Elvira Amazar
Elvira Amazar (1890s – February 7, 1971), also known as Vera Amazar or Elaine Amazar, was a Serbian-born Russian-American soprano singer and actress. She was also the subject of the first photograph described as "cheesecake", in 1917.
Elvira Amazar | |
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Born | 1890s |
Died |
Early life
Elvira Amazar was born in Serbia. Her father was a mining engineer. She was orphaned as a small girl, when both parents died during a strike. Relatives in Poland took her in, and she was educated in Germany and Moscow. She studied music in Paris and Milan.[1] Among her teachers were Félia Litvinne and Umberto Masetti.[2]
Career
Amazar began her singing career at the Marinskiy Theater in St. Petersburg (Petrograd), Russia, in Il Pagliacci by Leoncavallo [3] and found further success in Monte Carlo and Milan. She moved to the United States during World War I, a member of the Boston National Opera Company[4] and a client of the Bel Canto Music Bureau.[5] She sued her lover, baritone Georges Baklanoff, for an assault while they were on a Pacific Coast tour in 1917.[6] They later reached a settlement.[7]
Amazar appeared in three silent films, The Volcano (1919), As a Man Thinks (1919),[8] and L'Aviateur Masqué (1922). She had a cabaret act in Paris in 1920.[9]
In 1917 she appeared in Ziegfeld's Follies of 1917.[10] In 1925, Amazar was in the cast of another revue, Sinners of 1925, in New York.[11] In 1927 and 1928, she was in the cast of Blossom Time, an operetta based loosely on the life of composer Franz Schubert.[12][13]
"Cheesecake"
Amazar was known for wearing short skirts and high heels,[14] and is often mentioned in connection with the term "cheesecake". As the story goes,[15] in 1915, Amazar raised her skirt to show some of her bare leg for a photograph.[16] The photographer was George Miller. Miller's editor liked the image enough to declare it "better than cheesecake," and the word "cheesecake" became a term for photographs of attractive young women baring some skin.[17]
Personal life
Elvira Amazar was involved with a married colleague, George Baklanoff, for several years.[18] (His wife and children lived in Russia.) Her claims that he deceived her into traveling with him[19] led to their arrests in Chicago, under the Mann Act, in 1920.[20][21] The couple left for Paris soon after they were charged;[22] Baklanoff was allowed to re-enter the United States in 1921,[23] and the deportation orders were dropped by 1922.[24] She became a citizen of the United States in 1929.[25]
She had a daughter, Tatiana Amazar (1911-1979), born in Russia, who became a cookbook author and food editor.[26] Elvira Amazar died in New York City in 1971, in her seventies.[27]
References
- "Elvira Amazar, Lyric Soprano" Musical Courier (September 27, 1917): 26.
- "Elvira Amazar to Appear in Concert Here This Season" Musical America (September 29, 1917): 21.
- Fedoroff family archive
- "Russian Operas to be Sung Here" (September 14, 1916): 5. via ProQuest
- "Elvira Amazar Engagements; Bel Canto Bureau Items" Musical Courier (November 1, 1917): 38.
- "Russian Soprano Sues Baritone for $25,000, Alleging Assault" Musical America (May 5, 1917): 44.
- "Elvira Amazar Withdraws Suit Against George Baklanoff" Musical America (May 19, 1917): 15.
- Alan Gevinson, Within Our Gates: Ethnicity in American Feature Films, 1911-1960 (University of California Press 1999): 55. ISBN 9780520209640
- Simon Morrison, Lina and Serge: The Love and Wars of Lina Prokofiev (HMH 2013): 57-60. ISBN 9780547844138
- "The 'Follies of 1917' Are Coming to Town" New York Times (June 10, 1917): 79. via ProQuest
- "Theatrical Notes" New York Times (February 16, 1925): 24. via ProQuest
- "Majestic Theatre" Brooklyn Life and Activities of Long Island Society (May 12, 1928): 18. via Newspapers.com
- "Fitting Exponent of Vixenish Prima Donna Promised in 'Blossom Time'" Courier-Journal (October 16, 1927): 31. via Newspapers.com
- "Wear 'em 9 Inches Above Ground, Girls!" News Journal (October 1, 1915): 2. via Newspapers.com
- Vic Timoner, "Harbor Lights" Brooklyn Daily Eagle (January 13, 1954): 21. via Newspapers.com
- "Women Here Do Not Know Makeup Art" Philadelphia Inquirer (October 2, 1915): 2. via Newspapers.com
- Tracey Owens Patton, Sally M. Schedlock, Gender, Whiteness, and Power in Rodeo: Breaking Away from the Ties of Sexism and Racism (Lexington Books 2012): 99. ISBN 9780739173213
- "The Baklanoff-Amazar Affair" Musical Courier (January 15, 1920): 8.
- "Music's Charms Fail" Daily News (January 8, 1920): 3. via Newspapers.com
- "Ha! Artistic Temperament and Cruel Laws Clash Again" Oregon Daily Journal (February 1, 1920): 56. via Newspapers.com
- "Mlle. Amazar Arrested" New York Times (January 8, 1920): 22. via ProQuest
- "Off for Paris, but not Together" Daily News (April 5, 1920): 7. via Newspapers.com
- "Baklanoff May Re-Enter" New York Times (October 6, 1921): 28. via ProQuest
- "Deportation of Baklanoff Is Dropped by U. S." Chicago Sunday Tribune (February 12, 1922): 10. via Newspapers.com
- "Actress is Now American Citizen" Brooklyn Daily Eagle (May 7, 1929): 15. via Newspapers.com
- "Tatiana Nichols, 68, Dies; Food Authority, Musician" Baltimore Sun (May 11, 1979): 15. via Newspapers.com
- "Deaths" New York Times (February 9, 1971): 42. via ProQuest
External links
- Elvira Amazar at IMDb
- "Wharburton Gamble, Elaine Amazar, and Henry Clive in a scene still" (1919), a photograph at the Wisconsin Historical Society.