback Machine (Edinburgh University Press, 2016).
• Radical History & the Politics of Art (New York: Columbia University Press, Series "New Directions in Critical Theory," 2014), 288 pp. ISBN 978-0-231-15201-3. (pb.)[8]
• Logique de l’histoire: Pour une analytique des pratiques philosophiques Archived 2017-09-03 at the Wayback Machine (Paris: Editions Hermann, series "Hermann Philosophie," 2010), 534 pp. ISBN 978-2-7056-6965-2. (pb.)[9]

• With Alfredo Gomez-Muller, in collaboration with Seyla Benhabib, Nancy Fraser, Judith Butler, Immanuel Wallerstein, Cornel West, Will Kymlicka, Michael Sandel and Axel Honneth: Politics of Culture and the Spirit of Critique: Dialogues (New York: Columbia University Press, Series "New Directions in Critical Theory," 2011), 240 pp. ISBN 978-0-231-15187-0. (pb.)
  • French edition (slightly different): Critique et subversion dans la pensée contemporaine américaine: Dialogues (Paris: Editions du Félin, 2010).
  • Spanish edition (slightly different): La teoría crítica en Norteamérica: Política, ética y actualidad (Medellín: La Carreta Editores, 2008).
• With Pierre-Antoine Chardel: Technologies de contrôle dans la mondialisation: enjeux politiques, éthiques et esthétiques (Paris: Editions Kimé, 2009), 207 pp. ISBN 978-2-84174-499-2. (pb.)
• With Philip Watts: Jacques Rancière: History, Politics, Aesthetics (Durham, North Carolina: Duke University Press, 2009), 368 pp. ISBN 978-0-8223-4506-0. (pb.)

• With John V. Garner: Cornelius Castoriadis. Postscript on Insignificance: Dialogues with Cornelius Castoriadis (London: Continuum Books, 2011).
• Jacques Rancière. The Politics of Aesthetics Archived 2017-09-03 at the Wayback Machine (London: Continuum Books, 2004).

• Rockhill, Gabriel (2020). "Foucault, Genealogy, Counter-History". Theory & Event. 23 (1): 85–119. doi:10.1353/tae.2020.0004. S2CID 214117570. Project MUSE 747096.

• "Capitalism’s Court Jester: Slavoj Žižek," CounterPunch, January 3, 2023.
• "The CIA & The Frankfurt School's Anti-Communism,"The Philosophical Salon, June 27, 2022,
• "Foucault, Anti-Communism & the Global Theory Industry: A Reply to Critics," The Philosophical Salon, February 1, 2021.
• "Foucault: The Faux Radical,"The Philosophical Salon, October 12, 2020.
• Who’s Afraid of Direct Action on Campus? Mobilizing Pedagogy Against the Powerful, Truthout, August 23, 2017.
• "The CIA Reads French Theory: On the Intellectual Labor of Dismantling the Cultural Left," The Philosophical Salon, February 28, 2017.
• Rockhill, Gabriel (13 February 2017). "Opinion | Unraveling Love Stories". The New York Times.
• Rockhill, Gabriel (29 August 2016). "Opinion | Why We Never Die". The New York Times.