Exodus (Bob Marley and the Wailers album)

In 1974, two of the original Wailers left the band. The band continued releasing material as "Bob Marley & The Wailers," as had sometimes been the case in the Lee Perry era (as with the Soul Rebels and Soul Revolution LPs). His current backing band included brothers Carlton and Aston "Family Man" Barrett on drums and bass respectively, Al Anderson and Junior Marvin on lead guitar, Tyrone Downie and Earl "Wya" Lindo on keyboards, and Alvin "Seeco" Patterson on percussion. The I Threes, consisting of Judy Mowatt, Marcia Griffiths, and Marley's wife, Rita, provided backing vocals. In 1975, Marley had his international breakthrough with his first hit outside Jamaica, "No Woman, No Cry", from the Natty Dread album. This was followed by his breakthrough album in the United States, Rastaman Vibration (1976), which became the 48th best-selling album on the Billboard Soul Charts in 1978.[3]

Marley had conceived "Exodus" as the album title before even writing the song.[4]

In December 1976, Jamaica was going through elections, generating substantial political discourse. In his campaign, Prime Minister Michael Manley used the campaign slogan "We know where we're going." In response Marley wrote "Exodus", which is the title track of the album. The song became a No. 1 hit in Jamaica as well as the United Kingdom and Germany.[5]

On 3 December 1976, while he was in his house in Jamaica, an assassination attempt on Marley's life drove him out of his native country: two days after the assassination attempt, Marley performed in the previously scheduled Smile Jamaica concert, then subsequently fled to England where he later recorded the song "Exodus". In addition to Marley's assassination attempt, "his wife Rita — one of the I Threes, whose singing on Exodus is first-rate"[6] was also shot and survived.

The song "Exodus" became a No. 1 hit in Jamaica as well as a top 20 hit in the United Kingdom where it reached number 14, and Germany.[5]

Exodus is a reggae album[2][7] that features a "laid-back" production and a "stoned atmosphere that's simultaneously funky and political" according to Cam, an Emeritus from Sputnikmusic.[7]

Cam described the album's musical style as being "different", noting that Marley's style of reggae was not what was prominent in Jamaica during the time, and that the album's music sounds unlike any reggae that came before its release.[7] Emeritus continued to describe the album's sound as being rooted in the blues and soul, with elements of British Rock with a reggae "façade thrown on top" however Emeritus praised this saying "if Exodus was straight reggae, it probably wouldn't be as good as it is."[7]

Exodus contains elements of pulsating bass beats, pianos and funk along with a "liquid-y bass", drumming and guitars with the inclusion of trumpets in the title track.[7] Unlike previous albums Exodus lyrical content moves away from cryptic story-telling and instead is clearer and more straight forward, the lyrics touch upon themes of change, religious politics and sex. Vocally, Marley provides a minimalist approach, trying not to reach his falsettos.[7]

The album's track listing is split over two halves;[6] the first half features songs of religious politics and opens with "Natural Mystic", which is a slow tempo "fade up" song, followed by "So Much Things to Say", which was described by the BBC as being "exuberant" and features a reggae scat.[1] The following two songs "Guiltiness" and "The Heathen" explore darker territory, before ending on the album's title track.[1]

The second half of the album features songs revolving around sex and keeping faith.[6]

Professional ratings

Review scores
Source	Rating
AllMusic	[2]
Billboard	(favorable)[8]
Christgau's Record Guide	B+[9]
Pitchfork	(8.4/10)[10]
PopMatters	(favorable)[11]
Sputnikmusic	5/5[7]

Cam from Sputnikmusic gave the album five out of five stars, calling it a "classic". Emeritus praised the album's "laid-back tones" and commended Marley's vocals and lyrical content.[7] As described by Rolling Stone magazine, Exodus is an album with "the magnificent rhythm section of Aston Barrett, bass, and Carlton Barrett, drums, and the spidery lead guitar of Julian "Junior" Marvin – and the flatness of the material Bob Marley has given them to work with"[6]

"Jamming", "Waiting in Vain", "One Love/People Get Ready", and "Three Little Birds" were all major international hits. Exodus peaked at number 20 on the Billboard 200 and at number 15 on the Black Albums chart, as well as remaining in the UK charts for 56 consecutive weeks, where it peaked at number 8.

In 1999, Time magazine named Exodus the best album of the 20th century.[12] In 2001, the TV network VH1 named it the 26th greatest album of all time. In 2003, the album was ranked number 169 on Rolling Stone magazine's list of the 500 greatest albums of all time,[13] maintaining the rating in a 2012 revised list,[14] re-ranking at number 71 in a 2020 revised list.[15]

All tracks written by Bob Marley.

Bob Marley and the Wailers

• Bob Marley: lead and backing vocals, guitars
• Junior Marvin: electric guitars
• Aston Barrett: basses
• Carlton Barrett: drums
• Tyrone Downie: synthesizer, electric piano, organ and backing vocals
• Alvin "Seeco" Patterson: percussions

Additional personnel

• Rita Marley, Marcia Griffiths, Judy Mowatt: backing vocals
• David Madden: trumpet, horn arrangements [18]
• Vin Gordon: trombone
• Glen Da Costa: saxophone

• Goldman, Vivien (2006). The Book of Exodus: The Making and Meaning of Bob Marley and the Wailers' Album of the Century. Three Rivers Press. ISBN 1-4000-5286-6.