Estrella Guía

The album was recorded during eleven months in different studios in Europe, United States and Brazil, including Altavox Studios and Nitko Studio in Milan, Italy, Sonoland in Spain, Midnightblue Studios and North Bay Recording Studios in Miami, United States, Estudio Mosh in São Paulo, and Studio Be Bop in Rio de Janeiro, among others.[5][6] It features collaborations with two Spanish singers, Alejandro Sanz in the song "Sólo Que Me Falta" and Rosario in "Inseguridad", about the songs Pires said that "the album is not a Spanish flavored one, those are only two different moments, every song of the album has a different flavour and color, I think we achieved it", he also said that the songs from the album dwell on the "daily life of people".[7] The album also includes a version of Gino Vanelli's 1978 song "I Just Wanna Stop", released under the title "Es Mejor Parar" in the Spanish edition and "É Melhor Parar" in the Brazilian one.

Estrella Guía followed the commercial success achieved by Pires in the Latin American and American markets with his previous solo efforts. Due to its success abroad, BGM's New York office invested US$ 3 million to launch the album in international markets.[8]

The album spawned three singles, "Ámame", released on January 27, 2003, "Quietémonos la Ropa", released on May 19, 2003, and "En el Silencio Negro de la Noche", released on October 20, 2003, all three songs charted on the Hot Latin Tracks and Latin Pop Airplay charts, both by Billboard, "Ámame" at number 2 in both, "Quietemonos la Ropa" at 3 and 8, and "En el Silencio Negro de la Noche" at 24 and 14, respectively.[9][10] Additionally, though "Amame" did not enter the Billboard Hot 100, it peaked at number 14 on the Bubbling Under Hot 100, being Pires' only appearance at the chart.[11]

The three singles were accompanied by music videos, which portrayed a story about a love affair divided in three parts. In "Ámame", Pires portrays a bodyguard for a billionaire and his wife in São Paulo. He then runs away with the wife and has an afair with her. The story continues in "Quitémonos la Ropa" where the millionaire plans a revenge while the couple enjoy their time together. Then, the husband attempts to shoot Pires but the wife intersects, receiving the bullet and dying. Lastly, in "En el Silencio Negro de la Noche", Pires plots his own revenge. A year later, he finds the billionare, shooting him after a fight and killing him.[12][13]

Upon release, Estrella Guía peaked at number 12 at the Top Latin Albums chart, while at the Latin Pop Albums, the album peaked at number 6.[14] It also peaked at number 45 at the Top Heatseekers chart.[15] In the United States, the album was certified platinum, being Pires' second certification in said country.[16] In Pires' native country Brazil, the album was certified gold, being his second album to be certified after Alexandre Pires (2001), which was certified platinum in both its Spanish and Portuguese versions.[17]

The album continued Pires' success in the United States, which was considered a feat due to its genre being mainly pop ballads as well as Pires' racial background. Leila Cobos from Billboard wrote that Pires "is a unique case of a black artist who succeeds in the US without singing salsa, mambo or rap".[8]

Professional ratings

Review scores
Source	Rating
AllMusic	[6]

Billboard gave a positive review to the album writing that "with his smooth-as-silk vocals, Brazilian singer Alexandre Pires takes another step forward hearhrob statud among Spanish speakers with this collection of burnished Latin pop, layered arrangements, and soulful vocals".[18]

In a more mixed review, Thom Jurek from AllMusic gave the album two and a half stars out of five writing that the album was "beautifully executed but generic nonetheless" commenting that while Pires was a great vocalist, when he sung in Spanish "the depth of his emotional expression is somewhat stilted", however, Jurek highlighted the two duets in the project as the album's "two most successful moments".[6]