Everything is Going to Be OK

Everything is Going to Be OK received praise from several publications, with attention directed to the use of humor to humanise and relate experiences of trauma and victimhood. Writing for Mashable, Jess Joho praised the "intimate, grounding humanity" in the tone of the work, noting the work's ability to "transcend pain in the most abstract, humorous way imaginable" in its ability to "flip the script on the victim narrative in the most delightfully unexpected ways".[4] Jay Allen of PC Gamer praised the work's use of player involvement, stating it "brings you into (its) lived experience. It invites you to play along, to understand why it plays and why it is played, to understand and live with its pain for a while", highlighting the work's exploration of the "quiet dignity of simply coping with pain, underneath the performance of being a survivor."[3] Julie Muncy of Wired found the work to be a "compelling" and "potent portrait of living with trauma", citing the effect of the provocative and "deliberately crude" visual design of the work to "elicit discomfort...to explore themes beyond just unease".[10] IGN nominated Everything is Going to Be OK as the "Most Innovative Game" in its Best of 2017 Awards, citing the work's "ability to be both genuinely funny, crude, gruesome, somber, and human all at once", and recommending the work "needs to be experienced to be understood".[11]

Lawhead stated they received harassment following the publication of Everything is Going to Be OK, including in response to their discussion of the reception of the work at Double Fine's Day of the Devs in November 2017. Following the event, Lawhead authored a post recounting their experiences, stating that the work was "met with hostility" by younger visitors to the event who were "pretty rude" in their dismissal of the work as "weird". Lawhead suggested that this ridicule reflected an "antagonistic" and reactionary trend against alternative games encouraged by video game livestreaming, and there was a greater need to "carve out the space and understanding" for these works at events and online.[1] Following further harassment in response to the piece, Lawhead clarified that their issue was not the dislike their work had faced, but the "outward rudeness" and "intimidating" behaviour of attendees, noting that whilst they "appreciate the exposure" from streamers, they disliked how their "superficial" treatment "invites trolling", citing an experience where one stream joked about their mental state.[12] Lawhead further discussed that interactive art faces risk when assessed as a video game as "the medium is a consumer medium that's largely (mainstream) incapable of art discourse", and that artistic intent "is a difficult thing to communicate within a medium that expects some sort of entertaining twist."[13]

The harassment experienced by Lawhead prompted discussions about the challenges and risks faced by developers in exhibiting art games to a broader audience. Stephanic Chan of VentureBeat noted Lawhead's experiences in discussing how "developers are frequent targets of abusers online".[14] Writing for Game Developer, independent developer James Cox suggested the incident reflected a "cultural issue" reflected by the "self-serving" nature of streaming culture, stating "as influencers and trendsetters, video-creators demonstrate to young players how to interact and respond to games. The players (at) Day of the Devs learned their behavior from somewhere", and stating "I don't think it's just streamers and YouTubers, I think it's a cycle."[15] Artists Holly Gramazio and Sophie Sampson of Matheson Marcault discussed the challenges of exhibiting a game at an event, noting that whilst "Lawhead's game is in some ways inaccessible and it rejects many of the conventions that make games easy to grasp in a crowded expo or exhibition environment," they suggested several challenges and effective strategies to "prepare the audience" for experimental works and "create a space that encourages respect".[16]

Everything is Going to Be OK received several awards and nominations from indie game events. At the Independent Games Festival in 2018, the work received a 'Nuovo Award' and an 'Honorable Mention' for the Seumas McNally Grand Prize.[17] Everything is Going to Be OK also received an award for 'Innovation in Interaction Design' at IndieCade in 2017,[18] an award "honoring the specialised artistry and innovation required to engage with games on a new level".[19] The work also received the 'Digital Moment Award' at the 2017 Berlin A-MAZE event, an award in recognition of "poems, statements, experiments, short experiences (and) expressions through an interactive medium".[20]