Emil Siebern
Emil Siebern (1888 – 1942) was an American sculptor.
He was born in New York City,[1] one of six children – five brothers and one sister – of immigrant German parents and studied art at Cooper Union for the Advancement of Science and Art in New York City, where he met his future wife Marie Karl;[2] she was studying the violin.[3] The oil industry magnate John D. Rockefeller was an early patron for Siebern, who from 1909 until 1914 lived in a house on Rockefeller’s estate Kykuit in the Pocantico Hills, Mount Pleasant, and served there as "superintendent of statuary".[4] Rockefeller financed him a tour of Italy, Greece and France to study art and sculpture there, and some of Siebern’s work appears in the gardens at Kykuit. After his wife had left him taking their three children Vincent, Everit and Marie with her, Siebern subsequently moved to Ossining and later, to Greenwich Village in Manhattan, where he taught sculpture from his studio.[5]
For a considerable time during the Great Depression he carried out contracted works for the Works Progress Administration (WPA). Emil Siebern was signatory of The Greenwich Village Bookshop Door, a makeshift autograph book for the nearly 250 creatives who passed through Frank Shay's Bookshop between 1920 and 1925.[5]
Siebern, a tall and heavy man,[6] worked in various styles, but he was particularly adept at Art Deco and a pioneer in stainless steel as an art medium, as exemplified in this polished steel nymph with beach ball at New York's Astoria Park swimming pool in Queens.[7][8] He is best known for his figurative sculptures as well as his relief panels at public buildings in New York,[9] Detroit,[10] Montreal[11] and elsewhere. He also made the statues of King William III and Queen Mary II originally intended for the entrance to the College of William and Mary at the end of Duke of Gloucester Street in Williamsburg, Virginia, but eventually placed in 1932 on the gate piers to the college at James Blair Drive and Richmond Road, the King and Queen Gate.[12][13]
Siebern died suddenly, at age 53, in his sleep, either from a heart attack or a stroke on June 14, 1942.[14]
References
- He is sometimes said to have been born in Germany.
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- August 25, 1887 in Manhattan; † April 7, 1952 in Dallas, Texas (Gravestone
- "Emil Siebern - Biography".
- In 1913, during the period of labor protests by radical anarchists at Kykuit, the house where Siebern and his young family were living, burned down while his wife and children were out for a walk, leading to speculation that this was the result of arson. (Robert F. Dalzell Jr. & Lee Baldwin Dalzell: The House the Rockefellers Built: A Tale of Money, Taste, and Power in Twentieth-Century America. Henry Holt & Co., New York, 2007, ISBN 0-8050-8857-1, p. 119)
- "Emil Siebern: The Greenwich Village Bookshop Door".
- 6’4’’ and well over 300 pounds.
- Urbsite: A walk through BMO: if those allegories could talk...
- Astoria History – the long gone statues at Astoria Pool
- Among them are two of the 13 Mowgli bas-reliefs at the Prospect Park Zoo in Brooklyn: "Mowgli’s Animal Friends Pursue the Monkeys" on the south side of the North entrance shelter on Flatbush Avenue and "The Water Hole in the Jungle" on the north side of the South entrance shelter. (The Kipling Society: The Mowgli Bas-reliefs, Prospect Park Zoo, Brooklyn, New York, 1935)
- On the old Detroit Stock Exchange Building (Studios plan new life for home of Detroit Stock Exchange).
- "Bank of Montreal". 3 August 2007.
- Richard Guy Wilson et al.: College of William and Mary, Old Campus, SAH Archipedia, UVaP, Charlottesville, 2012, accessed 6 January 2019
- Sculptures on Campus
- "Emil Siebern - Biography".
External links
- Emil Siebern in his studio in Greenwich Village
- Emil Siebern in his studio in Greenwich Village
- Sculptor Emil Siebern sits in his New York studio looking over one of his creations.
- “Pursuit” by Emil Siebern, north shelter at the Flatbush Avenue entrance of the Prospect Park Zoo in Brooklyn, series 832, exhibit CC, approved October 14, 1935
- Obituary in the New York Times, 15 June 1942, p. 15