El Pintor

Self-produced by the band and recorded at Electric Lady Studios and Atomic Sound in New York City, the album was engineered by James Brown (known for his work for Foo Fighters) and mixed by Alan Moulder (known for his production and mixing work for My Bloody Valentine, Swervedriver, the Smashing Pumpkins and Nine Inch Nails).[4][5] The bass duties on the album were taken over by frontman Paul Banks. The album features guest appearances by Brandon Curtis (Secret Machines), Roger Joseph Manning Jr. (Jellyfish) and Rob Moose (Bon Iver).[1]

In a 2018 interview with Vice, Banks claimed that the band's future was uncertain after Dengler left, saying: "it was really just daunting to find out if we could be a good band without Carlos, because he was a really integral member of our band." However, it didn't take long for the group to find the type of sound they wanted to go with in the future. Banks continued: "I think everyone was of common mind and purpose when we made this record. We’d gone pretty far left on Interpol, so I think there was a spirit of “Let’s just try to rock.” It was a good reset for us."[6]

Professional ratings

Aggregate scores
Source	Rating
AnyDecentMusic?	7.5/10[7]
Metacritic	77/100[8]
Review scores
Source	Rating
AllMusic	[9]
The A.V. Club	A−[10]
Chicago Tribune	[11]
The Guardian	[12]
Mojo	[13]
NME	8/10[14]
Pitchfork	5.9/10[15]
Q	[16]
Rolling Stone	[17]
Uncut	7/10[18]

Reviews of El Pintor have been highly positive overall. At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 77, which indicates "generally favorable reviews", based on 34 (26 positive and eight mixed) reviews.[8] Clash magazine critic Will Salmon wrote: "...as an exercise in getting back to where you once belonged, El Pintor is highly successful".[19] Dom Gourlay of Drowned in Sound thought that the album "feels more structured than Interpol" and stated, "Bold in intention and quiet in confidence, they've gone back to basics here and for the most part, the results are sublime". Gourlay also described the album as the band's "finest record in a decade".[20] Writing for NME, Rhian Daly stated that the band proved that "there's still plenty of value in their elegantly downtrodden aesthetic."[14] The Skinny critic Gary Kaill wrote: "Expansive and texturally advanced, and arguably their strongest outing since that lauded debut, this is a welcome second coming".[21] Uncut magazine also stated: "It's back go [sic] icy, slightly gothic basics".[18] Larry Fitzmaurice of Pitchfork gave a more mixed review of the album, stating: "There’s nothing here that touches the band’s creative peak, but any of El Pintor's songs could hang with Interpol's strongest deep cuts".[15]

El Pintor made its way onto multiple music magazine best of the year lists, most prominently, Drowned in Sound (No. 13), Q (No. 12) and NME (No. 49). It was voted the second best album of 2014 by the popular German music website Laut.de.[22]

Interpol

• Paul Banks – vocals, rhythm guitar, bass guitar, production
• Daniel Kessler – lead guitar, piano (10), production
• Sam Fogarino – drums, percussion, production

Guest musicians[1]

• Brandon Curtis – keyboards (1–8, 10, all bonus tracks)
• Roger Joseph Manning, Jr. – keyboards (9)
• Rob Moose – violin (10); viola (10)
• Brad Truax – bass guitar on "Slow Hands (Live)" on the Target deluxe edition

Other personnel

• James Brown – engineering, recording
• Alan Moulder – mixing
• Greg Calbi – mastering[2]

• Interpol official website