Valerie Taylor (novelist)

She began writing while she was married to Tate to provide additional financial support to the household.[6] She was published in magazines under several pseudonyms. She also held jobs as a schoolteacher, switchboard operator, and then from 1956 to 1961, she worked in the publishing house Henry Regnery & Sons, Chicago, as assistant editor.[5]

Cover of Whisper Their Love by Valerie Taylor.

Beacon Books published her first novel, Hired Girl (also published as The Lusty Land), in 1953. Set on a poor Midwestern farm, Hired Girl has no lesbian subject matter, but it does explore other controversial sexual and political themes. It was published under the pseudonym Valerie Taylor.[4]

From 1957 to 1967, living in Chicago, Taylor wrote novels in the genre of lesbian pulp fiction, in which she became well known under her pen-name. She explained her reasons for choosing the genre: "I began writing gay novels around 1957. There was suddenly a plethora of them on sale in drugstores and bookstores... many written by men who had never knowingly spoken to a lesbian. Wish fulfillment stuff, pure erotic daydreaming. I wanted to make some money, of course, but I also thought that we should have some stories about real people."[8]

Her first lesbian pulp novel was Whisper Their Love, published in 1957. Further classic lesbian pulps by Taylor followed, raising her penname to notoriety as one of the "pro-lesbian pulp authors".[9] In discussing her first novel, the working title of which was The Heart Takes Many Paths, the title was changed by the publisher to Whisper Their Love, which Taylor called "a disgusting title" chosen to conform to the then-common publishing industry convention of presenting lesbians as lonely women living lives of secrecy. The book, which describes a lesbian love affair, concludes with the main character forming a heterosexual relationship, which according to Lisa Walker disappointed later readers but was one of the few types of endings 1950s publishers would accept. Two years later, The Girls in 3-B was according to Walker "remarkable in providing a happy ending for the lesbian character".[6]

Writing became her career and means of supporting her sons. She published stories, reviews, and criticisms in The Ladder, and also published poetry under the pseudonym Nacella Young, and romances as Francine Davenport.[5]

1959 cover by James Alfred Meese

Through her six popular lesbian pulps, Valerie Taylor became known for writing characters and plots which deal with the experience of life in the working class, as well as the imbalance of social and economic power between male employers and female employees.[6] Due to her notoriety in the lesbian pulp fiction genre, as well as her public activism during her time in Chicago, she was dubbed one of the "Lesbian Grandmothers of America."[2] Cornell University, which houses her literary estate, calls her novels "pulp fiction classics."[5] In the afterword to a 2003 reprint, Lisa Walker of the University of Southern Maine wrote that "The Girls in 3-B is a part of the unofficial history of women in the 1950s.[6]

She continued writing well into her 80s, covering stories of women in old age and encountering poverty. From 1977 to 1989, Naiad Press' Barbara Grier convinced Taylor to publish her new, more feminist lesbian novels with them; these novels were Love Image, Prism, and Rice and Beans, in addition to republishing older lesbian pulps.[4]

In 1975, she received the Paul R. Goldman award from the Chicago Chapter of One, Inc. In 1992, she was inducted into the Chicago Gay and Lesbian Hall of Fame.[5]

She was prominent in activist causes from the 1950s through the 1980s, including LGBT rights, feminism, and Elder rights. She belonged to the Daughters of Bilitis, contributing her work to their magazine The Ladder, the first nationally distributed lesbian publication. Taylor was instrumental in starting the gay and lesbian advocacy group Mattachine Midwest along with Pearl Hart in 1965. She lent her services to its newsletter as editor for several years.[6] She protested at the 1968 Democratic Convention with other members of Mattachine Midwest, and she worked with the Women's International League for Peace and Freedom.

Young was also a member of the Gray Panthers, a social justice activist group. Additionally, she became involved in activism in the environmental movement and advocacy for the elderly.[10]

Along with others, Young helped to found the Lesbian Writers Conference in Chicago in 1974, and was a keynote speaker at the event. She dedicated the inaugural conference to her friend, the pioneering librarian and researcher in the field of lesbian literature Jeanette Howard Foster.

• The Lusty Land (originally published as Hired Girl) 1953, Universal[6]
• Whisper Their Love 1957, Gold Medal[6]
• The Girls in 3-B 1959, Gold Medal[6]
• Stranger on Lesbos 1960, Gold Medal[6]
• A World Without Men 1963, Midwood Tower[6]
• Unlike Others 1963, Midwood Tower[6]
• Return to Lesbos 1963[6]
• Journey to Fulfillment 1964, Midwood Tower[6]
• The Secret of the Bayou 1967, Ace (as Francine Davenport)
• Unlike Others 1976, Midwood
• Love Image 1977, Naiad[6]
• Prism 1981, Naiad[6] with Tee Corinne
• Ripening 1988, Banned Books
• Rice and Beans 1989[6]

• Two Women: The Poetry of Jeannette Foster and Valerie Taylor 1976, Womanpress[6]
• The Rooted Heart, Prairie Schooner (as Nacella Young)
• Sonnet for a Second Love, The Georgia Review (as Nacella Young)